Dinosaurs premiered on ABC on April 26, 1991. Originally conceived by Jim Henson, who died less than a year before the show premiered (it was a revised version of a fantasy epic filled with dinosaurs that he’d wanted to make in the vein of The Dark Crystal), Dinosaurs maintained the trappings of a traditional television sitcom while being wholly original and unlike anything you’d ever seen. Which is why it’s so exciting that Dinosaurs, a series about the end of an entire species that was decidedly ahead of its time, will be coming to Disney+ in its entirety on January 29. To celebrate the announcement, we chatted with Dinosaurs executive producer Brian Henson about what it was like producing the show in the first place and why now is a perfect time to revisit the TGIF staple.

Are you excited for Dinosaurs to come to Disney+?

I am. Although up until pretty recently it was on Hulu and it has had quite a following on Hulu. I think the audience will more easily find it on Disney+, which is terrific. It sits very well on Disney+. When they were divvying up what goes where, they eventually decided Dinosaurs should be over on Disney+. I think it’ll find a bigger and new audience base on Disney+.

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Image via ABC

What emotional state do you most closely associate with your time on Dinosaurs?

Oh terror. It was bad. I was 26 and I was meant to be taking over the company. It was a scary time for sure. Not to mention because we were scuttling a merger with Disney, because when my dad died he was selling the company to Disney and for various tax reasons Disney felt like they couldn’t complete the deal. And I could appreciate their issues. It was one of those things where you added up all the variables, the deal could no longer be done and be okay for Disney and okay for our family. Then we got into a fight. But we were still trying to make Dinosaurs for Disney. In the company I was trying to silo people like, you are the ones fighting with Disney, and you are the people who love Disney and are trying to make this great show which if it fails could mean the end of our company. I had one leg in each silo, as did Michael Eisner. We’d have chats that were highly confrontational and then we’d have our chats about Dinosaurs and he was the huge proponent of Dinosaurs at Disney at ABC. So I had this schizophrenic relationship with Eisner. It was an odd time.

It was a show that benefitted from lack of experience. The way that we decided to make that series was sort of as a progression from Teenage Mutant Ninja Turtles. Teenage Mutant Ninja Turtles we barely made with spit and polish and rubber bands. We had no money, made it super-fast, and I wanted to use that same animatronic approach to dinosaurs. Basically, there was nobody who had the experience to do what we were doing. The fact that I was 27 or so didn’t matter. I was as much of an expert as anybody else. It was nice to bring everybody together and go, “Okay, this has never been done. And now we’re going to figure out how to do it.” Michael Jacobs and Bob Young put together a fantastic writer’s room and had a fantastic approach to the writing that was so much fun. The idea that we could tell these powerful, dark stories with heavy thematic undertones but do it in these goofy, ignorant, dinosaurs are so irresponsible that they will eventually bring about their own extinction, which was the gem of the idea. That was the idea of it always. That was my dad’s idea before he died.

We had all of this incredible talent and yet as we set out to make it, we thought it was impossible. And you had to make one a week in those days because you had to keep up with the airing order. And if you fell behind the network would sue you. Because if they had to preempt you twice a month, they’d be losing all this money. So it took us three weeks to make the first one and everybody wanted to kill everybody and yet everybody understood that we were doing something that had never, ever been done before. It was hard to make in three weeks. And sure enough we made one a week.

It was very ambitious and really fun. We shot five days a week, but it was often 14 hours every day. So it could be 70 hours in five days. The Monday shooting schedule would start at 7 am and often finish at 9 pm. By Friday you would start shooting at 4 pm and finish shooting at 7 am on Saturday morning because you kept having enough time for people to sleep in between days. I could never do it now. The idea makes me nervous trying to work that hard again. I would never be able to do it again.

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Image via ABC

So many of the themes of dinosaurs, whether its fake news or the climate crisis, feel very now and now people can draw comparisons. Are you excited about that aspect of it?

Yes. There was a fan video on YouTube that is Richfield versus Trump. I kid you not. For two minutes this fan found Richfield saying something and Trump saying the same thing – building the wall and all of this stuff. It was like, “Wow, Richfield was way ahead of his time.” It’s pretty hilarious. We were ahead of our time, I guess. But we were pulling a lot of our themes from All in the Family, which was years and years before us. And even The Honeymooners before that. Yes, we were ahead of our time but isn’t it sad that we were having the same issues, not only decade after decade, but generation after generation. It’s sad.

Dinosaurs will be on Disney+ on January 29.