[This is a re-post of my review from the 2014 Sundance Film Festival. Young Ones opens today in limited release.]
There are rare times when everything in a movie can work—its direction, performances, etc.—and yet the picture somehow comes up short. This is the problem with trying to judge movies piecemeal. For all of the different aspects that make up a picture, we have to evaluate it as a whole. Obviously, we can call attention to its outstanding aspects, but they have to lead, for better or worse, to some kind of impression. Jake Paltrow’s Young Ones is remarkable in how it does so much right, and yet it leaves the viewer completely cold. Its strengths are undeniable and its flaws are subtle, so subtle that they can be confusing as to how such a technically superb picture can be so ineffective.