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‘Una’ Review: Mara and Mendelsohn Are Captivating in Sexual Abuse Drama
Director Benedict Andrews offers intense confrontations and no easy answers.
‘The Limehouse Golem’ Review: A Devilishly Good—and Gruesome—Mystery
Jack the Ripper-esque killings + Victorian London + a fantastic Jane Goldman script = one hell of a good time.
‘The Bad Batch’ Review: A Half-Cooked Cannibal Tale
The follow-up film from 'A Girl Walks Home Alone at Night' filmmaker Ana Lily Amirpour has a lot of potential, but comes up frustratingly short.
‘Free Fire’ Review: Shoot to Thrill
Ben Wheatley’s latest film coasts on a thin premise, but it’s largely a wild and silly ride.
‘The Promise’ Review: Oscar Isaac & Christian Bale Lead Old-Fashioned Genocide Drama
It feels like 1996 all over again.
‘Colossal’ Review: Anne Hathaway Battles Alcoholism and a Giant Monster
You've never seen anything quite like this.
‘Their Finest’ Review: A Fine Film Until It Decides to Fall in Love
Lone Scherfig’s period film provides a strong dose of feminism, but it gets bogged down in cheap romance.
'The Assignment’ Review: Tasteless, Exploitative, and Unforgettable
Walter Hill’s action film—starring Michelle Rodriguez and Sigourney Weaver—is a fascinating flop right now. It might actually be better in a few years.
‘The Belko Experiment’ Review: A Bad Day at the Office
Directed by Greg McLean and written by James Gunn, ‘The Belko Experiment’ offers all the ugliness of ‘Battle Royale’ with none of the insight.
‘Headshot’ Review: Iko Uwais Action Movie Misses the Target
Directors Kimo Stamboel and Timo Tjahjanto pack their film with bone-crushing, blood-spattering violence, but with hardly any creativity or imagination.
'A United Kingdom' Review: Love in the Time of Apartheid
Rosamund Pike and David Oyelowo are swell in the "feel-good" true story of the fallout from the marriage between an African prince and a white woman.
‘Trespass Against Us’ Review: Fassbender and Gleeson Can’t Elevate Middling Crime Drama
Director Adam Smith fails to find a unique angle on the tired family crime dynasty story.
J.A. Bayona on the Challenge of Editing ‘A Monster Calls’ and Finding the Right Tone
Plus who he trusts for honest feedback and an update on ‘Jurassic World 2’.
'A Monster Calls' Review: A Wonderfully Imaginative Tearjerker
Director J.A. Bayona blends fantasy and drama to wildly emotional results.
Felicity Jones and Lewis MacDougall on When They Realized ‘A Monster Calls’ Was Such a Special Film
Plus, the actors discuss memorable moments from filming and their reaction to seeing the finished VFX.
Sigourney Weaver on When She Realized ‘A Monster Calls’ Was Such a Special Film
Plus, what it was like collaborating with director J.A. Bayona.
‘Barry’ Review: Obama’s College Years Drama Surprises
The film recounting Obama's junior year at Columbia University is actually really, really good.
‘Jackie’ Review: Natalie Portman Gives a Fierce Performance in Fascinating Portrait of Jackie Kennedy
Although it stumbles a bit in putting the pieces together, ‘Jackie’ makes some incisive points about the former first lady’s legacy.
‘Lion’ Review: Not All Amazing True Stories Are Amazing Movies
Despite his protagonist’s incredible journey, director Garth Davis has trouble conveying his film’s emotional weight and urgency.
‘Bleed for This’ Review: Miles Teller Boxing Film Pulls Its Punches
Ben Younger’s biopic of boxer Vinny Pazienza feels like a made-for-TV movie.