[This is a re-post of my review from the 2013 SXSW Film Festival. V/H/S/2 opens today in limited release.]
The horror anthology sequel V/H/S/2 is a mixed bag, both in terms of the horror shorts it presents and the identity the franchise is trying to acquire. Arriving a year after its predecessor, it’s clear that V/H/S/2 is meant to be the first of what should be an ongoing series where fan-favorite indie directors step behind the camera to deliver a horror short. The sequel attempts to reduce the flabbier aspects of the original, but it also feels more standardized and therefore less exciting. Additionally, two of the four shorts come across as underdeveloped or rushed. But the ones that work are worth the price of admission, and make the strongest case for the existence of a V/H/S franchise.