by Jason Barr Posted: September 22nd, 2012 at 12:11 pm
Last night, I managed to squeeze in a double feature of Dredd 3D and The Master. While I wasn’t thrilled with the prospect of not having a 2D showing available to choose from, I have to admit that director Pete Travis‘ film provided me with my first 3D screening since 2010′s Piranha 3D that actually felt worth the extra dimension and additional ticket price. As for The Master, it’s probably unfair to judge something so heavy after a single viewing. That said, my initial reaction is that I can’t remember watching a film where its individual parts so far exceed the sum the first time around. From top to bottom the pic’s technicality is superb. And yet, I don’t see myself in any hurry to revisit Paul Thomas Anderson‘s latest world.
Moving forward to the reason we’re all here, in this week’s episode of the Top 5, The Hobbit celebrates Tolkien Week in a big way with a new trailer and images, we get our first looks at a new suit from director Jose Padilha‘s Robocop reboot, Steve sits down to talk End of Watch with Jake Gyllenhaal, Anna Kendrick, and more, Kick-Ass 2 set images continue to roll out while Aaron Johnson talks about the film at TIFF, and Fantastic Fest 2012 kicks off. Continue reading for a brief recap and link to each.
Opening this weekend is director David Ayer’s (Harsh Times) police thriller End of Watch. The film stars Jake Gyllenhaal and Michael Peña as two Los Angeles beat cops who find themselves marked for death after a routine traffic stop turns into an epic drug bust that interferes with a notorious cartel. Unlike Ayer’s previous films which focused on corrupt police officers, Gyllenhaal and Peña play honest cops trying to make a difference. In addition, most of the movie was filmed with handheld cameras, and Ayer’s POV shots put the audience right in the middle of the action. Trust me, End of Watch is definitely worth your time and the chemistry between Gyllenhaal and Peña is a lot of fun. For more on the film, here’s Matt’s review, my video interviews with Ayer and Gyllenhaal, twenty things to know from my set visit, and all our previous coverage. nd of Watch also stars Anna Kendrick, Natalie Martinez, America Ferrera, Cody Horn and Frank Grillo.
Last week at the Toronto Film Festival I was able to speak with Kendrick and Martinez. During our fun exchange we talked about premiering at TIFF, their reaction to the finished film, the unique camerawork, was it advantageous to have such a short shooting schedule, and more. Hit the jump to watch.
The first trailer for the cop-thriller End of Watch has gone online. The film stars Jake Gyllenhaal and Michael Peña as a couple of uniformed officers who overstep their bounds when they decide to investigate a drug cartel and end up becoming targets. Writer-director David Ayer, who previously wrote Training Day, Dark Blue, S.W.A.T., and directed Street Kings, appears to be staying firmly in his comfort zone but now he’s gone the overused found-footage route. Steve was excited by what he saw when he visited the set, but this trailer has me waiting to be convinced.
Hit the jump to check out the trailer. The film also stars Anna Kendrick, America Ferrera, Frank Grillo, and Natalie Martinez. End of Watch opens September 28th.
The first trailer has jumped online for Billy Bob Thornton-starrer, The Baytown Disco. A self-professed “Southern-fried whip-ass extravaganza,” The Baytown Disco features a trio of ruthless outlaw brothers who fall into helping a damsel in distress (Eva Longoria). She hires them to help return her godson (Thomas Brodie Sangster), who has been kidnapped by her nefarious ex-husband, Rob (Thornton). While I wasn’t exactly sold on the synopsis and images alone, the new trailer hits all the right banjo strings (and the femme fatales certainly do not hurt). Directed by Barry Battles, The Baytown Disco also stars Clayne Crawford, Michael Rapaport, Daniel Cudmore, Travis Fimmel, Andre Braugher and Paul Wesley. Hit the jump for the trailer and official synopsis, and to watch the original short that inspired the feature-length film.
Over the Wall, a racing thriller written by debut director Steven Christopher Young has landed two new cast members. Hayden Panettiere (Heroes) and Melissa Leo (The Fighter) will join Nick Stahl (Sin City) and Freddy Rodriguez (Planet Terror) in the love story set in the world of stock car racing. The plot follows the characters as they get past the turmoil of a tragic event.
Alona Tal (Supernatural) and Natalie Martinez (Death Race) will star opposite Mark Wahlberg in Broken City. The Allen Hughes picture follows an ex-cop private eye (Wahlberg) who is investigating a murder while a mayoral candidate (Russell Crowe) is embroiled in an election scandal. The film also stars Catherine Zeta-Jones. Hit the jump for more on both projects.
Anna Kendrick (Scott Pilgrim vs. The World) and Natalie Martinez (Death Race) are in talks to star in the gritty cop drama End of Watch. Directed by David Ayers (Street Kings), the two will join a bald-headed Jake Gyllenhaal and Michael Peña. Ayers directs from a script that he wrote, which centers on the friendship between two seasoned police officers in Los Angeles. Variety reports that the actresses will play the love interests of Gyllenhaal and Peña, though doesn’t state which actress is paired up with which actor.
Ayer is no stranger to cop dramas, having made his directorial debut with 2005’s Harsh Times. He also penned the screenplays for The Fast and the Furious, Training Day and S.W.A.T. I’m a big fan of Kendrick’s, and Gyllenhaal can be great with good material, so hopefully everything comes together for End of Watch.
As most of you have probably noticed, over the past week, we’ve posted a number of interviews with the cast of ABC’s hit police procedural drama Detroit 187 as I got to visit the set last month. What I like about the show is the humor that helps distance it from others in the same field, and the veteran cast and smart writing push it even further. Anyway, for today’s interview I’ve got Natalie Martinez, who plays Det. Ariana Sanchez. Hit the jump for the full video interview, including links to the previous ones from the past week:
When putting together a police procedural, there’s a couple routes you can go:
1) Stick with the tried and true, building on the foundation established Hill Street Blues, Law & Order, NYPD Blue, and countless others
2) Lay your own spin on the formula, such that each episode is more than just a case of the week
The latter is the quickest way into my heart, if not the public’s, as evidenced by ABC’s quirky (and short-lived) midseason effort The Unusuals. When ABC went back to the drawing board, they came up with Detroit 1-8-7 for the fall season. The show was firmly implanted in camp 2) as a mockumentary that tracks the adventures of a group of Detroit cops. 1-8-7 retooled over the summer, ditching the doc format, and is now stuck in the ether between 1) and 2). My review after the jump.