Dan Brown has taken over the reins for the screen adaptation of The Lost Symbol, the third novel in his wildly profitable and embarrassingly controversial series about Harvard symbologist-turned-Indiana Jones wannabe Robert Langdon, following The Da Vinci Code and Angels & Demons. This is Brown’s first attempt at screenwriting after Oscar-nominated scribe Steven Knight (Eastern Promises) had first swing at the project.
Neither franchise star Tom Hanks nor Ron Howard, director of the previous installments, has officially signed on to the sequel, although Howard and Brian Grazer’s Imagine Entertainment will again handle production duties. Howard is currently committed to helm the first flick in Stephen King’s Dark Tower series, while Hanks is confirmed for Kathryn Bigelow’s (The Hurt Locker) post-Best Picture endeavor Triple Frontier. If both talents are expected to return, Risky Business suggests we can expect The Lost Symbol on the silver screen in the summer of 2013. Hit the jump for the official synopsis of The Lost Symbol.
As the story opens, Harvard symbologist Robert Langdon is summoned unexpectedly to deliver an evening lecture in the U.S. Capitol Building. Within minutes of his arrival, however, the night takes a bizarre turn. A disturbing object —artfully encoded with five symbols—is discovered in the Capitol Building. Langdon recognizes the object as an ancient invitation . . . one meant to usher its recipient into a long-lost world of esoteric wisdom.
When Langdon’s beloved mentor, Peter Solomon—a prominent Mason and philanthropist —is brutally kidnapped, Langdon realizes his only hope of saving Peter is to accept this mystical invitation and follow wherever it leads him. Langdon is instantly plunged into a clandestine world of Masonic secrets, hidden history, and never-before-seen locations—all of which seem to be dragging him toward a single, inconceivable truth. [Powell’s Books]