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	<title>Collider&#187; Sundance 2012</title>
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		<title>My Year of Film Festivals: Looking Back at Sundance, SXSW, TIFF, and Fantastic Fest</title>
		<link>http://collider.com/film-festival-reviews-sundance-sxsw-tiff-fantastic-fest/</link>
		<comments>http://collider.com/film-festival-reviews-sundance-sxsw-tiff-fantastic-fest/#comments</comments>
		<pubDate>Thu, 27 Sep 2012 21:47:08 +0000</pubDate>
		<dc:creator>Matt Goldberg</dc:creator>
				<category><![CDATA[Editorial]]></category>
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		<category><![CDATA[2012 Sundance Film Festival]]></category>
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		<category><![CDATA[2012 Toronto International Film Festival]]></category>
		<category><![CDATA[Fantastic Fest]]></category>
		<category><![CDATA[Fantastic Fest 2012]]></category>
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		<category><![CDATA[Toronto International Film Festival]]></category>

		<guid isPermaLink="false">http://collider.com/?p=198448</guid>
		<description><![CDATA[
I went to more film festivals this year than I ever had before.  I went to Sundance in January, SXSW in March, and TIFF and Fantastic Fest this month.  It's exhausting, but it's fun.  I see it as a nice break from the grind of delivering news stories.  It's not that news is bad, or that it doesn't have value, but it's nice seeing the final product of the smaller films we've reported on since we probably only heard of them from a casting story as opposed to an onslaught of trailers and posters.  Obviously, there are film festivals where there are marquee titles making their last big push before opening in wide release (Sundance is the only festival where the biggest films—those filled with recognizable actors—might not even have distributors let alone a release date).  But it's always a nice variety, and each festival has its own flavor.

After the jump hit the jump for my impressions of each festival.



Sundance

Best Film I Saw: Beasts of the Southern Wild

Worst Film I Saw: Lay the Favorite

This was my second year at Sundance, and I've enjoyed it both years.   While there wasn't a movie that blew me away on a first viewing like Martha Marcy May Marlene and Project Nim, there were still plenty of terrific flicks (and I should note that while I didn't fall in love with Beasts of the Southern Wild on the first viewing, I adored it when I saw it again in theatrical release).  There were only two ...]]></description>
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		<slash:comments>1</slash:comments>
	
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		<title>Writer-Director Jonathan Kasdan THE FIRST TIME Interview</title>
		<link>http://collider.com/jonathan-kasdan-the-first-time-interview/</link>
		<comments>http://collider.com/jonathan-kasdan-the-first-time-interview/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 00:57:14 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[Brittany Robertson]]></category>
		<category><![CDATA[Craig Roberts]]></category>
		<category><![CDATA[Dylan O'Brien]]></category>
		<category><![CDATA[James Frecheville]]></category>
		<category><![CDATA[Jonathan Kasdan]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[The First Time]]></category>
		<category><![CDATA[Victoria Justice]]></category>
		<category><![CDATA[Video Interview]]></category>

		<guid isPermaLink="false">http://collider.com/?p=143923</guid>
		<description><![CDATA[
One of the many films to premiere at this year's Sundance Film Festival was writer-director Jonathan Kasdan's (In the Land of Women) The First Time.  The film stars Brittany Robertson, Dylan O'Brien, Craig Roberts, James Frecheville and Victoria Justice.  Like Richard Linklater's Before Sunrise (one of my favorite films), The First Time is about watching two people fall in love, except instead of taking place over one night in Vienna, The First Time takes place over a weekend and it's about two High School students.  While I've seen many High School celluloid love stories crash and burn before the end credits, Kasdan pulled me in with believable dialogue, realistic situations, and he reminded me what it feels like to be seventeen and unsure of everything.  While I saw a lot of films at this year's Sundance, The First Time was one of my favorites.

Shortly after the Festival ended, I sat down with Kasdan for an extended interview.  We talked about Sundance, the influence of Before Sunrise, how he used his own personal experiences in the script, casting, getting financing, the contrast between making studio movies versus smaller films, improv vs. sticking to the script, future projects, the irony of “discovering” talent such as Kristen Stewart before they are “box office gold," and a lot more.  Hit the jump to watch.



As usual, I've time indexed the interview so you can watch the parts that interest you.

Jon Kasdan Time Index

	0:00 – Kasdan talks about his reaction to the Sundance Film Festival.
	0:40 – ...]]></description>
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		<title>Tim Heidecker, Eric Wareheim and Will Forte Talk TIM &amp; ERIC’S BILLION DOLLAR MOVIE</title>
		<link>http://collider.com/tim-heidecker-eric-wareheim-will-forte-tim-eric-billion-dollar-movie-interview/</link>
		<comments>http://collider.com/tim-heidecker-eric-wareheim-will-forte-tim-eric-billion-dollar-movie-interview/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 19:09:21 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[Eric Wareheim]]></category>
		<category><![CDATA[MacGruber]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Tim and Eric's Billion Dollar Movie]]></category>
		<category><![CDATA[Tim Heidecker]]></category>
		<category><![CDATA[Will Forte]]></category>

		<guid isPermaLink="false">http://collider.com/?p=144047</guid>
		<description><![CDATA[
One of the many films to premiere at this year's Sundance Film Festival was Tim and Eric’s Billion Dollar Movie (which is now playing on VOD and in theaters March 2).  The pic marks the first feature-length film from the comedy duo of Tim Heidecker and Eric Wareheim and it stars Zach Galifianakis, John C. Reilly, Will Ferrell, Will Forte and Jeff Goldblum.   It’s pretty much what you’re expecting from the oddball team.  For more on the film, here's the red band and the green band trailer.

During Sundance I was able to sit down with Heidecker, Wareheim and Forte for an extended interview.  We talked about premiering at Sundance, how the project came together, is the movie more scripted than their TV work, their thoughts on VOD, what will be on the DVD/Blu-ray, financing, what's coming up for the three of them, and a lot more.  Hit the jump to watch.



Tim Heidecker, Eric Wareheim and Will Forte Time Index

	Heidecker and Wareheim talk about coming back to Sundance.
	0:50 - They would like to see other movies in the festival, including some made by friends.
	2:00 - The script came together quickly, about 6-8 weeks of writing.  Financing and logistics took longer.
	3:00 - The movie is much more scripted than their TV work, though there is room for improvisation.
	5:00 - The TV shooting schedule allows for multiple takes, but the tight timeline of the movie sometimes allowed just one.
	5:30 - One scene required over 20 takes because they Wareheim say one line without ...]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Director Colin Trevorrow and Screenwriter Derek Connolly Talk SAFETY NOT GUARANTEED at Sundance</title>
		<link>http://collider.com/director-colin-trevorrow-and-screenwriter-derek-connolly-talk-safety-not-guaranteed-at-sundance/</link>
		<comments>http://collider.com/director-colin-trevorrow-and-screenwriter-derek-connolly-talk-safety-not-guaranteed-at-sundance/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 02:05:19 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[Colin Trevorrow]]></category>
		<category><![CDATA[Derek Connolly]]></category>
		<category><![CDATA[Safety Not Guaranteed]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Video Interview]]></category>

		<guid isPermaLink="false">http://collider.com/?p=142619</guid>
		<description><![CDATA[
One of the many films that premiered at this year’s Sundance Film Festival was director Colin Trevorrow‘s Safety Not Guaranteed.  Written by Derek Connolly,   the film’s about a trio of  magazine employees investigate a  classified  ad that seeks a partner for  time travel. One employee  develops  feelings for the paranoid but  compelling loner and tries to  discover  what he’s really up to.  It’s  based on a real ad that was  passed around  the internet in 2005 and the  movie stars Aubrey Plaza, Mark Duplass, Jake Johnson and Karan Soni.     Shortly after premiering, FilmDistrict bought the film, so you can    look forward to seeing it at some point in the future.  For more on the    film, you can read Matt’s review.

After seeing the movie, I got to sit down with Colin Trevorrow and Derek Connolly for an extended interview. We talked about premiering at Sundance, how they first met, casting, how they secured financing, filming multiple endings, using the brand new Sony F3 to shoot the film, and a lot more.  Hit the jump to watch the interview.



As usual, I’ve time indexed the interview so you can watch the parts   that interest you.  Finally, if you missed my video interviews with Jake Johnson, Aubrey Plaza, or Mark Duplass, click the links.

Colin Trevorrow and Derek Connolly Time Index

	0:30 – Talk about their first    ...]]></description>
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		<title>Acquisition News: Weinstein Company Picks Up BACHELORETTE, Image Acquires GOATS, and Anchor Bay Nabs EXCISION</title>
		<link>http://collider.com/bachelorette-weinstein-company-goats-image/</link>
		<comments>http://collider.com/bachelorette-weinstein-company-goats-image/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 01:35:07 +0000</pubDate>
		<dc:creator>Adam Chitwood</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Anchor Bay Films]]></category>
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		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[The Weinstein Company]]></category>

		<guid isPermaLink="false">http://collider.com/?p=143693</guid>
		<description><![CDATA[
The 2012 Sundance Film Festival may be over, but the acquisitions are not. We’ve got three such stories to share with you today. First up, The Weinstein Company has closed a deal for North American distribution rights to the raunchy comedy Bachelorette. The film stars Kirsten Dunst, Isla Fisher, Lizzy Caplan, Adam Scott, and James Marsden and centers on four high school friends who reunite when the least popular of the group gets engaged to one of the most eligible bachelors in New York City. Matt praised the candidly despicable portrayal of the main characters, but was disappointed when the film tried to redeem their behavior towards the end. You can read his review here.

Deadline reports that The Weinstein Company plans on releasing the film through their new label Radius, which focuses on multi-platform release strategies. They plan on releasing Bachelorette on a multi-platform day and date release with a theatrical component. Hit the jump for acquisition news concerning the David Duchovny pic Goats and the horror film Excision.

Additionally, Image Entertainment has nabbed U.S. rights to the coming-of-age drama Goats. The film stars David Duchovny as a man who ventures outside of his unconventional desert home to reconnect with his estranged father. Matt wasn’t particularly a fan of the film, and you can read his review here. Deadline reports that Image Entertainment plans on releasing the film later this year. Vera Farmiga, Ty Burell, and Graham Phillips also star.

Finally, Anchor Bay Films announced today that they have acquired North American ...]]></description>
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		<title>Writer-Director Andrea Arnold Talks WUTHERING HEIGHTS at Sundance</title>
		<link>http://collider.com/andrea-arnold-wuthering-heights-interview/</link>
		<comments>http://collider.com/andrea-arnold-wuthering-heights-interview/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 23:30:08 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Andrea Arnold]]></category>
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		<category><![CDATA[Wuthering Heights]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141704</guid>
		<description><![CDATA[
At this year's Sundance Film Festival, I was able to sit down with writer-director Andrea Arnold (Fish Tank, Red Road) for an extended interview about her adaptation of Wuthering Heights that stars James Howson, Kaya Scodelario, Steve Evets, and Nichola Burley.  Here's the short synopsis:
"What would you do if you were denied your soulmate? The passionate tale of Heathclith and Cathy, two teenagers whose elemental love for each other creates a storm of vengeance. From Andrea Arnold, comes a new take on the classic, a startling vision of desire and obsession."
Like her previous films, Arnold has added a realistic take to the material, and it was one of my favorite films at Sundance.   During the interview, Arnold talked about being at Sundance, how she got involved in the project, her writing process, having the film vary its aesthetic depending on the characters age,  what she learned from showing the movie to friends, film vs. digital, what she has coming up, and a lot more.  Hit the jump to read or listen to the interview.

As usual, I'm offering two ways to get the interview: you can either click here for the audio, or the full transcript is below.  Also, I'm offering the teaser trailer and full synopsis first.
In a remote farmhouse on Yorkshire’s nineteenth-century moors, Mr. Earnshaw brings home a wary biracial boy, whom he names Heathcliff. Adopted into the family under Christian values, Heathcliff’s new presence is met with mixed feelings. Hindley, Earnshaw’s teenaged son, treats him with contempt, while ...]]></description>
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		<title>Rosemarie Dewitt Talks NOBODY WALKS, NEIGHBORHOOD WATCH, THE ODD LIFE OF TIMOTHY GREEN, and More at Sundance</title>
		<link>http://collider.com/rosemarie-dewitt-nobody-walks-neighborhood-watch-interview/</link>
		<comments>http://collider.com/rosemarie-dewitt-nobody-walks-neighborhood-watch-interview/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 04:50:44 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[karaoke]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[Rosemarie DeWitt]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[The Odd Life of Timothy Green]]></category>
		<category><![CDATA[Video Interview]]></category>
		<category><![CDATA[Your Sister’s Sister]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141862</guid>
		<description><![CDATA[
Nobody Walks, directed by Ry Russo-Young (You Won’t Miss Me), was one of the many films that premiered at this year’s Sundance Film Festival.  Written by Lena Dunham and Russo-Young, the ensemble drama stars John Krasinski, Olivia Thirlby, Rosemarie DeWitt, India Ennenga and Justin Kirk.  In the film, “Krasinski plays Peter, a Hollywood sound designer who’s agreed to help Martine (Thirlby) with her experimental art film as a favor to his wife (DeWitt). Martine, a beautiful and driven 23-year-old artist, comes to stay in the family’s pool house at their posh Silver Lake home, and her arrival ignites raw emotions and desires throughout the entire family.” Ennenga plays the daughter.  Since premiering, Magnolia picked up the film for domestic distribution, so you’ll be able to see it at some point down the road.

During my interview with Rosemarie Dewitt we talked about being at Sundance, who she plays in Nobody Walks and what it’s about, how the story changed along the way, karaoke and more.  In addition, since Dewitt just finished shooting Neighborhood Watch (which stars Vince Vaughn, Jonah Hill, and Richard Ayoade), she talked about who she plays and what it's about.  We also talked about Your Sister’s Sister and The Odd Life of Timothy Green. Hit the jump to watch.



As usual, I’ve time indexed the interview so you can watch the parts   that interest you.  Finally, if you missed my video interview with  India Ennenga for Nobody Walks, click here.

Rosemarie Dewitt Time Index

	:10 What’s her go ...]]></description>
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		<title>Directors Jake Schreier and Screenwriter Christopher D. Ford Talk ROBOT AND FRANK at Sundance</title>
		<link>http://collider.com/jake-schreier-christopher-d-ford-robot-and-frank-interview/</link>
		<comments>http://collider.com/jake-schreier-christopher-d-ford-robot-and-frank-interview/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 02:30:46 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Christopher D. Ford]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Jake Schreier]]></category>
		<category><![CDATA[Robot and Frank]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141606</guid>
		<description><![CDATA[
One of my favorite films at this year’s Sundance Film Festival was director Jake Schreier‘s Robot and Frank.  The film is set in the near future and centers on an elderly ex-jewel thief (Frank Langella) whose kids (James Marsden and Liv Tyler) give him a caretaker robot (voiced by Peter Sarsgaard), sparking an unlikely friendship. Susan Sarandon plays a librarian who serves as Langella’s only friend.  Since premiering at the festival, Sony Pictures Worldwide Acquisitions and Samuel Goldwyn Films picked up the film for distribution, so you can expect to see it for yourself later this year.  For more on the film, you can read Matt’s review.

Right after seeing the film I got to sit down with Jake Schreier and screenwriter Christopher D. Ford.   During the interview we talked about the origin of the movie, how the script changed along  the way, how they got financing, the design of the robot, the quick shooting schedule, what they learned during friends and family screenings, premiering at Sundance, and a lot more.  Hit the jump to either read or listen to the interview.



As usual, I’m offering you two ways to get this interview: you can either click here for the audio, or the full transcript is below.  Look for Robot and Frank later this year.  Finally, here's my interview with Frank Langella if you missed it.

Collider: We are at Sundance right now.  Can you talk about being at the festival and when did you find out you were getting in?  A ...]]></description>
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		<title>Mark Duplass Talks SAFETY NOT GUARANTEED, Alex Kurtzman’s WELCOME TO PEOPLE,  THE SKELETON TWINS, THE DO-DECA PENTATHLON at Sundance</title>
		<link>http://collider.com/mark-duplass-safety-not-guaranteed-welcome-to-people-interview/</link>
		<comments>http://collider.com/mark-duplass-safety-not-guaranteed-welcome-to-people-interview/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:56:39 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Black Rock]]></category>
		<category><![CDATA[Jeff Who Lives at Home]]></category>
		<category><![CDATA[Safety Not Guaranteed]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[The Do-Deca-Pentathlon]]></category>
		<category><![CDATA[The Skeleton Twins]]></category>
		<category><![CDATA[Video Interview]]></category>
		<category><![CDATA[Welcome to People]]></category>
		<category><![CDATA[Your Sister's Sister]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141887</guid>
		<description><![CDATA[
One of the many films that premiered at this year’s Sundance Film Festival was director Colin Trevorrow‘s Safety Not Guaranteed.  Written by Derek Connolly,  the film’s about a trio of  magazine employees investigate a classified  ad that seeks a partner for  time travel. One employee develops  feelings for the paranoid but  compelling loner and tries to discover  what he’s really up to.  It’s  based on a real ad that was passed around  the internet in 2005 and the  movie stars Aubrey Plaza, Mark Duplass, Jake Johnson and Karan Soni.    Shortly after premiering, FilmDistrict bought the film, so you can   look forward to seeing it at some point in the future.  For more on the   film, you can read Matt’s review.

After seeing the movie, I got to sit down with Mark Duplass for an  extended interview. We talked about being at Sundance, how he got  involved in Safety Not Guaranteed and what it’s about, what it  was like to watch the film for the first time with a big crowd at  Sundance, and how the film changed during production.  In addition,  since Duplass is involved in a number of other projects, we talked about  the directorial debut of Alex Kurtzman (Welcome to People), The Skeleton Twins (Bill Hader and Anna Faris as twins), Jeff Who Lives at Home, The Do-Deca-Pentathlon, The League, and a lot more.  Hit the jump ...]]></description>
		<wfw:commentRss>http://collider.com/mark-duplass-safety-not-guaranteed-welcome-to-people-interview/feed/</wfw:commentRss>
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		<title>TOP 5: WATCHMEN Prequel Comics, CHRONICLE Interviews, 16-Bit BREAKING BAD, DR. SEUSS&#8217; THE LORAX, Sundance 2012 Interviews</title>
		<link>http://collider.com/top-5-watchmen-prequel-comics/</link>
		<comments>http://collider.com/top-5-watchmen-prequel-comics/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:33:31 +0000</pubDate>
		<dc:creator>Jason Barr</dc:creator>
				<category><![CDATA[Editorial]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Recap]]></category>
		<category><![CDATA[Alex Russell]]></category>
		<category><![CDATA[Aubrey Plaza]]></category>
		<category><![CDATA[Before Watchmen]]></category>
		<category><![CDATA[Bradley Cooper]]></category>
		<category><![CDATA[Breaking Bad]]></category>
		<category><![CDATA[Chris Meledandri]]></category>
		<category><![CDATA[Chronicle]]></category>
		<category><![CDATA[College Humor]]></category>
		<category><![CDATA[Dane DeHaan]]></category>
		<category><![CDATA[DC Comics]]></category>
		<category><![CDATA[Dr. Seuss The Lorax]]></category>
		<category><![CDATA[Frank Langella]]></category>
		<category><![CDATA[Josh Trank]]></category>
		<category><![CDATA[Mary Elizabeth Winstead]]></category>
		<category><![CDATA[Michael B. Jordan]]></category>
		<category><![CDATA[Mike Shinoda]]></category>
		<category><![CDATA[Paul Dano]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Sundance 2012 Film Festival]]></category>
		<category><![CDATA[Teresa Palmer]]></category>
		<category><![CDATA[The Lorax]]></category>
		<category><![CDATA[Top 5]]></category>
		<category><![CDATA[Video Game]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://collider.com/?p=142876</guid>
		<description><![CDATA[
This past week brought us a story that is near and dear to me. While I briefly give my own thoughts regarding DC Comics' Watchmen prequel comic series after the jump, I want to use the "Top 5's" opening paragraph space to invite readers to voice/type their own opinions on the announcement in the comments section. As a fervent fan of the series, I'm always interested to hear fellow fans' take on Watchmen adaptations, prequels, and the like. So, with that said, what do you think? Does the creative talent involved interest you? Is it the best idea ever? The worst? Somewhere in between? Sound off in the comments.
In addition to DC's Before Watchmen announcement, this installment of the "Top 5" includes interviews with the cast and director of superhero/found-footage pic Chronicle, a "What If?" look at a 16-Bit Breaking Bad RPG, ten things to know about Dr. Seuss' The Lorax, and Sundance 2012 video interviews with Bradley Cooper, Paul Dano and more. A brief recap and link to each follows after the jump.
1. DC Comics Announces WATCHMEN Prequel Comics, BEFORE WATCHMEN

I love Watchmen. I love Alan Moore and Dave Gibbons' seminal 12-issue run. Flame away, but I really like *cough* love Zack Snyder's 2009 adaptation. All of this said, I can't help but feel like DC Comics' Before Watchmen series may eventually serve as proof that you really can have too much of a good thing. Now, that doesn't mean that I won't most likely be purchasing the first ...]]></description>
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		<title>John Hawkes Talks THE SURROGATE, LINCOLN, Working with Daniel Day-Lewis, and More at Sundance</title>
		<link>http://collider.com/john-hawkes-the-surrogate-lincoln-interview/</link>
		<comments>http://collider.com/john-hawkes-the-surrogate-lincoln-interview/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:23:09 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Daniel Day Lewis]]></category>
		<category><![CDATA[John Hawkes]]></category>
		<category><![CDATA[Lincoln]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[The Surrogate]]></category>
		<category><![CDATA[Video Interview]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141794</guid>
		<description><![CDATA[
Led by a truly remarkable performance by John Hawkes, writer-director Ben Lewin‘s The Surrogate blew me away at this year’s Sundance Film Festival.  The film’s based on the true story of Mark O’Brien, a 36-year-old poet and journalist with an iron lung, who decides that he no longer wants to be a virgin.  With the help of his priest (William H. Macy) and a professional sex surrogate (Helen Hunt), we follow his amazing journey.  Trust me, The Surrogates is great on so many levels (which explains why there was a bidding war; Fox Searchlight won), and it’s definitely going to be a contender at the 2013 Academy Awards.  For more on the film, here’s Matt’s review.

Shortly after seeing the film, I sat down with John Hawkes for an extended interview.  We talked about being at Sundance, how he prepared for The Surrogate, the responsibility of playing a real person, his preference between a few takes or a lot, and so much more.  In addition, since Hawkes just worked with Steven Spielberg on Lincoln, he talked about how Tony Kushner's screenplay drew him to the project and what it was like to work with Daniel Day-Lewis.  Hit the jump to watch.



As usual, I’ve time indexed the interview so you can watch the parts that interest you.  Finally, if you missed my video interview with William H. Macy you can watch it here.  The Surrogate will be released later this year.

John Hawkes Time Index

	Talks about being in a buzzed film at Sundance ...]]></description>
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		<title>Bradley Cooper and Co-Director Brian Klugman Talk THE WORDS, TRON: LEGACY, PARADISE LOST, THE PLACE BEYOND THE PINES, and More at Sundance</title>
		<link>http://collider.com/bradley-cooper-brian-klugman-the-words-paradise-lost-interview/</link>
		<comments>http://collider.com/bradley-cooper-brian-klugman-the-words-paradise-lost-interview/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 16:53:44 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[Bradley Cooper]]></category>
		<category><![CDATA[Brian Klugman]]></category>
		<category><![CDATA[Paradise Lost]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[The Hangover 3]]></category>
		<category><![CDATA[The Place Beyond the Pines]]></category>
		<category><![CDATA[The Words]]></category>
		<category><![CDATA[Tron Legacy]]></category>
		<category><![CDATA[Video Interview]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141470</guid>
		<description><![CDATA[
One of the best films I saw at this year’s Sundance Film Festival was writer-director Brian Klugman and Lee Sternthal‘s first feature, The Words. The film stars Bradley Cooper as a writer who, after discovering an extraordinary lost manuscript, passes the work off as his own and receives overwhelming critical acclaim.  Jeremy Irons plays the man who originally wrote the manuscript, and the film weaves multiple narratives to tell the story.  The Words also stars Zoe Saldana, Dennis Quaid, Olivia Wilde, Ben Barnes, and JK Simmons.  CBS Films bought the film after its first screening and they plan to release it later this year.  It’s definitely a film you should be excited to see.  For more on The Words, here's Matt's review.

Shortly after seeing the film, I did an extended interview with Bradley Cooper and co-writer-director Brian Klugman.  We talked about being at Sundance, how the project came together and how it changed along the way, deleted scenes, how the two of them became friends (they've known each other for decades), karaoke, film versus digital, and a lot more.  In addition, Klugman talked about his early draft of Tron: Legacy, and Cooper talked about what it was like to work on director Derek Cianfrance's The Place Beyond the Pines, and the status of Paradise Lost (it's hopefully filming this June).  Hit the jump to watch.



As usual, I've time indexed the interview so you can watch the parts that interest you.  And if you missed my video interview with Ben Barnes ...]]></description>
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		<title>Aubrey Plaza Talks SAFETY NOT GUARANTEED, THE TO-DO LIST (THE HAND JOB), PARKS AND REC, and More at Sundance 2012</title>
		<link>http://collider.com/aubrey-plaza-safety-not-guaranteed-the-to-do-list-hand-job-interview/</link>
		<comments>http://collider.com/aubrey-plaza-safety-not-guaranteed-the-to-do-list-hand-job-interview/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 16:25:51 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[A Glimpse Inside the Mind of Charles Swan III]]></category>
		<category><![CDATA[A Glimpse Inside the Mind of Charlie Swan III]]></category>
		<category><![CDATA[Aubrey Plaza]]></category>
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		<category><![CDATA[The Hand Job]]></category>
		<category><![CDATA[The To Do List]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141679</guid>
		<description><![CDATA[
One of the many films that premiered at this year’s Sundance Film Festival was director Colin Trevorrow‘s Safety Not Guaranteed.  Written by Derek Connolly, the film’s about a trio of  magazine employees investigate a classified ad that seeks a partner for  time travel. One employee develops feelings for the paranoid but  compelling loner and tries to discover what he’s really up to.  It’s  based on a real ad that was passed around the internet in 2005 and the  movie stars Aubrey Plaza, Mark Duplass, Jake Johnson and Karan Soni.   Shortly after premiering, FilmDistrict bought the film, so you can  look forward to seeing it at some point in the future.  For more on the  film, you can read Matt’s review.

After seeing the movie, I got to sit down with Aubrey Plaza for an extended interview. We talked about being at Sundance, karaoke, what's the last video game she's played (Batman: Arkham City and Braid), 3D gaming, how she got involved in Safety Not Guaranteed and what it's about, and what it was like to watch the film for the first time with a big crowd at Sundance.  In addition, she talked about Parks and Recreation, working with Bill Murray on director Roman Coppola's A Glimpse Inside the Mind of Charles Swan III, and director Maggie Carey's The To-Do List (aka The Hand Job), in which she plays a recent high school graduate intent on losing her virginity before going off to college.  ...]]></description>
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		<slash:comments>6</slash:comments>
	
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		<title>Frank Langella Talks ROBOT AND FRANK, His First Book DROPPED NAMES, and More at Sundance 2012</title>
		<link>http://collider.com/frank-langella-robot-and-frank-interview/</link>
		<comments>http://collider.com/frank-langella-robot-and-frank-interview/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 00:22:45 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
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		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Dropped Names]]></category>
		<category><![CDATA[Frank Langella]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Robot & Frank]]></category>
		<category><![CDATA[Robot and Frank]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>

		<guid isPermaLink="false">http://collider.com/?p=142330</guid>
		<description><![CDATA[
One of my favorite films at this year's Sundance Film Festival was director Jake Schreier's Robot and Frank.  The film is set in the near future and centers on an elderly ex-jewel thief (Frank Langella) whose kids (James Marsden and Liv Tyler) give him a caretaker robot (voiced by Peter Sarsgaard), sparking an unlikely friendship. Susan Sarandon plays a librarian who serves as Langella’s only friend.  Since premiering at the Festival, Sony Pictures Worldwide Acquisitions and Samuel Goldwyn Films picked up the film for distribution, so you can expect to see it for yourself later this year.  For more on the film, you can read Matt's review.

Right after seeing the film I got to sit down with Frank Langella for an exclusive interview.  During our extended conversation we talked about how he got involved in the project, how the script changed along the way, the design of the robot, the quick shooting schedule, filming on location, premiering it at Sundance, and a lot more.  In addition, Langella talked about writing his first book.  He told me, "It is called Dropped Names and it is about famous men and woman as I knew them from the age of 15 up to now, and I am dropping their names because they have dropped dead.  It is about famous people who are dead."  Hit the jump for more.



As usual, I'm offering you two ways to get this interview: you can either click here for the audio, or the full transcript is below.  Look ...]]></description>
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		<slash:comments>5</slash:comments>
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			<media:description type="html">Frank Langella, a cast member in &#34;Robot &#38; Frank,&#34; poses at the premiere of the film at the 2012 Sundance Film Festival in Park City, Utah, Saturday, Jan. 21, 2012. (AP Photo/Chris Pizzello)</media:description>
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		<title>Mike Shinoda and Joe Trapanese Talk About Doing the Music for THE RAID at Sundance; Plus a Linkin Park Update</title>
		<link>http://collider.com/mike-shinoda-joe-trepanese-the-raid-interview/</link>
		<comments>http://collider.com/mike-shinoda-joe-trepanese-the-raid-interview/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 23:30:05 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
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		<category><![CDATA[Joe Trapanese]]></category>
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		<category><![CDATA[Mike Shinoda]]></category>
		<category><![CDATA[Sundance]]></category>
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		<category><![CDATA[Video Interview]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141928</guid>
		<description><![CDATA[
Let me be very clear: director Gareth Evans’ The Raid, an  Indonesian martial arts epic that tracks a SWAT team sweeping through a  highrise infested with drug dealers, is a phenomenal action movie that  demands to be seen.  Thankfully, Sony Pictures Classics will be  releasing it on March 23, so everyone needs to circle their calendars right now.  Trust me, once you see this, you’ll understand why every critic at TIFF and last week’s Sundance Film Festival was raving.  It also explains why Screen Gems acquired the remake rights.  It’s really that good.

While at Sundance I was able to speak with with composers Mike Shinoda of “Linkin Park” and Joe Trapanese, collaborator with Daft Punk and M83, about the soundtrack. They talked about how they got involved in the project, the origin of their collaboration, Sundance, working with Gareth Evans, the programs they used (Pro Tools, Logic and Maschine), how they used “vintage toys” and external hardware for a more organic sound, and a lot more.  In addition, for fans of Linkin  Park, I asked Shinoda what's up with the band.  Hit the jump to watch.



Finally, if you missed my video interview with Gareth Evans about making The Raid and the sequel, click here.

Mike Shinoda and Joe Trapanese Time Index

	Shinoda and Trapanese talk about their first visit to Sundance and remark on the energy of the festival.
	1:00 – Trapanese says he’s an artist at heart and feeds off of the artistic slant of the festival, while ...]]></description>
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		<slash:comments>2</slash:comments>
	
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		<title>Paul Dano Talks FOR ELLEN, LOOPER, BEING FLYNN, HE LOVES ME, NIGHT MOVES, and More at Sundance 2012</title>
		<link>http://collider.com/paul-dano-for-ellen-looper-being-flynn-interview/</link>
		<comments>http://collider.com/paul-dano-for-ellen-looper-being-flynn-interview/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 01:50:31 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
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		<category><![CDATA[Kelly Reichardt]]></category>
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		<guid isPermaLink="false">http://collider.com/?p=141534</guid>
		<description><![CDATA[
One of the many films to premiere at this year's Sundance Film Festival was writer-director So Young Kim's (In Between Days) For Ellen.  Led by a fantastic performance by Paul Dano, the film's about a struggling musician trying to keep custody of his very young daughter even though he's never been around.  The film also stars Jon Heder, Jena Malone, Margarita Levieva, and Shay Mandigo.

Shortly after seeing the film I got to sit down with Dano for an extended interview.  We talked about being at Sundance, how he got involved in For Ellen, what it's about, who he plays, how much fun he had playing a "narcissistic prick," what it's like to be in almost every frame of the movie,  and if more people want to talk to him about The Girl Next Door, Little Miss Sunshine, or There Will Be Blood?  In addition, with Dano involved in so many other projects, we also talked about Rian Johnson's Looper, Being Flynn with Robert De Niro, director Jonathan Dayton and Valerie Faris' He Loves Me, and how he's hoping to do a film called Night Moves with Meek’s Cutoff director Kelly Reichardt.  Hit the jump to watch.

As usual, I've time indexed the interview so you can watch the parts that interest you.   Finally, a huge thank you to Paul Dano for giving me so much time.
Paul Dano Time Index

	:11 What does it mean to be back at Sundance? Says the Little Miss Sunshine experience was the craziest of all.
	1:08 Do ...]]></description>
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		<slash:comments>1</slash:comments>
	
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		<title>Felicity Price Talks WISH YOU WERE HERE at Sundance 2012</title>
		<link>http://collider.com/felicity-price-wish-you-were-here-interview/</link>
		<comments>http://collider.com/felicity-price-wish-you-were-here-interview/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 21:33:57 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
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		<category><![CDATA[Felicity Price]]></category>
		<category><![CDATA[karaoke]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Video Interview]]></category>
		<category><![CDATA[Wish You Were Here]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141435</guid>
		<description><![CDATA[ 
Kieran Darcy-Smith’s debut feature, Wish You Were Here, premiered at this year’s Sundance Film Festival.  Starring Joel Edgerton, Teresa Palmer, Felicity Price and Antony Starr,   the film is about four friends (two couples) who embark on a carefree   holiday in Cambodia, but only three of them return home.  As the film   unfolds, we start to learn more about what happened on the trip and how   one of them might know more than they’re letting on.  Shortly after the premiere, Entertainment One picked up the film for distribution, so look for it later this year.

The day after seeing it I sat down with Price (who co-wrote the film) for an   exclusive interview.  During our extended conversation we talked about   what it means to premiere at Sundance, how the project came together,   what the film is about and who she plays, filming in Cambodia, how  the project changed  during the writing process, deleted scenes, and a lot more.  Hit the jump to watch.



As usual, I’ve time indexed the interview so you can watch the parts  that interest you.  Finally, if you missed my video interviews with Joel  Edgerton and Teresa Palmer, just click the links.

Felicity Price Time Index

	:14 The Sundance experience. Talks about what it’s like to be the opening night movie of the festival.
	:55 How she first found out that the film got into the festival. They got into another North American ...]]></description>
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		<title>Director Gareth Evans Talks THE RAID, the Sequel (BERANDAL), and Plans/Hopes for a RAID Trilogy at Sundance 2012</title>
		<link>http://collider.com/gareth-evans-the-raid-raid-sequel-interview/</link>
		<comments>http://collider.com/gareth-evans-the-raid-raid-sequel-interview/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 03:43:35 +0000</pubDate>
		<dc:creator>Steve 'Frosty' Weintraub</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Video Interviews]]></category>
		<category><![CDATA[Berandal]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[The Raid]]></category>
		<category><![CDATA[The Raid Sequel]]></category>
		<category><![CDATA[Thug]]></category>
		<category><![CDATA[Video Interview]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141784</guid>
		<description><![CDATA[
Let me be very clear: director Gareth Evans’ The Raid, an Indonesian martial arts epic that tracks a SWAT team sweeping through a highrise infested with drug dealers, is a phenomenal action movie that demands to be seen.  Thankfully, Sony Pictures Classics will be releasing it on March 23, so everyone needs to circle their calendars right now.  Trust me, once you see this, you'll understand why every critic at TIFF and last week's Sundance Film Festival was raving.  It also explains why Screen Gems acquired the remake rights.  It's really that good.

While at Sundance I was able to sit down with Evans for an extended interview.  We talked about getting The Raid into both TIFF and Sundance, getting the project financed, how they pulled off the action scenes, film vs. digital, and the American remake.  Evans is currently doing pre-production on the sequel, so he revealed the working title (Berandal, which means Thug), the budget, how he wants to shoot in anamorphic widescreen, the expectations, and how he wants to incorporate a car chase.  He says, "I want to bring car chase elements to it as well. So we have like a cool fight scene where you go inside a car, fighting against four people as it’s speeding along a one-way.”  Hit the jump for more.



As usual, I've time indexed the interview so you can watch the parts that interest you.  Also, I've pulled some of the quotes.  While many of you haven’t seen The Raid yet, trust me, ...]]></description>
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		<slash:comments>22</slash:comments>
	
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		<title>Sundance 2012: Matt&#8217;s Review Scorecard and Wrap-Up</title>
		<link>http://collider.com/sundance-2012-reviews-wrap-up/</link>
		<comments>http://collider.com/sundance-2012-reviews-wrap-up/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 20:39:56 +0000</pubDate>
		<dc:creator>Matt Goldberg</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Arbitrage]]></category>
		<category><![CDATA[Bachelorette]]></category>
		<category><![CDATA[Beasts of the Southern Wild]]></category>
		<category><![CDATA[Black Rock]]></category>
		<category><![CDATA[Celeste and Jesse Forever]]></category>
		<category><![CDATA[Compliance]]></category>
		<category><![CDATA[Corpo Celeste]]></category>
		<category><![CDATA[For a Good Time Call...]]></category>
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		<category><![CDATA[Robot & Frank]]></category>
		<category><![CDATA[Room 237]]></category>
		<category><![CDATA[Safety Not Guaranteed]]></category>
		<category><![CDATA[Shadow Dancer]]></category>
		<category><![CDATA[Simon Killer]]></category>
		<category><![CDATA[Smashed]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[THE AMBASSADOR]]></category>
		<category><![CDATA[The End of Love]]></category>
		<category><![CDATA[The Imposter]]></category>
		<category><![CDATA[The Law in These Parts]]></category>
		<category><![CDATA[The Other Dream Team]]></category>
		<category><![CDATA[The Raid]]></category>
		<category><![CDATA[The Surrogate]]></category>
		<category><![CDATA[The Words]]></category>
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		<category><![CDATA[WRONG]]></category>
		<category><![CDATA[Your Sister's Sister]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141801</guid>
		<description><![CDATA[
Like I did last year, I had a great time at the Sundance Film Festival.  It's tough to complain about weather conditions or getting around when you have the privilege to watch and discover new movies all day.  Even better, plenty of Sundance 2012 films turned out to be pretty damn good.  For me, there weren't any quite as excellent as Martha Marcy May Marlene or Project Nim from last year, but those movies set an incredibly high bar.  Many of my peers felt they saw something truly special with Beasts of the Southern Wild and I can understand the love even if it didn't hit me with as much emotional impact.  Most of my peers also loved Liberal Arts and Sleepwalk With Me, and I'm sorry I missed those.  But all in all, the festival ran as smoothly as last year, the volunteers (especially those in the press tent) were awesome, and it's always a joy to hang out with people from other movie websites.

Hit the jump for my festival scorecard where you can see an organized list of my ratings for the movies I saw (although I highly encourage you to read the full review rather than just glance at a letter).  While this is my wrap-up, Steve will be posting his Sundance interviews throughout the week so keep an eye out for those.

Films organized by rating, then alphabetically.

	Compliance (A-)
	The Imposter (A-)
	The Raid (A-)
	Room 237 (A-)
	The Surrogate (A-)
	The Words (A-)
	Beasts of the Southern Wild (B+)
	The Law in These ...]]></description>
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		<title>Sundance 2012: SIMON KILLER Review</title>
		<link>http://collider.com/simon-killer-review/</link>
		<comments>http://collider.com/simon-killer-review/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 19:50:06 +0000</pubDate>
		<dc:creator>Matt Goldberg</dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2012 Sundance Film Festival]]></category>
		<category><![CDATA[Antonio Campos]]></category>
		<category><![CDATA[Brady Corbet]]></category>
		<category><![CDATA[Mati Diop]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Simon Killer]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Sundance 2012]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>

		<guid isPermaLink="false">http://collider.com/?p=141768</guid>
		<description><![CDATA[
Antonio Campos's Simon Killer is an amusing film both unintentionally and unexpectedly.  The film is rarely meant to be comedic and it rarely enters into so-bad-it's-good territory.  What makes the film so amusing is how hard Campos is trying to make it exciting.  It is the definition of overcompensating as the aggressive direction, bizarre cinematography, and melodramatic performances try to convince the audience the dull plot and pathetic characters are worth caring about.  There's even a moderately intriguing idea at the center of the protagonist's motives, but it's buried under meaningless sex, violence, and introspection.

Campos opens the movie with a strobe-heavy, abstract lightshow that may cause seizures (that's not an exaggeration; at Sundance screenings there were warnings about the strobe effect).  We then meet Simon (Brady Corbet) who has gone to Paris after he broke-up with his girlfriend when he discovered she had been cheating on him.  Simon finds his way to a brothel and takes up with a prostitute, Victoria (Mati Diop).  He then slowly pulls her into his personal drama by paying for out-call visits and then manipulating her into having sex for free.  The two then try to rake in the profits by blackmailing her clients, but this is a cursory plotline that provides the plot with the barest amount of momentum.  Simon Killer is about a sad, average guy who has a lot of sex with a prostitute.

The movie strongly implies that Simon wasn't quite right in the head even when he was still together with ...]]></description>
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