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‘Call Me by Your Name’ Review: Armie Hammer & Timothée Chalamet Astound in Sensual Triumph
Luca Guadagnino's hypnotic 80s-set romance is one of the best films of 2017.
‘Mudbound’ Review: Garrett Hedlund & Jason Mitchell Shine in Tremendous Southern Epic
'Straight Outta Compton' standout Jason Mitchell proves that film was no fluke in 'Pariah' filmmaker Dee Rees' powerful historical drama, which hits Netflix Friday.
‘Whose Streets?’ Review: Ferguson Documentary Chronicles the Birth of a Movement
This activist doc feels especially relevant today.
‘Ingrid Goes West’ Review: Aubrey Plaza Goes Psycho in Dark Social Media Comedy
Plaza plays an unstable woman who pulls a 'Talented Mr. Ripley' on Elizabeth Olsen's Instagram celebrity.
‘Wind River’ Review: Jeremy Renner Navigates an Unforgiving Frontier
Writer-Director Taylor Sheridan closes out his frontier trilogy with a thoughtful, intense crime drama that breaks down the “Cowboys and Indians” Western sub-genre.
‘The Incredible Jessica James’ Review: Jessica Williams Is a Star
The former ‘Daily Show’ correspondent shines in Jim Strouse’s wry, funny comedy.
‘Brigsby Bear’ Review: Kyle Mooney’s Comedy Shows Art as Refuge and Escape
While Dave McCary’s film largely avoids dealing with dark reality, it crafts a sweet, uplifting message about the power of creativity.
‘The Big Sick’ Review: Kumail Nanjiani’s Rom-Com Is Brutally Honest and Funny
Although Michael Showalter’s film runs on a bit long, it’s hard to complain when it’s so damn charming.
‘The Discovery’ Review: Netflix Sci-Fi Film Is a Dark, Twisty Spin on the Afterlife
'The One I Love' filmmaker Charlie McDowell is back with another grounded sci-fi tale starring Jason Segel, Rooney Mara, and Robert Redford.
‘Wilson’ Review: Woody Harrelson Is Bad with People
Craig Johnson’s disappointing adaptation of Daniel Clowes’ graphic novel is painfully self-conscious.
'I Don't Feel at Home in This World Anymore' Review: Mad World
Macon Blair’s directorial debut shows promise but his colorful pastiche struggles to find momentum.
‘Get Out’ Review: Jordan Peele Paints a Terrifying Picture of Modern Enslavement
Peele’s directing debut is incredibly clever and deeply unsettling.
‘Oklahoma City’ Review: Exceptional Doc Highlights White Nationalist Influence on OKC Bombing
Timothy McVeigh's anti-government leanings are traced back to Ruby Ridge and Waco in this compelling, well-crafted PBS documentary.
The Collider Podcast: Episode 75 - Sundance 2017, 'Split', and M. Night Shyamalan
Matt and Adam look back at this year's Sundance and also talk about Shyamalan's latest thriller.
Sundance 2017: The 5 Breakout Films You Need to Know About
See which movies you'll be hearing *a lot* about over the next 12 months.
Sundance 2017 Winners Include ‘I Don’t Feel at Home in This World Anymore’ and ‘Crown Heights’
You won’t have to wait long to see the festival’s top winner.
‘Rebel in the Rye’ Review: J.D. Salinger Biopic Feels Phony | Sundance 2017
Rather than providing insight into the reclusive author, Danny Strong’s film plays into Salinger’s mystique.
Director Nacho Vigalondo Talks ‘Colossal’ and Plays “Get to Know Your Sundance Attendee”
The 'Timecrimes' filmmaker also talks about working with Anne Hathaway and Jason Sudeikis, his love of ‘Better Call Saul’, and a lot more.
Taylor Sheridan on Directing ‘Wind River’, Parallels to ‘Hell or High Water’, and ‘Soldado’
The Oscar-nominated writer behind ‘Sicario’ and ‘Hell or High Water’ discusses his new directorial effort, working with Jeremy Renner, and completing his thematic trilogy.
‘78/52’ Review: Documentary Is a Deep Cut into Alfred Hitchcock’s ‘Psycho’ | Sundance 2017
Alexandre O. Philippe’s film justifies its deep dive into one of cinema’s most famous scenes.