We ascribe technology a personality and vice versa. We say our machines “hate” us when they break down. Programs illustrate the interests of the user. Spike Jonze’s Her may seem like an outrageous concept—a man falling in love with a computer—the idea is closer than we think, and its immediacy isn’t just a social concern. It’s an existential concern as the film attempts to provide the contours of a soul through the absence of a body, a past, and society. Her is a fragile, delicate movie that requires the audience’s absolute indulgence, but the rewards are some head-spinning questions coupled with a tender, funny, and touching love story.