I have a confession to make: I’ve dropped too much cash on sweet, sweet movie poster prints and frames the last month or so. In addition to my Mondo/Jock The Dark Knight Rises print (which was secured for me by my friend and fellow Collider teammate, Bill Graham), I’ve also picked up Mondo/Phantom City Creative’s The Cabin in the Woods and this little Drive gem by artist Louis Fernando Cruz all in a matter of a few weeks. While I couldn’t be any happier with my purchases (well, I could have stood to pay a little less for The Cabin in the Woods), the truth remains that I’m quickly running out of wall space and disposable income. With all of this in mind, I do have to give a big “thank you” to my wife for tolerating my plans to adorn our house with movie posters. I’ve promised her that my buying flurry will now subside. Unless, of course, someone out there has a Gallery 1988/Rhys Cooper Robocop print they want to part with on the cheap, in which case, I think I have just enough wall space and unaccounted for monies to make one last purchase.

Poster hunting aside, in this week’s edition of the Top 5, I’ve compiled for your reading pleasure our Lawless interviews with Shia LaBeouf, screenwriter/composer Nick Cave, and more, a week filled with rumors surrounding Warner Bros.’ Justice League pic, For a Good Time, Call… video interviews with Ari Graynor, Lauren Miller, and more, a well deserved red-band trailer for The To Do List, and some encouraging, some not so encouraging, news from the set of director Jose Padilha‘s Robocop reboot. A brief recap and link to each awaits after the jump.

Katie Anne Naylon worked as a phone-sex operator. Let’s get that out of the way upfront.  From that experience, she co-wrote (alongside star Lauren Miller) the upcoming For A Good Time, Call…: a light bubble-gum comedy that fully embraces the inherent silliness to oohing and ahhing into a phone to make money.  The film uses such a wanton backdrop to explore the bond and closeness of a burgeoning female friendship.  Guys, for the most part, are a secondary concern in the film – voices over a phone to be exploited for their bank account.  It’s a film that attempts to de-stigmatize the ‘lewdness’ of the phone-sex trade – because at the end of the day both parties come out happy, be it sexually or financially.  In the eyes of the film – it’s a win-win situation.

In the following interview with Naylon, she discusses her background as a phone-sex operator, the rewriting process on For A Good Time, Call…, and her future projects in development on TV.  For the full interview, hit the jump.  For A Good Time, Call… opens this Friday.

Eventually, society will accept that people saying dirty words won’t be the downfall of Western civilization.  Over the past few decades, words that weren’t permissible on television have become commonplace.  I believe within ten years, “fuck” will be used as casually as “ass” or “damn” on network sitcoms.  In this way, For a Good Time, Call… is a trailblazer in using a sitcom-y premise and filling it up with filthy language.  All of the clichés are still in place, the humor is inoffensive (unless you’re one of the vulgarity-western-downfall people), and the film provides a nice little distraction.