In anticipation of the announcement of the nominations for the 85th Academy Awards tomorrow morning, the American Society of Cinematographers has announced its list of nominees for outstanding achievement in cinematography. Roger Deakins was singled out for his gorgeous work on this year’s Skyfall, as was Claudio Miranda for the breathtaking Life of Pi. The list of nominees is rounded out by Seamus McGarvey for Anna Karenina, Danny Cohen for Les Miserables, and Janusz Kaminski for Lincoln.
Deakins has been nominated by the ASC for a total of 11 times now, winning for The Shawshank Redemption and The Man Who Wasn’t There. Shockingly, he has never won an Academy Award despite being nominated for fantastic work like The Assassination of Jesse James, No Country for Old Men, and True Grit, but this could very well be his year. Hit the jump to read the full press release, and click here to read my predictions for tomorrow’s Oscar nominations. The ASC Awards will be held on February 10th.
In Lincoln, as the Civil War neared its conclusion in early 1865, newly re-elected President Abraham Lincoln (Daniel Day-Lewis, in a truly remarkable, award-worthy performance) was determined to unite Congress in passing a Constitutional amendment to abolish slavery. Facing fierce pro-slavery opposition, Lincoln employed strategy, persuasion and political muscle to get a swift and decisive victory before the impeding Confederate surrender, so as not to risk losing the opportunity to end slavery.
At the film’s press day, I had the opportunity to speak with Academy Award winning cinematographer Janusz Kaminski and make-up designer Lois Burwell, whose contributions to the film make a huge impact to the overall mood and feel of the story, for this exclusive interview for Collider, in which they talked about what they enjoy about their collaboration with such a consummate storyteller as Steven Spielberg, the importance of developing a shorthand with the director you’re working with, the decision not to storyboard the film, collaborating with actor Daniel Day-Lewis on this make-up for the role, and what the experience of awards season is like for them (the film is sure to receive nominations in a number of categories). Kaminski also shared his preference for film over digital, and why he feels that way. Check out what they had to say after the jump.
Since 3D re-releases seem to be all the rage these days (thanks to The Lion King), we’ll soon get the opportunity to re-watch some fan favorites in theaters. Disney has a full slate of 3D re-releases planned, including Finding Nemo and The Little Mermaid, and now comes word that dinosaurs will once again terrorize movie theaters, though this time it’ll be in three dimensions. Variety’s Jeff Sneider reports that Jurassic Park is set for a 3D re-release on July 19th, 2013. That weekend is currently only home to the DreamWorks Animation film Turbo, but it’s also a couple weeks after Steven Spielberg’s Robopocalypse hits theaters.
Steve (the Collider one) spoke with producer Kathleen Kennedy about the possible 3D re-release of Jurassic Park back in December. At the time she said they only wanted to do the 3D conversion if they could do it right, with Kennedy clarifying that that means Spielberg and director of photography Janusz Kaminski would be sitting down and evaluating the film frame-by-frame. Hit the jump to see what else she had to say about Jurassic Park’s 3D conversion.
The nominations for the 84th Annual Academy Awards have finally been unveiled. Many of the categories have fallen in line just as most have predicted (I fared alright with my predictions, but not great), with Hugo scoring 11 nods, followed closely by The Artist with 10. The biggest surprises are War Horse and Extremely Loud and Incredibly Close getting in for Best Picture, the exclusion of The Adventures of Tintin from Best Animated Feature, and The Tree of Life nabbing Best Picture and Best Director nods (hooray!). On the snub side of things, despite landing the most precursor critics awards of any other actor in the race thus far, Albert Brooks was denied a Best Supporting Actor nod for his stellar work in Drive (boo). Additionally, Tilda Swinton was overlooked for giving the best performance of the year in We Need to Talk About Kevin, and AMPAS has no love for Michael Fassbender‘s haunting work in Shame.
There’s still plenty to be happy about, as Gary Oldman has his first ever Oscar Nomination (yes, that’s right) and Melissa McCarthy is a Best Supporting Actress nominee. Hit the jump to check out the full list of nominees. The 84th Academy Awards will be presented by Billy Crystal on February 26th.
“A Boy and His Pet” stories can be immensely charming. Pets are sweet and they look up to the boy (or girl, but usually it’s a boy in these stories) and the boy loves his faithful friend. The genre started out as a “A Boy and His Dog”, but has expanded to “A Boy and His Robot” (The Iron Giant) and “A Boy and His Dragon” (How to Train Your Dragon). Steven Spielberg‘s War Horse pulls it back to terrestrial creatures and starts out trying to tell the story of a boy and his horse. But then the movie changes gears, separates the two and rather than show the struggle of both to get back to the other, the story uses the horse to try and tell a series of vignettes about life during World War I. However, those vignettes lose their honesty when Spielberg refuses to show the devastating horror of war.
If you’re a film nerd, you immediately recognize the name Janusz Kaminski. That’s because as the director of photography on The Diving Bell and the Butterfly, War of the Worlds, Jerry Maguire, Saving Private Ryan, Munich, Schindler’s List, Catch Me If You Can, and so many other great movies, Kaminski has clearly demonstrated that he’s one of the best cinematographers in the world. So when I was offered the chance to interview him at the New York City press junket for director Steven Spielberg‘s fantastic new movie, War Horse, I jumped at the chance.
During the interview he talked about how he picks his projects, if the location where a movie is being made influences him, his thoughts on film vs. digital, the difficulty of setting up a scene when a horse is a major character, and I tried to get him to talk about Lincoln. However, while he wouldn’t say much on Lincoln, he did say his next project will be Harmony Korine‘s Spring Breakers. Hit the jump to watch.
If you’re unfamiliar with the name Kathleen Kennedy, I assure you you’re very familiar with her work. Kennedy has been one of Steven Spielberg‘s producing partners since Raiders of the Lost Ark, and is responsible for producing films like Schindler’s List, Jurassic Park, The Sixth Sense, The Curious Case of Benjamin Button, and many many more. Most recently she worked with Spielberg on the director’s two December releases War Horse and The Adventures of Tintin. Steve is currently in New York for the War Horse junket and he got the chance to speak with Kennedy, who gave updates on a number of high profile projects.
While we’ll have the full interview up shortly (as well as updates on other upcoming projects), we wanted to share with you what she had to say about a Tintin sequel, Jurassic Park 4 and the possiblity of a 3D re-release for Jurassic Park today. Kennedy confirmed that they’re working on another entry in the Jurassic Park franchise, revealed that Universal has approached them about a 3D re-release of the original Jurassic Park, and said they’ve already set things in motion for a sequel to Tintin, which could feasibly be released by Christmas 2014 or summer 2015. Hit the jump to see what she had to say.