Rob Marshall to Direct Steven Sondheim’s INTO THE WOODS for Disney; Gives Brief Update on PIRATES 5

by     Posted: January 10th, 2012 at 6:05 pm

Director Rob Marshall is heading back to musicals. After helming Pirates of the Caribbean: On Stranger Tides, Marshall signed on to direct a remake of the 1934 film The Thin Man with Johnny Depp attached to star, and now he’s set to reteam with Disney on a feature film version of Stephen Sondheim’s fairy tale-themed musical Into the Woods. Marshall got his start as a choreographer before bursting onto the scene with 2002’s Oscar-winning movie musical Chicago, and now he’s poised to return to the world of song and dance. Hit the jump for more.

Paul Dano Exclusive Interview THE EXTRA MAN; Plus THERE WILL BE BLOOD Talk and Working With Paul Thomas Anderson

by     Posted: August 11th, 2010 at 7:06 pm

Paul Dano’s career has been defined by strong performances opposite award-winning actors.  The stunning list of his high-profile onscreen pairings range from his breakthrough, Indie Spirit Award-winning turn for Best Debut Performance in 2001’s L.I.E. as the target of a pedophile, played by fellow nominee Brian Cox, to his portrayal of a nihilistic teen as part of Little Miss Sunshine’s 2007 SAG Award winning ensemble where he shared a backseat in the Hoover’s family van with Alan Arkin in the 76-year-old’s Oscar-winning performance, to his performance of a preacher and his twin (Paul and Eli Sunday) opposite eventual Oscar-winner Daniel Day-Lewis’ unhinged oil man Daniel Plainview in Paul Thomas Anderson’s There Will Be Blood.

Collider caught up with the 26-year-old to discuss his latest big screen partnership in The Extra Man, which opened in Los Angeles this past weekend to continue its national rollout, opposite Kevin Kline.  Hit the jump for the interview’s transcript and audio, along with stories of his early work with several Oscar winners, Daniel Day-Lewis’ intensity, whether he’ll work on Paul Thomas Anderson’s latest film, his take on the Broadway musical adaptation of Little Miss Sunshine and the danger of dressing in drag, on screen.

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