Oscar Beat: Which Awards Contenders Will Emerge from the Fall Film Festival Season?

by     Posted 3 days ago

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Ready or not, the awards season is about to begin.  Every year, Oscar season kicks off with the series of film festivals in late August and early September.  It’s at these festivals—Telluride, Toronto, and Venice—that a hefty number of the year’s Oscar hopefuls debut and begin what they hope will be long and prosperous campaigns.  Four out of the last five Best Picture winners screened at both Telluride and Toronto, and as the festivals are about to start later this week, now felt like a good time to preview the block of awards hopefuls that will be screening since the odds are pretty good that this year’s Best Picture winner will have debuted by mid-September.

Hit the jump for the Fall Film Festival Preview 2014 edition of Oscar Beat.

Oscar Beat: What Awards Prospects Does the First Half of 2014 Have to Offer?

by     Posted 53 days ago

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We’ve now passed the halfway point of 2014, and while we dusted off our awards column Oscar Beat to rundown the post-Cannes Film Festival atmosphere back in May, the Oscar season doesn’t begin in earnest until September.  That said, given that fall isn’t the only time of the year that’s considered eligible for awards notice, I thought it fitting to take a look back at the last six months to see what films might pop up in the Oscar conversation later this year.  Read on after the jump.

Oscar Beat: Early Contenders Arise from Cannes Film Festival

by     Posted 96 days ago

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It seems like only yesterday we were closing out the lengthy and eventful awards season with my 2015 preview installment of Oscar Beat, but the next race is already starting to heat up.  The first awards barometer of each year arrives with the Cannes Film Festival, and the most recent fest is no different.  A number of potential contenders premiered on the Croisette over the past couple of weeks, and after all the standing ovations (and a fair amount of boos), some serious Oscar contenders have emerged.

Hit the jump as I take a look at the post-Cannes Oscar landscape, which includes contenders like Foxcatcher, Mr. TurnerMaps to the Stars, and even a possible Oscar nomination for Channing Tatum.

Oscar Beat: 10 Films That Could End Up in the 2015 Awards Race

by     Posted 175 days ago

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With the recent 86th Academy Awards ceremony, the Oscar race has finally come to a close—for now.  We just spent the past five months here on Oscar Beat deconstructing every inch of the Oscar season, and while we still have quite a while to wait before the next race heats up, now seems like a fine opportunity to take a quick preview of what just might be on tap for next year’s ceremony.  Obviously it’s way too early to take the 2015 Oscar race seriously, but there are plenty of anticipated films slated for release this year that could turn out to be the serious contenders in the next awards race.  After the jump, I preview 10 of the films that might pop up in next year’s Oscar conversation.

TOP 5: Adam Driver Nears Deal to Play Villain in STAR WARS EPISODE 7, GODZILLA Trailer, NON-STOP, Cinemath Meets Oscar Beat, VERONICA MARS Set Visit

by     Posted 182 days ago

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Lying somewhat quietly between two of David Fincher‘s most beloved works is The Game (1997) starring Michael Douglas. Although it failed to reach the level of critical and box office success enjoyed by Seven (1995) or the cult classic status of Fight Club (1999), after watching its Criterion Collection DVD release this past week I came away thinking that it may actually be one of Fincher’s best directorial efforts. Working from a script by John Brancato and Michael Ferris (2/3 of the writing trio that helped bring you the 2004 Catwoman screenplay that you enjoyed so much), Fincher’s cold/muted color palette, striking visual style, and fantastic pacing help elevate the interesting, albeit occasionally absurd, screenplay to another level. The result is a haunting work that expertly sets up and tears down the callous, calculated world of corporate wealth by forcing Douglas’ Ebenezer Scrooge archetype to see the shell of a life he has outside of his work and possessions. The Game may go off the rails at times, but with Fincher’s steady hand guiding the story it does so in all the extremely dark, right ways.

My Fincher recommendation aside, I should mention that the Top 5 will take a quick week hiatus to allow me to travel next weekend. In the meantime, this week’s installment highlights the Star Wars: Episode VII casting news involving Adam Driver, the new trailer for director Gareth EdwardsGodzilla, a review and interviews for Non-Stop, worlds colliding as Brendan’s Cinemath meets Adam’s Oscar Beat, and our Veronica Mars set visit coverage. As you’ve come to expect, a brief recap and link to each of the above can be found after the jump.

Adam Predicts the Oscars Part 3: Best Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress, and More

by     Posted 183 days ago

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After running down predictions for the Oscars in a number of categories over the past two days, we’ve now come to the big ones.  As I’ve said many times before over the course of this awards season, this is quite possibly the closest Best Picture race in history; a coin flip would not be unwarranted.  And while some of the acting categories are pretty sewn up, Supporting Actress remains a bit tricky and there’s some intense competition in the race for Best Original Screenplay.  I’ve had a lot of fun covering this year’s awards race over the last five months with Oscar Beat and I look forward to doing it all over again this fall, but for now here’s the culmination of this season’s coverage.

After the jump you’ll find my predictions for the final categories ahead of this weekend’s Academy Awards ceremony as well as my full predictions list for the ceremony, and if you missed Part 1 or Part 2 be sure to check them out.  The 86th Academy Awards will air on Sunday, March 2nd on ABC, during which time our own Matt Goldberg will be live-blogging the ceremony right here on Collider.

Adam Predicts the Oscars Part 2: Best Cinematography, Costume Design, Production Design, Makeup, and Short Categories

by     Posted 184 days ago

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Continuing on with predictions for this Sunday’s Oscar ceremony, today we take a look at the rest of the technical categories and the shorts—aka where Oscar ballots are made or lost.  I surmised that Gravity would clean up in most of yesterday’s categories, but the love will have to be spread around when it comes to Costume Design, Makeup & Hairstyling, and possibly Production Design.  After the jump, I run through these categories as well as the contenders for Best Animated Short, Live-Action Short, and Documentary Short in Part 2 of my Oscar predictions.

Cinemath Meets Oscar Beat: Who Would Win Every Best Picture Race If IMDb Voters Chose the Winner?

by     Posted 188 days ago

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As part of his Oscar Beat coverage, Adam wrote about how well the Best Picture winners of the last 10 years hold up.  Today we want to go deeper, look at every Best Picture race to see if the right movie won.  That could be a daunting task, since we don’t naturally have a strong opinion on the battle between Cavalcade and I Am a Fugitive from a Chain Gang at the 6th Academy Awards.  Instead, Brendan turns to the power of numbers and the wisdom of crowds in the latest Cinemath, comparing the IMDb rating of every Best Picture winner since 1928 to the highest-rated nominee that year.

Additionally, Adam breaks down the Best Picture races by decade for historical context, noting the interesting discrepancies and surprises.  Check it out after the jump.

Oscar Beat: Breaking Down This Year’s Toughest Races

by     Posted 196 days ago

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The Academy Awards ceremony is now only a few weeks away, and though it’s been a month since the nominations were announced, there are still a number of races that are shaping up to be very, very close.  It’s been clear since the fall festival circuit that this was going to be a tough year, but it really is shaping up to be one of the most competitive Best Picture races in history.  Moreover, there’s been plenty of nastiness behind-the-scenes from those trying to slow down the momentum of one film or another: Gravity is inaccurate!” “The Wolf of Wall Street” condones despicable behavior! “12 Years a Slave” is too hard to watch!

We’ve seen frontrunners rise and fall over the past few months in a number of categories, and with the official ceremony within arms reach, now seems like a good time to take a look at the toughest races.  There’s plenty of competition to thumb through, so hit the jump to check out this latest installment of Oscar Beat.

Awards Roundup: HER and CAPTAIN PHILLIPS Take WGA Awards, GRAVITY Wins Cinematography Honors, and FROZEN Lands Annie Trophy

by     Posted 209 days ago

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A trio of award organizations handed out prizes last night: the Writers Guild of America, the American Society of Cinematographers, and the International Animated Film Association’s Annie Awards.  In a bit of an upset at the WGA Awards, Spike Jones took home Best Original Screenplay for Her over American Hustle, and Billy Ray nabbed Best Adapted Screenplay honors for Captain Philips over The Wolf of Wall Street and Before Midnight.  It should be noted, though, that due to eligibility rules, Adapted Screenplay Oscar nominee 12 Years a Slave was ineligible for the WGA trophy.

Hit the jump for more, including the full list of winners from the organizations and some Oscar analysis from yours truly.

Adam Predicts the 2014 Oscar Nominees

by     Posted 228 days ago

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Well, folks, the time has finally come.  I’ve been covering this year’s awards season since last fall when we launched our awards column Oscar Beat, and after running through the ups and downs of the season thus far, it’s now time to predict which films, performances, screenplays, and other cinematic achievements from 2013 the Academy will choose to single out.  I feel very confident about some of my choices while others feel like more of a crapshoot.  One thing’s for sure: this has been quite an interesting season thus far, and there’s still no consensus with regards to some of the big winners.

Hit the jump as I take a stab at predicting the 2014 Oscar nominees.  The nominations will be announced at 5:30am PST on January 16th.

TOP 5: JACK RYAN: SHADOW RECRUIT Set Visit, Marvel One-Shot ALL HAIL THE KING, MUPPETS MOST WANTED Set Visit, BATMAN VS. SUPERMAN, Oscar Beat

by     Posted 231 days ago

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Available via Netflix Watch Instantly as of late December, last weekend I finally got the chance to check out writer/director Joe Swanberg‘s romantic comedy Drinking Buddies. I should disclaim that it’s near impossible for me to be objective when talking about Swanberg given that he’s a fellow Southern Illinois University alum and few things make me prouder than a Saluki film student enjoying success in the industry. That out of the way, I enjoyed the heck out of Drinking Buddies. Much has been made of the film’s stellar cast and I won’t try and dispute those claims at all. As someone who has never watched a minute of Fox’s New Girl, I loved Jake Johnson‘s turn in the pic and I bought he and Olivia Wilde‘s romantic chemistry hook, line, and sinker. As for Anna Kendrick and Ron Livingston? Lets just say that I love each of them in almost everything and this is no exception. All in all, Buddies is a funny, sweet, realistic teetering on the verge of understated look at the universal concept of being just friends.

Instant stream recommendations aside, this week’s Top 5 includes our Jack Ryan: Shadow Recruit set visit coverage, the first look at the Marvel One-Shot All Hail the King starring Ben Kingsley, a set visit recap for Muppets Most Wanted, some villain rumors surrounding Batman vs. Superman, and Adam’s latest installment of Oscar Beat that breaks down the guild nods and what they could mean for Oscar season. Like you might expect, a brief recap and link to each of the above can be found after the jump.

Oscar Beat: The Guilds Have Spoken, So Where Does This Leave Us for Oscar?

by     Posted 235 days ago

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We’re very, very close to the nominations announcement for the 86th Academy Awards, and now that the various guilds—the Screen Actors Guild, the Producers Guild, the Writers Guild, and the Directors Guild—have announced their nominees, we have a pretty clear picture of what we might expect with regards to Oscar.  As I’ve said before, one of the biggest predictors of how the Academy will vote comes with the guilds, since the guild membership has a strong crossover with Academy membership.  With just over a week to go before the Oscar nominations are announced, now feels like a good time to take a glance at the current landscape to see what films are shaping up to be Oscar favorites, and which films might miss this cut.

Hit the jump to read this latest installment of Oscar Beat in which I take a closer look at this morning’s DGA nominations, offer an overview of which films have landed the most nods from the various guilds, and what that means for Oscar.

Oscar Beat: Analyzing What the Producers Guild Awards Nominations Mean for Oscar

by     Posted 240 days ago

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When it comes to predicting the Oscars, there are a number of factors to take into account.  The early critics awards carry some weight, as does a film’s overall box office performance, but the most significant gauge with regards to Oscar voting comes with the guild awards.  The four major guilds—producers, directors, writers, and actors—have a large amount of crossover with Academy membership, which means that many of the same people that are voting for the Oscars are also voting in the PGA, DGA, WGA, and SAG awards.  Earlier today we got our first look at the Producers Guild of America nominations, and there were a couple of minor surprises mixed in with the usual suspects.

In this edition of Collider’s awards column, Oscar Beat, I’ll be analyzing what this year’s PGA nominations mean with regards to the upcoming 86th Academy Awards race.  Read on after the jump.

For Your Consideration: This Year’s Oscar-Worthy, Overlooked Films, Performances, and Screenplays

by     Posted 247 days ago

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As part of Collider’s new column, Oscar Beat, I’ve been covering the in’s and the out’s of this year’s awards race for the past few months.  While there are plenty of excellent films contending for a number of different awards, there are also a number of films that, for one reason or another, don’t fit the “Oscar mold” but deserve recognition all the same.  The Academy is loathe to recognize any kind of comedic work despite the fact that the “Best Actor” or “Best Picture” categories lack disclaimers that would disqualify genres other than drama, and smaller pictures have a hard time drumming up support against the studio-backed fare.

After the jump, I run down a number of films, performances, and screenplays from 2013 that are deserving of awards attention despite failing to drum up serious support.

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