Before the thrilling adventures of James Bond hit the page or screen, they were experienced first-hand by author-to-be, Ian Fleming (Dominic Cooper). The four-part original drama Fleming: The Man Who Would Be Bond tells the fascinating story of the man whose own life and escapades were the inspiration for one of the most iconic figures in modern literature.
During the BBC America portion of the TCA Press Tour, director Mat Whitecross and executive producer Douglas Rae talked about how this project came about, how they created the look they wanted, Ian Fleming’s weird relationships with women, using the music, and the ongoing popularity of the spy genre. Check out what they had to say after the jump.
James Bond is headed to the small screen…kind of. Variety reports that Dominic Cooper (Captain America) is in talks to play James Bond creator/author Ian Fleming in a four-part biopic miniseries for Sky Atlantic directed by Mat Whitecross (The Road to Guantanamo). Written by John Brownlow and Don Macpherson, the project is tentatively titled Fleming and will take place during WWII, when Fleming worked for British Naval intelligence against the Nazis. This was an influential time for Fleming, as it was his experiences during the war that led to the creation of James Bond and influenced the storylines of a number of books.
This isn’t the only Fleming biopic in the works, as Moon helmer Duncan Jones is also developing a film based on Fleming’s time with British Intelligence. Jones’ project is currently the only film to be given the full support of The Ian Fleming Estate. Cooper most recently entered talks to join Aaron Paul in the video game adaptation Need for Speed and will next be seen opposite Colin Farrell in the thriller Dead Man Down this coming March.
Andy Serkis is in flux. Again. In an industry thick with top-flight thespians known for a complete immersion with each new role, the 46 year-old stands apart because of his whole-hearted embrace of new technology. From his complex portrayals of Gollum in The Lord of The Rings trilogy and the title role in King Kong to his work as Captain Haddock in Peter Jackson and Steven Spielberg’s upcoming The Adventures of Tintin: The Secret Of The Unicorn and his return to Middle Earth on The Hobbit films, no other actor has consistently morphed from project to project, over the past decade, with the same combination of acting ability and performance capture innovation.
However, the biggest innovation in Andy Serkis’ latest project, Sex & Drugs & Rock & Roll, is Serkis himself. He reportedly lost nearly 30 pounds, worked out the right side of his body while letting his left side go weak and wore a leg caliper for months to mold himself into the polio-afflicted British punk icon Ian Dury. His role off-camera also changed, as he conceived and shaped the film with the screenwriter Paul Viragh. Add those responsibilities to his recently formed production company, a new performance capture studio/academy and you have a man in transition.
Collider caught up with Serkis for a revealing conversation about his changing career and his own background. Hit the jump for the audio and transcription, along with plenty of stories on The Hobbit, Tintin, Burke & Hare, Steven Spielberg. Guillermo del Toro, John Landis and, of course, Peter Jackson.
Recently launched video-on-demand label Sundance Selects announced today that it has struck a deal with the Sundance Institute that will see three films from this year’s upcoming Sundance Film Festival become available on-demand across the nation in concurrence with their festival premieres. The featured films will be The Shock Doctrine, a documentary on disaster capitalism; Daddy Longlegs, “a fairy tale and bittersweet comedy about the responsibilities of parenthood”; and 7 Days, a revenge drama about a man who kidnaps his daughter’s killer for a week-long torture session. All three will be available on most major cable providers, as well as satellite provider DirecTV, for 30 days after their initial release, in a special section of your system’s on-demand channel.
Let’s hope that this is the first of many such ventures involving Sundance and other festivals. There is so much original and compelling filmmaking on display at these venues. And even though the festival circuit has become a major feeding ground for the studios in recent years, many films worthy of attention still end up slipping through the cracks, never being afforded the opportunity to reach a larger audience. VOD can go a long way toward remedying this.
Hit the jump to find out more about the three films that will be featured in this project, which organizers have dubbed “Direct from the Sundance Film Festival.”