The raunchy and outrageous comedy That’s My Boy tells the story of Donny Berger (Adam Sandler), an aimless loser who knocked up his smoking hot teacher when he was a teenager, and was left to raise their love child even though he was completely unprepared to be a parent.  Now, 30 years later, Todd (Andy Samberg) is all grown up and a successful Wall Street executive who hasn’t seen his father in years.  But, with Donny owing tens of thousands to the IRS, he figures that tracking down his son will not only give him the chance to ask for the money he needs to stay out of jail, but to also finally bond with his son.

At the film’s press day, writer/director Sean Anders talked to Collider for this exclusive interview about what made Adam Sandler and Andy Samberg the perfect pairing for this film, what he’d like to see on the DVD, and the collaboration he had with Sandler both in reworking the script and on set during filming.  He also talked about signing on to write and direct Three Mississippi (with partner John Morris), about two Philadelphia neighbors whose annual Thanksgiving game of tackle football has become extraordinarily heated, the possibility of a Will Ferrell and Adam Sandler pairing for the film, and the status of the Dumb and Dumber sequel with Jim Carrey.  Check out what he had to say after the jump.

There are two incredibly infuriating things about Adam Sandler: First, he makes movies that aren’t very good but they make boatloads of cash.  Second, he could make better movies, but he chooses not to since they might not make boatloads of cash.  It’s for these reasons that critics largely brush off Sandler’s movies even though they’re screened for press (which is more than I can say for the films of Paul W.S. Anderson).  There are brief times when Sandler will wander off the beaten track to do something “respectable” like Funny People or Punch-Drunk Love, but everything he does feels like a cynical calculation where he’ll inevitably come back to the safe confines of a lowest-common-denominator comedy.  That’s My Boy, his first R-rated feature since Punch-Drunk, shows brief glimmers of the Sandler we knew at the beginning of his film career, but those moments are drowned out by the lazy comedy for which he’s become infamous.