
In addition to the various small-scale dramas, comedies, and dramedies at the 2013 Sundance Film Festival, directors Logan and Noah Miller unveiled their period western thriller Sweetwater for the audiences in Park City. The film stars January Jones as a woman in the 19th century west who runs up against a flamboyant and dangerous preacher (Jason Isaacs) and a rambunctious sheriff (Ed Harris) when her world is thrown into chaos.
While in Park City for Sundance, I had the chance to sit down with Logan and Noah Miller and Isaacs to discuss the film. They talked about how they became involved with the project, the massive amount of input Isaacs had into crafting his character, what kind of material influenced Isaacs’ work, his chemistry with Ed Harris onscreen, how the script developed throughout production, and more. Hit the jump to read the full interview, and click here to read my interview with Jones regarding the film and her work on X-Men and Mad Men.
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Though the 2013 Sundance Film Festival certainly hasn’t been lacking in coming of age stories or tales of ennui over the past week, the fest also played host to a peculiar western called Sweetwater. Directed by Logan and Noah Miller, the film stars January Jones as a woman in the 19th century west who runs up against a flamboyant and dangerous preacher (Jason Isaacs) and a rambunctious sheriff (Ed Harris) when her world is thrown into chaos.
I had the chance to speak with Jones in Park City earlier this week in anticipation of the film’s premiere, and she talked about keeping her character grounded opposite the colorful performances by Isaacs and Harris, the ambiguity of her character at the beginning of the film, and what influenced her performance. In addition, Jones talked about her non-involvement in the sequel X-Men: Days of Future Past and the evolution of her character Betty on Mad Men over the past five seasons. Read on after the jump.
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I am a huge fan of the Western genre. So between me and the filmmakers behind the Western Sweetwater, that makes one of us. Writer-directors Logan Miller and Noah Miller are far more interested in half-constructed ideas based solely on what seems cool. The film rolls along without any urgency even though the audience can tell the story from start to finish, and probably tell it better. The filmmakers somehow managed to rope in great actors like Ed Harris and Jason Isaacs to play campy stock characters, but never had any idea how to fully take advantage of their talent. Cinematographer Brad Shield even gives the movie the look of respectability. Despite some pretty shots and entertaining performances, Sweetwater always feels lackadaisical and half-hearted.
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Last week we saw the 2013 Sundance Film Festival announce lineups for its competition and Spotlight/Park City at Midnight programming, and today they have unveiled the list of films that will screen as part of the Premieres lineup. It’s one hell of a program, as films that will screen include the Ashton Kutcher-fronted Steve Jobs biopic jOBS, Joseph Gordon-Levitt’s directorial debut Don Jon’s Addiction, director Richard Linklater’s trilogy-completing Before Midnight with Ethan Hawke and Julie Delpy, the ensemble comedy A.C.O.D., director Park Chan-wook’s English-language debut Stoker, and much, much more.
Hit the jump to check out the full lineup for the narrative and documentary premieres. The 2013 Sundance Film Festival runs January 17 – 27th.
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Twin filmmakers Logan and Noah Miller have locked down two fairly high-profile stars in Ed Harris and January Jones to anchor their sophomore effort, the revenge drama (God, there’s a lot of these nowadays) Sweetwater. Jones will step into the role of a 19thC widow who joins forces with Harris’ local sheriff to take down the “brutal sheep rancher” that killed her husband. I’m sure a man who ranches sheep can be absolutely vicious, but I can’t even think the phrase “brutal sheep rancher” without giggling. Production will begin this July in New Mexico. Hit the jump for more, including a look at the Miller brothers’ interesting road to success.
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