Because so many directors are overwhelmingly lazy with how they capture action (i.e. shake the camera around because nothing is as thrilling as nausea), we’ve gained a greater appreciation for filmmakers who can deliver excitement cleanly and clearly. It’s an art and a science, and John Wick is an exercise at how to succeed at both. Directors David Leitch and Chad Stahelski show they are masters of efficiency as the kills are stylish and direct. But technical proficiency doesn’t inherently lead to exhilaration, and while the technical craft of John Wick is undeniable, its half-hearted storytelling is supported not by strong characters or a deep narrative (the impetus for the protagonist would be comical in its simplicity if it wasn’t wholly depressing), but by an interesting world that’s far more intriguing than any of the people who inhabit it.