This week on The Collision, we’ll be talking about the beginning of the 2012 awards season with Awards Daily founder and editor-in-chief Sasha Stone (@AwardsDaily). We discuss the recent wins from various critics associations, their influence on the Academy, recent Oscar history, the current state of the race, and much more.
Click here to listen to the new episode of The Collision, click here for the previous episode (“Crime Films and Killing Them Softly“), click here to add the podcast to your RSS, and click here to find us on iTunes. To keep up to date with The Collision, you can follow us on Twitter at @MattGoldberg, @AdamChitwood, and @DrClawMD (Dave Trumbore). Hit the jump to check out the trailers for this week’s recommendations.
The Film Society of Lincoln Center held an hour-long discussion between Joel and Ethan Coen and fellow filmmaker Noah Baumbach. Normally I’d bitch and moan about how jealous I was not to be there and then cry myself to sleep. But not today! Filmlinc.com has kindly posted the discussion online and I know what I’ll be watching when I get off work today. Some of the topics covered include how the Coens open their movies, their use of voice-over, how they use misdirection, and how their films compare to Baumbach’s. The interview is also worth watching because the Coens rarely speak about the films and instead prefer to let them stand on their own. People continue to speculate on the symbolism of the hat in Miller’s Crossing.
Hit the jump to check out the video and quotes pulled from the interview.
In previous years, Alamo’s Rolling Roadshow would travel the globe to hold screenings in places significant to the movie being shown. This year, Alamo is keeping the Roadshow to Texas and today they’ve released the custom posters for The Searchers, The Texas Chainsaw Masscare, Blood Simple, Hud, Red River, Bonnie and Clyde, Tender Mercies, No Country for Old Men, Giant, and The Last Picture Show. They’re all great and we’re all going to be super jealous if we don’t get one. You know, if you already weren’t super jealous over not being able to make it to these screenings.
Speaking of stuff that will make you jealous, Alamo has provided details of what’s going to make their special screening of The Texas Chainsaw Massacre so special. Hit the jump to check out the posters along with details on The Texas Chainsaw Massacre. The 2011 Rolling Roadshow begins Friday, June 3rd with The Searchers. Click here for a full list of dates.
The Alamo Drafthouse’s Rolling Roadshow is one of the year’s great screening series as the vaunted theater brings classic films to a location that’s significant to the film being shown. So for instance, films shown at last year’s Roadshow like Dirty Harry and The Blues Brothers were shown San Francisco’s Washington Square Park and Chicago’s Joliet Prison, respectively. The shows also tend to have special guests and sweet merchandise. Oh, and the shows are free.
I was hoping that one of the screenings would swing by Georgia this year, but my state and 48 others are out of luck. Texas, home of the Alamo Drafthouse, will also be home to all of the 2011 Rolling Roadshow pictures. The films on this year’s roadshow are (I’m already jealous writing this) The Searchers, The Texas Chainsaw Masscare, Blood Simple, Hud, Red River, Bonnie and Clyde, Tender Mercies, No Country for Old Men, Giant, and The Last Picture Show. Hit the jump for the full press release and to find out where each film will play. The 2011 Rolling Roadshow begins June 3rd.
One of my favorite cinematographers is Roger Deakins. If you look over his amazing resume, you’ll see he’s shot so many memorable films, you’d be hard pressed to have not seen at least a few of them. Some of the standouts include The Assassination of Jesse James by the Coward Robert Ford, No Country for Old Men, The Big Lebowski, The Shawshank Redemption, and True Grit. As you may have noticed by the titles I just listed, Deakins has a very close relationship with the Coen Brothers, as he shoots most of their movies.
The other day I got to do an exclusive phone interview with Deakins and we talked about a wide range of subjects: what kinds of cameras and lenses he likes to use, his relationship with the Coen brothers and how they work together, making True Grit, digital vs. film, his next movie Now which he shot digitally with the Arriflex Alexa (his first time using digital), his relationship with DreamWorks and his involvement on How to Train Your Dragon and the upcoming sequel, 3D, and when I asked him about what’s coming up next, he said, “I’ll probably do a film with Sam Mendes next.” When I asked him if that meant he was shooting Bond 23, he said, “it might, yeah.”
If you’re interested in cinematography, or just a fan of Deakins work, hit the jump to either read or listen to our conversation:
Though it’s a brand new year, we’ll be left cleaning up after 2010 for weeks to come. After falling to second place on New Year’s Eve, Little Fockers managed to edge past True Grit to retain the box office crown for a second weekend in a row. All hail the king. Overall, 2010 will end up only slightly behind 2009’s record with over $10 billion in profits – due largely to early successes like Avatar and Alice and Wonderland, of course. Nothing in the ass-end of the past year is even coming close to those titles in terms of dollars or attendance.
||The King’s Speech
After 25 years in the industry, Joel and Ethan Coen have filmmaking down to a fine art. And as such, A Serious Man plays like a meticulously orchestrated symphony.
With equal parts reverence for and mockery of suburban Jewish society in the 1960s, A Serious Man is unlike any other movie from 2009. Then again, each and every one of the Coen brothers’ films stands out from its contemporaries. In this updated Job story, Michael Stuhlbarg plays Larry Gopnik, a middle-aged Jewish physics professor who doesn’t know how good he’s got it until his world comes crashing down at his feet. The film hits DVD this Tuesday, and it’s definitely one for the collection. Follow the jump to see why.
It’s been almost 10 years since David Lynch’s Mulholland Dr. made its debut in theaters, but it still holds a very high place in the hearts of L.A. film critics. Here’s is [via Indiewire] the L.A. Film Critics Association’s just-released Best of the ’00s list:
1. Mulholland Dr. - David Lynch
2. There Will Be Blood - Paul Thomas Anderson
3. Eternal Sunshine of the Spotless Mind - Michel Gondry
4. Brokeback Mountain - Ang Lee
5. No Country for Old Men - Joel and Ethan Coen / Zodiac - David Fincher (tie)
6. Yi Yi - Edward Yang
7. 4 Months, 3 Weeks and 2 Days – Cristian Mungiu / The Lord of the Rings – Peter Jackson (tie)
8. Spirited Away - Hayao Miyazaki
9. United 93 – Paul Greengrass / Y Tu Mama Tambien - Alfonso Cuaron (tie)
10. Sideways - Alexander Payne
Hit the jump for my thoughts on their Top 10 as well as my personal list for the best of the last decade.
I’ve really enjoyed the lists I’ve posted this week and I hope you have too. I keep notes year-round on everything I feel is worth noting about particular movies so I don’t forget and I can compile it into what (hopefully) makes or an informative read. However, this list I’ve been dreading. Unlike the other lists, there’s no real recommendation at work here. It’s a list designed to highlight mostly beloved and established films. It’s also difficult to factor in films of 2008 and 2009 because I don’t know their staying power. Finally, it’s a list that will ultimately please no one because there’s no way I can narrow the hundreds of great films that have come out over the last ten years into twenty that I’ve determined are better than all the rest. So why am I doing it? I have my reasons. They’re not very good ones, but I have them.
The decade is ending, these films left an impact on me, and so I’ll call them out for their greatness and accept that there were plenty of other movies that could have filled in just as easily.
Hit the jump to start the countdown.
Tommy Lee Jones has signed up to star and direct Cormac McCarthy’s “The Sunset Limited”, which will also star Samuel L. Jackson, for HBO from a script adapted by McCarthy himself. Hollywood seems to be riding the Cormac McCarthy love train as of late with “No Country for Old Men”, “The Road”, and two other films based off of Comac McCarthy novels in the works. To find out which two adaptations those are and to know more about “The Sunset Limited” hit the jump.