THE CROW Remake Aims to Start Shooting Next Year, Luke Evans Still Attached

by     Posted 26 minutes ago

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This remake refuses to really go away.  I really liked Alex Proyas‘ take on The Crow back when it came out in 1994, but the film and the accompanying material are just so much of that time that it’s difficult to see how it would work as well today.  I think back to that movie and I think of Nine Inch Nails, Thrill Kill Kult, the death of Brandon Lee and the catchphrase, “it can’t rain all the time.”  I don’t think back to the film’s quality, which was patchwork at best (Proyas would do better work later on).

Maybe that’s where this remake could make some improvements.  If they could find another, more relevant, cultural signpost than mainstream 90′s goth and make a more consistent film, then it might be worth it.  Producer Ed Pressman is certainly trying to make it happen.  Hit the jump for more on The Crow remake.

Warner Bros. Looking for Female Director to Helm WONDER WOMAN

by     Posted 42 minutes ago

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The superhero movie boom has been happening for years now and only one superhero film has had a female director: Lexi Alexander‘s Punisher: War Zone.  And the budget for that film was drastically lower than the majority of superhero pictures.  Patty Jenkins (Monster) came close to directing Thor: The Dark World, but she and Marvel couldn’t come to terms, so they went with Alan Taylor instead.

It’s absurd and sad that, even beyond superhero films, female directors almost never get to take on a blockbuster property.  There are legions of incompetent male directors who are given hundreds of millions of dollars to blow on a waste of time, but incredibly talented female directors are relegated to indies, rom-coms, and TV shows.  It’s time to break through that glass ceiling, especially with superhero movies since we’re going to be getting so many of them.  Fittingly, that time may have finally come with Wonder Woman.  Hit the jump for more.

Shailene Woodley and Gregg Araki Discuss the “Teenage Apocalypse” and the Adaptation Process of WHITE BIRD IN A BLIZZARD

by     Posted 8 hours ago

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Gregg Araki revisits the adolescent wasteland that defined his career in the mid 90s with his newest feature White Bird in a Blizzard. On the surface – the film feels at piece with Araki’s oeuvre (The Doom Generation, Nowhere, Totally F***ed Up) in that all focus on a dissatisfied youth (here played by Shailene Woodley) coming to terms with their place in a seemingly chaotic and meaningless world. But there’s something darker and a bit more melancholy at play with Araki’s latest. The rebellious anarchic spirit of those earlier films has been replaced with a forlorn world-weary outlook. Woodley as Kat Connors isn’t the unruly ‘F’-the-world protagonist of Araki’s earlier features. Instead Kat’s a character desperately trying to regain any semblance of normalcy after her mother disappears one fateful morning. It’s a character intent on NOT rebelling, living in a self-imposed ignorance to the truth that is plainly in front of her.  Many of Araki’s films end with some cataclysmic event occurring; yet White Bird in A Blizzard opens with such an event, the inherent tragedy of the picture contingent on each character’s refusal to address what’s just happened.

In the following interview with Gregg Araki and Shailene Woodley, the duo discuss the process of adapting Laura Kasischke’s novel to the big-screen, working together to create many of White Bird in a Blizzard’s emotionally raw scenes and the movie’s place within Araki’s filmography. For the full interview, hit the jump.

Chris Henchy and Economic Advisor Adam Davidson Talk WE THE ECONOMY, Defining GDP, the Biggest Economic Lie We’ve Been Told, and More

by     Posted 8 hours ago

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We all know the economy crashed in 2008, but how many of us know why or how?  Odds are, if you pulled a random stranger off the street they would struggle to properly define a recession, let alone explain the complex series of events that led to the economic crash – I certainly can’t.  In a world where economic theories and practices have come to rule of our personal lives (looking at you, credit scores) and dominate the sphere of political discourse, it’s a bit unnerving when you realize just how little you actually know about what the economy is and how it works.  Enter Morgan Spurlock and his production company Cinelan, who have partnered with numerous creative talents and economy experts to present We The Economy: 20 Films You Can’t Afford to Miss, an ambitious short film series that explores complex issues like how human psychology causes recession, the struggle to define GDP, and the ins and outs of just what the hell the economy actually is.  Livened up through performances, animation, dance, and varied cinematic approaches, the filmmakers behind We The Economy have found a way to make these often dull and confusing subjects accessible and entertaining to a wide audience.

In anticipation of the film series’ release I recently joined a number of other journalists with Chris Henchy, director of GDP Smackdown, and his economic consultant Adam Davidson for a lengthy conversation that ranged from economic theory to wrestling lingo to animation technique.  Check out what they had to say after the jump and click here to watch the short.

SCANDAL Recap: “The Key”

by     Posted 12 hours ago

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In Scandal‘s “The Key,” Olivia is ready to get her expensive pants dirty, and find out what’s really going on with Jake, who has seemingly disappeared.  Yet at first, despite being Olivia Pope, no one will return her phone calls or take her demands seriously (this is all to their peril).  In her search for Jake and for the truth, she’s also inadvertently drawing together everyone she knows into a complex web that will hopefully save him.  Sooner would be better than later, though, since Fitz is on the warpath.  Hit the jump for why “respectfully, sir, she’s probably drunk and in a food coma from too much fried chicken.”

GRACEPOINT Recap: “Episode Four”

by     Posted 12 hours ago

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In its fourth episode, Gracepoint is finally starting to address the cracks that are forming in the community in the wake of Danny Solano’s death.  Though there are still plenty of new clues and twists (and many red herrings), “Episode Four” also brought up the question of how well we can ever really know another person.  The Solanos (and the police) are starting to find out that Danny had his secrets, while Beth becomes distraught to find that everyone else in her family does, too.  Hit the jump for why you should “follow the evidence, inform the family, and don’t get emotionally involved.”

Martin Scorsese to Produce 50th Anniversary Grateful Dead Documentary; Amir Bar-Lev to Direct

by     Posted 13 hours ago

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The Grateful Dead formed in 1965, which means we are fast approaching the 50th anniversary of the storied jam band.  To celebrate the occasion, Martin Scorsese will executive produce a Grateful Dead documentary directed by Amir Bar-Lev (The Tillman Story).  Scorsese explained the appeal of the project and the unique stature of the band:

“The Grateful Dead were more than just a band.  They were their own planet, populated by millions of devoted fans.  I’m very happy that this picture is being made and proud to be involved.”

Hit the jump for the press release with all the details.

Chiwetel Ejiofor and Sebastian Stan Join THE MARTIAN; Ethan Hawke to Play Chet Baker in BORN TO BE BLUE

by     Posted 16 hours ago

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Ridley Scott
just scored two more industry heavyweights for The Martian, 12 Years a Slave star, Chiwetel Ejiofor, and Captain America: The Winter Soldier‘s Sebastian Stan.  They join Matt Damon, Jessica ChastainKristen Wiig, Michael Pena, Kate Mara and Sean Bean in the November 25, 2015 release about an astronaut who winds up stranded on Mars.  Filming is set to begin in Budapest this November.

In addition, we also just got word that Robert Budreau’s Chet Baker biopic, Born To Be Blue, began filming in Ontario with Ethan Hawke leading as the legendary jazz trumpet player.  Carmen Ejogo (The Purge: Anarchy) and Callum Keith Rennie (Battlestar Galactica) also have roles in that one.  Hit the jump for more on both films.

Rumor: BATMAN V SUPERMAN: DAWN OF JUSTICE Teaser Trailer to Arrive This Fall?

by     Posted 17 hours ago

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Batman v Superman: Dawn of Justice isn’t due out until March 25, 2016, but is it possible we could see a teaser trailer this fall?  There’s an outlet reporting that the very first Batman v Superman teaser is finished and that it could be attached to a film coming out soon.

Which film?  They can’t confirm, but if this rumor is true, I’d put my money on another Warner Bros. release, The Hobbit: The Battle of the Five Armies.  Hit the jump for more on this Batman v Superman teaser trailer rumor.

Olivia Cooke Talks OUIJA, Re-Shooting Half the Film, BATES MOTEL: Season 3, and More

by     Posted 17 hours ago

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Ouija is a supernatural thriller about a group of friends who must confront their most terrifying fears, as they attempt to make contact with the other side and unleash an evil that that they may never be able to stop.  When Laine’s (Olivia Cooke) childhood best friend Debbie (Shelley Hennig) suddenly dies, she discovers an antique Ouija board that she thinks can be used to say goodbye to her friend, but instead it quickly turns into a dangerous game where they might all meet the same fate as their friend.

At the film’s press day, appropriately held at the Hollywood Forever Cemetery, actress Olivia Cooke spoke to Collider for this exclusive interview about why she wanted to be a part of this project, how she related to her character, just how much the story changed and evolved, re-shooting 50% of the film, who she’d want to contact with a Ouija board, the most challenging aspect of the shoot, having so much fun with this cast, and why she doesn’t think she’d return for a sequel.  She also talked about shooting Me & Earl & the Dying Girl for director Alfonso Gomez-Rejon, the experience of shaving her head for the role and how close they’re sticking to the book that it’s adapted from, as well as what fans can expect from Season 3 of her A&E TV series Bates Motel.  Hit the jump for the interview.

FOLLOWING FREAK SHOW Video Podcast: Episode 3 – “Edward Mordrake (Part 1)”

by     Posted 17 hours ago

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Welcome to episode 3 of Following Freak Show, a show that’s all about discussing the crazy things that go down on American Horror Story: Freak Show.  In “Edward Mordrake (Part 1),” we learn about the superstition of Edward Mordrake (Wes Bentley).  Legend has it, should freaks perform on Halloween, Mordrake will rise up and pick one member of the troupe to take with him.

You can catch new episodes of Following Freak Show right here on Collider each week the day after a new episode of American Horror Story airs.  And if you’d like to follow the panelists in between new releases, here’s everybody’s Twitter handles: @PNemiroff, @AlexisSaarela, @djSheSay and @ActuallySasha.  Hit the jump to check out this week’s Following Freak Show video podcast.

Greg Berlanti Developing ARCHIE TV Series for Fox Called RIVERDALE

by     Posted 18 hours ago

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Greg Berlanti’s got to be pretty busy with Arrow, The Flash, The Mysteries of Laura and all the shows he’s got in development including Supergirl, The Things They Left Behind and Blindspot, but he’s still got time for yet another one – a modern-day one-hour drama based on the Archie comics.  It’s being reported that Fox just scooped up the project with a script deal plus penalty.

Hit the jump for more on Berlanti’s Archie TV series, which will be called Riverdale and put a surreal twist on the fictional town.

Contemporary PHANTOM OF THE OPERA Series Being Developed for ABC by DESPERATE HOUSEWIVES Creator Marc Cherry

by     Posted 18 hours ago

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The classic romance/horror story The Phantom of the Opera might be finding its way to television thanks to Desperate Housewives creator Marc Cherry.  According to Variety, ABC is developing a “drama with musical elements” and would be set in the modern-day music business.  However, the series is not an adaptation of Andrew Lloyd Webber‘s famous musical, but rather the musical’s source material, the original 1909 novel by Gaston Leroux.  For those who don’t know, it’s about a musician who is scarred by acid, goes into hiding beneath an opera house, and then tries to lure a beautiful singer to his lair.

This modern-day update “is billed as revolving around the cutthroat world of the music biz and will incorporate musical moments into story lines in the same vein as the ABC drama Nashville.”  It’s an intriguing take on the material, and Cherry showed with Desperate Housewives he has the skill to create a delectable soap opera.

James Spader Says AVENGERS: AGE OF ULTRON’s Titular Villain Is a “Powerful, Smart Child” and “Batshit Crazy”

by     Posted 19 hours ago

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Yesterday, fans finally got a look at Avengers: Age of Ultron (click here for screengrabs from the trailer), which was dominated by James Spader voicing the eponymous, evil robot.  The highly-anticipated sequel looks much darker than the first, and obviously a large part of that comes from an intimidating villain.  If audiences are going to buy Ultron as a true threat—and, let’s face it, someone as charismatic as Loki—then it’s going to come from Spader.

Thankfully, the actor has a strong understanding of how he sees the character, and how he’ll bring the Avengers’ foe to life.  Hit the jump for what Spader had to say.  The film also stars Robert Downey Jr.Chris EvansChris HemsworthMark RuffaloScarlett JohanssonJeremy RennerElizabeth Olsen, Paul Bettany, and Aaron Taylor-JohnsonAvengers: Age of Ultron opens May 1, 2015.

Rumor: THE MUMMY Remake Opening Sequence Details Revealed?

by     Posted 19 hours ago

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Technically Universal Pictures’ mission to establish a shared universe for its monsters is already underway because the studio squeezed some connective tissue into Dracula Untold after the fact, but the first movie to be shot post monster movie mash-up announcement is The Mummy.  The film will mark Alex Kurtzman’s directorial debut.  He’ll be working with a Jon Spaihts-penned script with Chris Morgan producing.

Beyond that and the fact that the film’s got a June 24, 2016 release, we don’t know all that much about the project.  However, if the latest rumors are true, now we’ve got some story details, too.  Hit the jump to check them out.

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