DUE DATE Press Conference with Robert Downey Jr., Zach Galifianakis, Director Todd Phillips and Michelle Monaghan (With Audio)

     November 2, 2010


With director Todd Phillips (The Hangover) Due Date opening this weekend, Warner Bros. recently held a press conference with the cast here in Los Angeles.  While some press conferences are boring and a waste of everyone’s time, I’m happy to report this one is actually worth checking out.  The reason?  Robert Downey Jr.. Unlike some actors that watch every word they say, Downey Jr. always says what’s on his mind and it’s so refreshing in a town filled of political correctness.  On top of that, he’s always on his game when he does press.

In addition, like the movie Due Date, the back and forth between Galifianakis and Downey Jr. during the press conference was very funny and they elevated what could be a boring press event into something worth checking out.  During the event, Downey Jr., Galifianakis, director Todd Phillips and Michelle Monaghan talked about making the movie, who is likely to start laughing first during filming, future projects, and a lot more.  Trust me, it’s worth your time. Hit the jump to check it out:

As usual, I’m offering two ways to get the press conference.  You can either read the transcript below or click here to listen to the interviewDue Date opens this weekend.  It’s definitely worth checking out.  You can watch a restricted clip here and here’s a trailer.

Note: Slight spoilers are discusses during the press conference.

due_date_movie_poster_dog_01Question: Zach and Robert, what’s your comfort zone?

Galifianakis: My comfort zone is press conferences.

Downey: Conversely mine actually is press conferences.

Question: Michelle, this is the first you’ve worked with Robert Downey since ‘Kiss Kiss Bang Bang’. Have you seen each other very often since then and can you talk about why you wanted to do  this movie? And Robert, Zach was very funny in Toronto talking about the two alpha males, you and Todd, creating this movie. Can you talk about your character and how it developed for this?

Monaghan: Obviously I’m very, very excited and jumped at the opportunity to work with Robert again.

Downey: She did us a favor.

Monaghan:  I adore Robert. I had such an amazing experience on ‘Kiss Kiss Bang Bang’ and so this was really exciting and obviously I’m a huge fan of Todd and Zach is all right. So I was very excited, and yes, I do get to see Robert occasionally and it’s a nice month to see him.

Downey: I got it pretty good. I don’t want to offend our spouses but I’d love to have a baby with Michelle.

Question: And can you talk about creating this character?

Downey: Yeah, preparation for the character. I missed the shot to do it. I should’ve tried it nine months ago.

Question: Zach, is this character closer to your standup persona than the other characters you’ve played

Galifianakis: No. I don’t think that Ethan Tremblay is anything like me. God. I hope not. My standup is more like how I am in real life. I don’t really do a character thing in standup. It’s just a bunch of sentences that are supposed to be funny. This Ethan guy is a lot more complicated, I think.

Question: So there’s a reason he says sentences that end up being funny?

Galifianakis: Yes.

Question: Which is?

Galifianakis: Do you want me to perform right now?

Question: Just what’s your take on the character’s reasons?

Galifianakis: Well, his reasons were not intentional. When you’re doing standup you’re kind of doing, ‘Hey. I thought of this. This may be funny.’ But Ethan has no idea he’s being funny and I think that people that are not self-aware and a truck with no brakes is really kind of funny. He’s saying things but he doesn’t understand why they’re funny which I think is inherently funny.

Question: Robert, how much fun was it to gut punch that kid and what was it like working with kids in general?

Downey: I love that we’ve actually gotten more push-back from spitting in a dog’s face than punching a human child. Those are two things, Todd told me to do both of them. On one of them, on the day he said, ‘You should spit in that dog’s face.’ I was like, ‘Yeah.’ Anyway, he goes, ‘I want you to spit in the dog’s face.’ I said, ‘That’s so definitive,’ and he goes, ‘I know but I think that people like you enough. I don’t know if they will. Just spit in it’s face.’ He loves dogs and I actually don’t like dogs. So I felt kind of horrible and splendorous doing it. There was a question there somewhere but I’m sure whatever I said was far more entertaining.

Question: Zach, did you have a problem with spitting in the dog’s face? That was your dog.

Galifianakis: Well –

Downey: Jesus Christ. Answer the question.

Galifianakis: Maybe.

Downey: Yes or no. That dog made you sick.

Galifianakis: Oh. I didn’t like the dog. But I don’t think that means it’s okay to spit. Robert spit in my face every morning. Listen, the dog and I have a certain bond –

Question: Masturbation?

Galifianakis: That’s right.

Downey: That’s exactly right.

Question: This movie is about fatherhood, becoming one and losing one. Can you talk about fatherhood for a moment?

Phillips: Well, yeah. I think that while it is a road movie and it is a comedy at it’s core it is a movie about Zach who’s going through a drama, Zach’s character – Ethan Tremblay – having just lost his father and Robert who’s just about to become a father for the first time and it’s kind of why they needed to meet at this moment and why Robert needed to travel with this man-child who was going through this traumatic experience. Really, he’s a purely loving creature much like a child would be and just needed some adjustments, I guess.

Question: Why did that story resonate with you and with the rest of you?

Downey: Don’t answer that, Todd.

Phillips: I refuse to answer that question.

Galifianakis: I’ll tell you. No. It’s actually very personal, maybe –

Phillips: No, no. I think it’s just an interesting take on it. For me personally it’s an interesting movie to make. I tend to make films, I started making movies about college kids. I sort of grow with my movies. They’re sort of always about my age range it feels. That’s sort of the next step in life, having a kid or what have you and fatherhood. So it just seemed like an interesting thing to mine, both for emotion and then for comedy.

Question: Robert, were you channeling a bit of Todd in this, especially in the look of your character?

Downey: Well, I’m actually glad that you asked that because I think that every time I feel that I really hit critical mass and I’m in the right place is when I feel like the director and I become a third thing and that’s the character. Even though the central subject of the movie is Ethan, the person who you’re kind of seeing it through is Peter. Absolutely, and particularly when he said, ‘There’s just a lot of hostility and there’s a lot of fear and his kind of attitude and his anger is covering that fear and stuff,’ and we like to commiserate. We’re genuinely pretty happy guys but we love just getting crabby together. You remember that, don’t you? And he is kind of like a hostage child that we’ve taken that’s watching mom and dad or dad and dad just hash it out. But you’re the first person who’s asked that and I think it’s absolutely true. I always feel like I’m playing an aspect of the director, particularly when he’s auteur. To me it’s a way of almost making him a proud parent. I’m a bit of an appendage of some aspect of the director.

Question: Guy Ritchie?

Downey: Guy Ritchie. Yes. I just say yes to Guy Ritchie. Guy in a way a bit more, kind of a British, smart, fighter type thing.

Question: The film evokes ‘Planes, Trains and Automobiles’ in its pairing and it’s plot. What classic road films were you all thinking of as inspiration and or templates for the film?

Phillips: I’ll go first. I’ll just say that the movie that we talked about the most, oddly, was ‘Rain Man’. That to me is a road movie and a great road movie and that was a movie that came up a lot as well as ‘Midnight Run’. There are comparisons to ‘Midnight Run’ but there are comparisons to ‘Planes, Trains’ and ‘Tommy Boy’ and other things, but I think the movie that we talked about the most was ‘Rain Main’.

Downey: Michelle was saying ‘Wages of Fear’ quite a bit, too. Didn’t you say something about that?

Monaghan: I did. I did that and ‘Scooby Doo’.

Downey: ‘I hope you guys don’t blow up the studio.’

Question: Michelle, you’re only seen in person. You’re on this table, legs up –

Monaghan: Been there, done that.

Question: With…

Monaghan: No [laughs].

Galifianakis: Just me.

Downey: This isn’t ‘Weird Science’. She’s not Kelly LeBrock. Everybody doesn’t fuck the way that they used to. Let’s be civil about this. Alan I’m sorry. We’ll clean that shit up later.

Question: Can you talk about how you worked out or developed the scenes together on this and also if it does resonate with audiences would you like to see a franchise out of this or are you dance cards full?

Phillips: Well, the way that we worked it out is the way that I’ve done it on all my movies, but this film in particular had an interesting process because Robert has a very producorial  brain. He’s basically another writer in the room. Zach is really an empty vessel. He just sits and waits. No. But Robert and I had lots of spirited discussions every morning about it. We had the pages and he’d go, ‘Okay, what are we really doing?’ Not to discredit the writing process which I was a part of, too –

Downey: It was a great script which just made me hate it all the more.

Phillips: Yeah. Robert has an aversion to things that are typed, I’ve learned. So even if we just rewrote the scene –

Downey: Well done, by the way, fellas.

Phillips: If we just we rewrote it on a napkin, even if it was the same scene, he felt better about it. But we took it apart and the great thing about Robert, and I’ve said this before, he made me a better director and the reason for that is that he’s constantly challenging what we’re doing everyday in the larger, bigger picture. A lot of times you hear about actors and they’re worried about their lines and their thing and Robert thinks of the movie as a whole. He thinks of every character as the whole and that’s what I mean by a producorial kind of approach to it. For me it was an unequaled experience. I’ve never experienced anything like it. I think that was the process. You witnessed a lot of it.

Galifianakis: Yeah. I think that each morning there was a meeting. I would read the minutes from the last meeting. ‘Todd yells. Robert Yells back. Lets get on with the new meeting.’ No. There was a discussion for at least about an hour each morning it seemed like, sometimes longer –

Phillips: Sometimes three.

Galifianakis: Yeah, and it really helped it. It really did. As far as the franchise stuff goes we were kind of fantasizing on the last day certainly that I was working – I can’t remember – and it was towards the last scene or it was the last scene at the hospital; there was a moment and I don’t know if you recall it but Ethan says to Peter, ‘Call me.’

Downey: Okay, yeah.

Galifianakis: Then I’m like, ‘No. Call me tomorrow, whatever I say.’ We were fantasizing, like, I’ve never seen a movie jump genres. So the sequel would be more like a ‘Cape Fear’ thing. My character is not actually dumb at all. It’s just been –

Downey: An elaborate ruse –

Galifianakis: This whole time and I then stalk Robert’s family.

Phillips: I thought what you were going to say is that it’d be interesting to just pick it up from a minute later. Instead of jumping a month or a year that it’s literally from that moment that you left. That would be fun.

Galifianakis: That would be great.

Phillips: There you go. That’s how ideas are made.

Question: Can you talk about the franchise and the process, Robert?

Downey: Yeah. That’s what I need, three franchises so that I can utterly have a personality meltdown in real life, but I would do it with these guys. I have to say, too, that there was something so cathartic, and as we both know from the writers and Michelle peripherally and our involvement in it, I think it was just the most healing project that I’ve ever worked on. And I’ve never come up against anyone who is so confident and so thoughtful and so spontaneous that it’s not even daunting. He’s just in a class by himself and I think that Todd is the best director that I’ve ever worked with, bar none.

Phillips: Did you all get that?

Galifianakis: And don’t forget about the part before that which I thought he was talking about you the whole time.

Question: Did you guys write Todd in or did he write himself in?

Phillips: I’m going to answer because I wrote myself in that morning. It was never in there.

Downey: By the way, what is it that you’re whispering to Juliette Lewis? I’ve been trying to figure it out.

Phillips: That is called great acting. It’s understated.

Downey: It’s unintelligible, and yet to me the best single line in the movie because I can’t even tell you what you were saying.

Phillips: I said, ‘Did you remember to tape “Judge Mathis”?’ She says, ‘Yeah, it’s on there. Just look at the menu.’

Question: Often modern protagonists get sanded down from focus groups into this kind of vanilla blandness. Was it refreshing to play someone with so many real and yet repellent moments in their arc?

Downey: Absolutely and I don’t know why but it was an invitation for me to get in to touch with everything that annoys me about everyone and all the fear that I have about everything that everyone can relate to. So in a way I felt like I was a conduit to this. It was very pleasant. I don’t know why. I’m not a method guy. I can’t be bothered to have a method. I just want to be a part of a good movie and I can’t stand to be surrounded by morons but we had such a great group of people on this whole thing. It’s funny, yeah, because you could say this is a two dimensional commercial comedy. I feel that this is the second greatest story ever told.

Question: The first being?

Downey: Oh, come on! The Bible.

Question: Can you talk about Juliette Lewis because she’s had a great year of cameos. If you did do the ‘Cape Fear’ thing would she be in it?

Phillips: She would but I don’t think that Zach could fit his finger in her mouth.

Downey: You got handed the baton there. Do you want a piano?

Galifianakis: At least my father didn’t leave me. Okay? News is out. That’s what the father issue is for. There it is.

Phillips: I love Juliette Lewis and she’s been in three of my movies now, four, and she’s one of those people and Michelle is the same way, quite honestly. This movie is about these two guys and the other parts in the film aren’t a huge deal, aren’t huge pieces and Robert said it best, Michelle did us a favor. She came in and she worked for those days and she brought what she brings and she’s amazing and Juliette the same thing. Jamie Foxx. Danny McBride. I like to think that they’re actors and they like to play. So if it’s a two day part for Juliette or a one day part for Danny McBride you call them up and say, ‘Hey, I’m doing this great thing with Robert and Zach, would you come down and just fuck around for the day? We’re going to have fun.’ I think ultimately that’s how it works. But Juliette in particular is just stupendous and she’s just sunshine to me when I look at her and I think that she brings so much to small roles and large roles.

Downey: I love how riveted she is by your monologue, too. You’d have thought that she was hearing [Lawrence] Olivier. She was mystified.

Question: Todd and Zach, I read in ‘Details’ magazine that there’s talk of a John Belushi project in the works. Can you talk about that?

Phillips: Well, it’s something that Zach and I have talked about. Here’s the deal. I’m not going to Zach with it and I feel…no. The truth is that anybody but Zach

Galifianakis. No. the truth is that’s a project like a lot of projects that are developing and talking about it and I’m working with this phenomenal writer Steve Conrad who wrote ‘Pursuit of Happyness’, and Zach, honestly, is the guy we’ve been talking about. But Zach and I haven’t spoken about it. It’s so in it’s nascent stages that I’m not sure when that thing comes to fruition if Zach would be interested or what. So we’ll see.

Question: With upcoming news, Robert, how do you feel about ‘Iron Man 3’ going to Disney?

Downey: Love it. What’s that mean?

Question: That it’d be released under Disney’s deal with Marvel?

Downey: Well, you know what, I really loved our relationship with Paramount but to me, the main thing is that I don’t care about any of that. They’re going to make those all those moves. I just want to make a great movie and thanks to my tutelage under two guys who know how to play the power – Zach and Todd – I know exactly what to do with ‘Iron Man 3’. That was almost mad with power.

Question: Robert and Zach, do either of you guys have friends like the people you portray in the film and what do you think is the definition of friendship?

Downey: To me friendship means loving tolerance.

Galifianakis: I think that Robert and I formed a friendship on this movie, albeit a very antagonistic but fun relationship. He’s really kind of very, very funny and he makes fun of people a lot and for some reason I like to be made fun of even if it has to do with my fingers not fitting in someone’s mouth. That’s really hilarious.

Question: People get fired from movies all the time. Can I get your reaction about how big that whole thing blew up for ‘The Hangover 2’?

Phillips: Just for clarification, no one was ever fired. It’s a term that is so obscene to me. Someone was doing me a favor to come in for a two minute cameo and we changed it. I mean it wasn’t like we fired somebody. It was doing a favor from the beginning.

Question: Did the papers get it wrong?

Phillips: If they’re using the term fired, absolutely.

Downey: Shocking.

Phillips: To use the term fired in that situation, it’s certainly not that.

Question: How did you get Liam Neeson who I don’t think of as a ‘Hangover’ guy?

Phillips: As was the intention with Mel [Gibson] the scene is maybe not what you’d expect in ‘The Hangover’. ‘The Hangover 2’ will be an epic comedy but not every scene, just like in the first one, is full of comedy. This had a little bit gravity to it and I thought that both guys really can add that gravity and that’s where we’re at.

Question: Zach, how was it being on the set of the greatest television show of all time, ‘Two and A Half Men’ and while we’re on the topic, do you have any advice for Charlie Sheen right now?

Galifianakis: I’ve only heard a little bit about what happened Charlie Sheen. I wouldn’t want to congratulate him, from what I’ve heard. Be nice now that the holiday seasons are coming up. But that sitcom acting is tough. You have to hit your mark. It’s a tough thing to do, the sitcom.

Downey: I’m sorry. You have to hit your marks? That’s the challenge?

Phillips: It was a lot that day. You had to memorize and do right on the spot. We showed up and we were shooting it fifteen minutes later and it was a little bit like Zach got thrown into their world.

Question: Within the context of that show I thought that it was a very strong cameo

Galifianakis: Thank you. I’m going to be on next season.

Phillips: Those guys at ‘Two and A Half Men’ were great to have us and they understood the tone of the movie and take part and it was really fun to do.

Question: Can you talk about how ‘Sherlock 2’ is going as well as whether or not you’ll be in ‘Gravity’? Zach, there’s a viral video going around the internet of an interview you did with a Dallas Morning talk show guy and it’s very reminiscent of ‘Between Two Ferns’. Is that real or is that staged?

Downey: I don’t want to waste time talking about other projects. ‘Sherlock 2’ is fantastic. We had decided that we were going to do some viral videos to promote the movie and then we could barely hit our ass with both hands just to show up and do the regular press but the idea was that we were going to have this double inner monologue going. We were going to walk in Venice Beach down to the beach and shake hands and then walk away from each other. That would only take an hour shoot and then we were going to lay the most awesome double internal voice-over over it and it would’ve been – we’ll never get to it – the greatest viral video of all time. So just imagine that we had the time to do that and we’re happy to comment on that because we’d like to know what it would’ve been.

Galifianakis: I don’t want to give away the thing because I think sometimes that spoils it.

Question: Which of you would be more likely to breakup horribly in the middle of a take and Todd can you weigh in with a verdict?

Galifianakis: Let me just say thanks for standing up each time you ask a question. It shows a bit of respect. But you stand up so quickly and with so much energy that I didn’t get the question.

Question: Who’s more likely to breakup during a take?

Downey: Let me put it this way, I’m eighty five times more professional than Zach but I was hoping that we’d have some good gag reels so maybe I’d chuckle a little bit more. He might not actually know how funny he is sometimes, too.

Phillips: Yeah. Zach doesn’t really breakup. He’ll read his line  halfway and [cough] and start over.

Downey: It’s my favorite thing about him, to tell you the truth, particularly when we’re doing press and it takes him forty five years to answer one question. He’s trying to think about what the answer is and then he stutters and then he judges himself –

Phillips: And then he stars over and that would make Robert laugh.

Downey: ‘Sonny stop it…[clearing his throat], Stop it sonny, we’re going to be late [clears his throat]…’ and I’m just there, like, ‘This is an anthropological study.’ ‘Now what are we supposed to do?’ ‘When will you be done? That’ll be my cue.’

Galifianakis: I know my face is turning red. I don’t want you to interpret it as being embarrassed. It’s rage. The color of my face is rage.

Question: Can you talk about the opportunities that have opened up for you as a result of ‘The Hangover’? I saw people in costume as your character from the movie at Halloween last year. Can you talk about that, being an iconic character?

Galifianakis: We were shooting ‘Due Date’ in Albuquerque last year on Halloween and I went to a Halloween party. I didn’t really know anybody. I went with a couple of people from work and I was just dressed like this and there was a guy there dressed as the character from ‘The Hangover’. I thought that it would be interesting to walk up to him and say, ‘Hey. You’re dressed as me. I’m the real person.’ He goes, ‘Yeah, right,’ and he just walked away. So that was a bit freaky. Well, Todd has told me as of late that I’ve never thanked him for anything and I’m here just to say that I’m probably not going to do it today. In all honesty it’s strange to have a little bit of [this]. Todd helped me. He took a chance in plucking me out of the standup scene and nobody knows a movie is going to be so big and we just kind of got lucky and I’m thrilled that it happened.

Question: Your character, Robert, has an awful lot of insight into acting for an architect. Was that part of his background. Thinking about your character in ‘Tropic Thunder’ you seem to take great joy in poking at the actor’s process. Is that true?

Downey: I think that Todd and I said his neighbor was a casting director. So it’s like I tell you that the Guggenheim opened in ’59 or whenever it was, ’69. You tell me about whatever it is going on, casting a show and everyone wants to be an actor, but everyone knows that everybody thinks that they want to be an actor and has no chops and is going out of it. I think that I’m worried for him and so my fear that this moron that I’m stuck with, I’m actually trying to give him some insight and I’m just mad at him when I give it. But also I mean, and this is a disgusting thing to say, and it speaks to my – it’s not as bad now – hugely inflated ego at the time, I felt that it was my duty to teach this guy to fucking act. But he already knew how.

Question: Zach, we all know you as a comedic actor but you have a pretty powerful scene in this film, too. Was it hard to switch gears in that scene?

Galifianakis: No, it’s not. It’s fun to do. I think that probably, editorially, it might be difficult to put together but I don’t know. If you can make people a bit emotional watching a scene and then make them laugh prior to that, I think you don’t see it that often. I think that Todd got it right, but the whole thing about that scene, the bathroom scene I guess is what you’re talking about; to me it’s not so much what Ethan does but it’s the look on Robert’s face that I think sells that, as Robert told me yesterday.

Phillips: It’s true. It’s not the action. It’s the reaction. Robert is watching this all happen and to me, I agree with that. It’s just all on Robert’s face as he realizes, ‘Wait a minute, this guy is actually going through trauma and is having a breakdown.’ It was very cool to watch.

Question: Do you think your actors, the whole process, did all your actors leave their comfort zone?

Phillips: I don’t know about that. I don’t know if Robert leaves his comfort zone because I think that Robert is capable of anything, quite honestly, as an actor and I think that Zach has so much that we haven’t even seen yet in ‘Due Date’ or in his other roles. I don’t know that we left our comfort zone. I do think that what Zach just touched on is the key to Due Date which is that the movie takes these tonal shifts that I don’t think you see in a ton of comedies. For me it was the fun part of making it, the challenging part of directing it and I think for these guys possibly the challenging part of doing it. You’re in a bathroom scene. He has a breakdown. This guy is actually feeling emotional and in the next scene he’s masturbating with his dog. The audience, to stay with us, and stay on that ride is what makes the movie connected and work. That’s what I’m most proud of with ‘Due Date’.

Question: Has it been easy to get back into ‘Sherlock’ mode?

Downey: Sequels are always tough but we have a great group. We’re three weeks in and it’s already pretty fantastic.

Question: There’s a lot of talk about ‘Gravity’. Are you going to be in it?

Downey: I don’t know.

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