The Warner Bros-DC Comics Restructuring and You

by     Posted 4 years, 220 days ago

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I’m going to do my best trying to decipher the corporate ins-and-outs of the news that DC Comics is restructuring in order for its parent company Warner Bros to finally bring their major superhero properties to the big screen.  Hit the jump to have me comically (wordplay!) misunderstand everything.

[Update: We've added the full press release for the WB/DC-restructuring after jump]

dc_comics_alex_ross_justice_league_legion_of_doom_01.jpgHere’s how I understand the story from Deadline Hollywood:

Warner Bros Pictures Group president Jeff Robinov re-ups his contract but his plan to restructure DC into Warner Bros. direct control isn’t a response to the Disney-Marvel merger but something that’s been in the works for two years.  Now DC Comics reports directly to him and to Diane Nelson.  Diane Nelson is the executive who oversaw the expansion of the “Harry Potter” franchise back in 2000 and obviously that’s been a success in terms of expanding the brand and creating merchandise of acceptable quality.

Nelson’s previous gig was working as the President of Warner Premiere which handles the development and production of direct-to-consumer DVD and short-form digital programming.  They also tend to handle most of the animated DC adaptations which, as I’m sure you’ve seen, have no problem reaching DVD and with a strong marketing push that treats them as serious titles and not just material to fill a catalog.

So what does this mean for long-awaited live-action films for major DC superheroes like Wonder Woman, Superman, and The Flash?  Well it means that those projects may finally have some momentum.  Robinov has gone to producers like Chuck Roven, Joel Silver, and Akiva Goldman and brought them back to handle their films but with limited gross participants and less rich deals.

All this streamlining indicates that Robinov has found a plan to finally put these potentially lucrative franchises into play and hopefully we’ll see these popular superheroes finally get their day in theatre.  And then we can just hope that the movie will be good rather than hoping it will exist.

Here’s the full press release from Warner Bros:

WARNER BROS. CREATES DC ENTERTAINMENT

Diane Nelson to Serve as President, DC Entertainment

Paul Levitz to Segue from President & Publisher of DC Comics

To Writer, Contributing Editor and Overall Consultant to DC Entertainment

(September 9, 2009 – Burbank, CA) Warner Bros. Entertainment Inc. (WBEI) has created DC Entertainment Inc., a new company founded to fully realize the power and value of the DC Comics brand and characters across all media and platforms, to be run by Diane Nelson, it was announced today by Barry Meyer, Chairman & CEO, and Alan Horn, President & COO, Warner Bros.

DC Entertainment, a separate division of WBEI, will be charged with strategically integrating the DC Comics business, brand and characters deeply into Warner Bros. Entertainment and all its content and distribution businesses. DC Entertainment, which will work with each of the Warner Bros. divisions, will also tap into the tremendous expertise the Studio has in building and sustaining franchises and prioritize DC properties as key titles and growth drivers across all of the Studio, including feature films, television, interactive entertainment, direct-to-consumer platforms and consumer products. The DC Comics publishing business will remain the cornerstone of DC Entertainment, releasing approximately 90 comic books through its various imprints and 30 graphic novels a month and continuing to build on its creative leadership in the comic book industry.

In her new role, Nelson will report to Jeff Robinov, President, Warner Bros. Pictures Group, in order to best capitalize on DC Entertainment’s theatrical development and production activities and their importance to drive its overall business with each of the divisions of Warner Bros.

Nelson will bring her expertise and more than 20 years’ experience in creative brand management, strategic marketing and content development and production to ensuring DC Entertainment’s dual mission of marshalling Warner Bros.’ resources to maximize the potential of the DC brand while remaining respectful of and collaborative with creators, talent, fans and source material. Additionally, Nelson will continue to oversee the franchise management of the Harry Potter property, which she has done since 2000, and also continue to represent the Studio’s interests with the author of the Harry Potter books, J.K. Rowling. Nelson will segue from her post as President, Warner Premiere but maintain oversight responsibilities of that division. (An executive succession plan for Warner Premiere will be announced shortly.)

Paul Levitz, who has served as President & Publisher of DC Comics since 2002, will segue from that role to return to his roots as a writer for DC and become a contributing editor and overall consultant to DCE. This transition will take place as expeditiously as possible without disrupting DC’s business operations.

In his new role, Levitz will be called upon for his deep knowledge and more than three-decade history with DC Comics, both as a comic creator and an executive. Besides serving as a writer on a number of DC Comics titles, he will be a contributing editor and consultant to DC Entertainment on projects in various media. Additionally, he will consult as needed on the transition and integration of the DC Comics organization into DC Entertainment and will utilize his unique experience, knowledge and relationships with the comics industry’s creative community to help achieve DC Entertainment’s goal of maximizing the value of DC properties. Further, Levitz will advise DC Entertainment on creative and rights-holder relationships, in particular regarding the legacy relationships that have been a part of DC Comics for decades.

Widely recognized and respected for his support of writers, artists and creators in the comics industry, Levitz is best known creatively for his work with DC Comics, having written most of the classic DC characters, including Batman, Wonder Woman and the Superman newspaper strip. At Comicon International in 2008, Levitz was awarded the Bob Clampett Humanitarian Award as part of the Will Eisner Comic Industry Awards, the only industry executive ever so honored.

“DC Comics and its super hero characters are truly touchstones of popular culture, and the formation of DC Entertainment is a major step in our company’s efforts to realize the full potential of this incredible wellspring of creative properties,” said Meyer. “Diane knows our studio as a creative executive, a marketer and a senior manager, and this varied background will help her effectively and creatively integrate the DC brand and properties across all our businesses. We’re also thrilled that Paul will remain involved with DC and we’ll be able to tap his expertise to help us reach our goals for this new business.”

“It’s no secret that DC has myriad rich and untapped possibilities from its deep library of iconic and lesser-known characters,” said Horn. “While we’ve had great success in films and television, the formation of DC Entertainment will help us to bring more DC properties across additional platforms to fans around the world, while maintaining brand integrity and authenticity. Diane is a terrific choice to lead DC Entertainment, and with Paul in his new role as a valued consultant and contributing editor, both our company and comic fans win.”

“Based on the great success we’ve had working with DC Comics to create some of the most popular and successful super hero films of all time, I’ve long believed that there was much more we could do across all of Warner Bros.’ businesses with this great body of characters and stories,” said Robinov. “The prioritization of DC and the creation of DC Entertainment is a great opportunity that reaches far beyond the film group. There are endless creative possibilities to build upon the many significant successes already achieved by my colleagues Kevin Tsujihara and the Home Entertainment Group in the videogame, home video and direct-to-platform arenas and Bruce Rosenblum and the Television Group in live-action, animated and digital series. Collectively, we have the ability to grow a body of properties highlighting the iconic characters and the diversity of the creative output of DC Comics.”

“The founding of DC Entertainment fully recognizes our desire to provide both the DC properties and fans the type of content that is only possible through a concerted cross-company, multi-platform effort,” said Nelson. “DC Entertainment will help us to formally take the great working relationships between DC Comics and various Warner Bros. businesses to the next level in order to maximize every opportunity to bring DC’s unrivalled collection of titles and characters to life.”

“After so many roles at DC, it’s exciting to look forward to focusing on my writing and being able to remain a part of the company I love as it grows into its next stage,” said Levitz. “It’s a new golden age for comics and DC’s great characters, and I hope my new position will allow me to contribute to that magic time.”

DC Comics will celebrate its 75th anniversary in 2010 (NEW FUN COMICS #1, the first DC comic, began publishing in 1935), at which time more explicit details regarding DC Entertainment’s corporate and management structure, film and content release slate, creative roster and business objectives will be unveiled at a multi-faceted anniversary celebration and press conference in the first quarter of the year.

Current DC properties in development and/or production at Warner Bros. Entertainment include:

– “Human Target” is being produced by Warner Bros. Television for a mid-season debut on Fox.

– “Midnight Mass” is in series development at Warner Bros. Television for consideration for the 2010-11 season.

– “Jonah Hex,” Warner Bros. Pictures’ supernatural Western starring Josh Brolin, Megan Fox and John Malkovich, recently wrapped production in Louisiana.

– “The Losers,” Dark Castle/Warner Bros. Pictures’ action-adventure drama starring Jeffrey Dean Morgan, Zoe Saldana and Chris Evans, began principal photography mid-July in Puerto Rico.

– “The Green Lantern,” Warner Bros. Pictures’ next big superhero tentpole release, recently cast Ryan Reynolds as the titular character. The film has a projected second quarter 2011 release date.

– “Lobo,” based on the DC Comics anti-hero, has Guy Ritchie attached as a director; Joel Silver, Akiva Goldsman and Andrew Rona are producing for Silver Pictures and Warner Bros. Pictures.

– Warner Premiere’s direct-to-platform DVD animated release of “Green Lantern: First Flight” debuted July 28.

– Warner Bros. Animation currently produces “Batman: The Brave and the Bold,” which airs on Cartoon Network.

– Warner Bros. Interactive Entertainment released “Batman: Arkham Asylum” on August 25, a dark, action packed videogame adventure for Xbox 360 videogame and entertainment system, PlayStation3 computer entertainment system and Games for Windows.

Prior to being named President, DC Entertainment, Nelson most recently served as President, Warner Premiere since its founding in 2006. Warner Premiere is a Studio-based production company which develops and produces high-quality, direct-to-DVD and short-form digital content, including the highly successful line of DC Universe animated DVD titles, and also pioneered the development of the motion comics category. Under Nelson’s leadership, Warner Premiere functions as a full-service production entity with its own resources and release schedule, furthering the Studio’s mandate of being a destination for both established and up-and-coming talent to create stand-alone properties as well as experiment in new media.

Before that, Nelson served as Executive Vice President, Global Brand Management, Warner Bros. Entertainment, with the primary responsibility of working cross-divisionally and throughout Time Warner to maximize and optimize all the various windows and outlets available to the Studio’s signature franchises, brands and event properties on a global basis. In this post, Nelson’s primary focus was the management of the Harry Potter brand, which she has overseen since the brand’s launch at the Studio in 1999. These efforts have helped drive the success of the brand to become the most successful film franchise of all time, as well as a respected consumer property that has generated billions of dollars for the Studio.

At Global Brand Management, Nelson and her team of more than 15 employees worked in all media and platforms to support a number of other key franchise properties, including “The Matrix Reloaded,” “The Matrix Revolutions,” “Batman Begins,” “The Dark Knight,” “Happy Feet,” “Polar Express” and “Charlie and the Chocolate Factory,” among others.

Prior to overseeing Global Brand Management, Nelson had served as Executive Vice President, Domestic Marketing, Warner Bros. Pictures. Nelson rose quickly through the ranks, having also served as Senior Vice President, Domestic Marketing, Warner Bros. Pictures and prior to that, Senior Vice President, Family Entertainment, Warner Bros. Corporate Worldwide Marketing and Planning. She was also Vice President, Worldwide Corporate Promotions, a post to which she was promoted in March 1998, after joining the Studio in September 1996 as Director of Worldwide Corporate Promotions.

Nelson came to the Studio from Walt Disney Records, where she served as Director of National Promotions. She is a graduate of Syracuse University’s Newhouse School of Communications.

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  • Richard of Norway

    Blow DC. The Flash? What a joke. Who cares about him? And Wonder Woman? No way will that film make money. I love the story but her costume is just way too 70′s to work today, and it’s so iconic you can’t exactly change it without really pissing off the 50 or so fans. Superman and Batman are the only BIG heroes they have with Batman being the only interesting one. Who cares about an invincible man? Boring.

  • Richard of Norway

    Blow DC. The Flash? What a joke. Who cares about him? And Wonder Woman? No way will that film make money. I love the story but her costume is just way too 70′s to work today, and it’s so iconic you can’t exactly change it without really pissing off the 50 or so fans. Superman and Batman are the only BIG heroes they have with Batman being the only interesting one. Who cares about an invincible man? Boring.

  • LEEE777

    Richard of Norway @ Your clearly an idiot lol, lot’s of people care about the FLASH and WONDER WOMAN could easily work today!

    Get your head out your ass and think bigger than BATMAN!!!

    DC is GOLD!!!

    MATTHEW FOX for FLASH & JODI LYN O’KEEFE for WONDER WOMAN!!!

  • LEEE777

    Richard of Norway @ Your clearly an idiot lol, lot’s of people care about the FLASH and WONDER WOMAN could easily work today!

    Get your head out your ass and think bigger than BATMAN!!!

    DC is GOLD!!!

    MATTHEW FOX for FLASH & JODI LYN O’KEEFE for WONDER WOMAN!!!

  • LEEE777

    Oh yeah JON HAMM (MAD MEN) for SUPER MAX (GREEN ARROW)!!!

    ; D

  • LEEE777

    Oh yeah JON HAMM (MAD MEN) for SUPER MAX (GREEN ARROW)!!!

    ; D

  • Todd Pierce

    Everyday I hear people from different age groups and backgrounds make favorable comments about Wonder Woman. Her outfit is no more outdated than Superman’s briefs. People understand these are imaginary characters with outlandish costumes. Greek Maiden togas are ridiculous, but I can imagine Diana Prince designing that costume after watching a Cher, Brittany, Beyonce or Madonna video, or viewing female wrestling or the Miss America Pageant. The point being: as an alien to Western Pop Culture and daughter of a bona fide Goddess, she’d collaborate with her MUSE Sisters, and intuitively create the most iconic of feminine outfits the world has ever seen.

    Look at The Watchers. Those were some of the silliest costumes ever put to film, but brilliant within the story’s setting, adherence to source material and fantasy cinema context.

    Lots of people care about the Flash, and his powers are more about quantum physics and less about brute speed. Some mind-bending stories could easily be developed.

    Superman is secular Jesus, and has a massive fan base because he is a feel-good, wish-fulfilling character. We live in a world with real life super villains, but no real life superheroes to counterbalance. Superman is a character that Atheists, Jews, Muslims, Mormons, Catholics, Hindus, Buddhists, Wiccans, Zarusthustrians and Protestant Christians can all agree on and like. In this day and age, that’s a phenomenal achievement.

    I’m thrilled Warner Brothers is taking this bold step with DC Comics. I’ve been wishing for this sort of thing since Smallville debuted. Diane Nelson is now my #1 favorite superhero!!!

  • Todd Pierce

    Everyday I hear people from different age groups and backgrounds make favorable comments about Wonder Woman. Her outfit is no more outdated than Superman’s briefs. People understand these are imaginary characters with outlandish costumes. Greek Maiden togas are ridiculous, but I can imagine Diana Prince designing that costume after watching a Cher, Brittany, Beyonce or Madonna video, or viewing female wrestling or the Miss America Pageant. The point being: as an alien to Western Pop Culture and daughter of a bona fide Goddess, she’d collaborate with her MUSE Sisters, and intuitively create the most iconic of feminine outfits the world has ever seen.

    Look at The Watchers. Those were some of the silliest costumes ever put to film, but brilliant within the story’s setting, adherence to source material and fantasy cinema context.

    Lots of people care about the Flash, and his powers are more about quantum physics and less about brute speed. Some mind-bending stories could easily be developed.

    Superman is secular Jesus, and has a massive fan base because he is a feel-good, wish-fulfilling character. We live in a world with real life super villains, but no real life superheroes to counterbalance. Superman is a character that Atheists, Jews, Muslims, Mormons, Catholics, Hindus, Buddhists, Wiccans, Zarusthustrians and Protestant Christians can all agree on and like. In this day and age, that’s a phenomenal achievement.

    I’m thrilled Warner Brothers is taking this bold step with DC Comics. I’ve been wishing for this sort of thing since Smallville debuted. Diane Nelson is now my #1 favorite superhero!!!

  • http://www.bedsidealarmclock.com/ alarm clocks

    Warner Bros needs to rethink their superhero strategies, like maybe putting someone who knows comics into gasp head of development. not guys who think they know what can translate well.

  • http://www.bedsidealarmclock.com/ alarm clocks

    Warner Bros needs to rethink their superhero strategies, like maybe putting someone who knows comics into gasp head of development. not guys who think they know what can translate well.

  • Pingback: THE FLASH Close to Greenlight; SUPERMAN Film for Holiday Season 2012; Movies for Wonder Woman, Aquaman, Mad Magazine Characters in Development

  • Pingback: Changes Inside Warner Bros And DC Could Mean New Films/Series For Comic Characters. | Movies I Didn't Get

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