I recently attended the press junket for the new Frances McDormand picture âMiss Pettigrew Lives for a Day.â Never heard of it, you say? Well, donât feel bad. Press coverage on âPettigrewâ has been pretty sparse so far, but âMiss Pettigrew Lives for a Dayâ will start a theatrical run on March 7th, and to promote the film, Focus Features held a press day at the famed Waldorf Astoria Hotel in
Director Bharat Nalluri (Tsunami: the Aftermath) describes âMiss Pettigrewâ as âA fairy tale for adults.â The film takes place in
A complete synopsis and clips from the film are available here.
âMiss Pettigrew Lives for a Dayâ has the cadence and rhythm of a late 1930âs Howard Hawks film; the dialogue is quick, the action is tame and the film, overall, feels like it could have been made in 1939. This will make it a hard sell for a lot of modern film goers, but I enjoyed âMiss Pettigrew,â not least because it runs a very manageable 90 minutes. This is a movie that you could take your mother or grandmother to and not want to rip your hair out from boredom aâ la âLadies in Lavender.â
So, about those interviews:
First up I talked with Lee Pace who plays Michael, one of three men pursuing Delysia in âMiss Pettigrew.â Pace is the star of this seasonâs most critically acclaimed new television series, âPushing Daisies,â but is still not quite a household name. He has also had roles in âThe Good Shepherdâ and âInfamous.â
Pace talked about the show, confirming it will not be returning this spring but will begin shooting on a full second season in June, about working with McDormand and Adams and about some of his upcoming projects including touching Sarah Michelle Gellar in âPossession.â
Lee pace is one charming actor, and I am not just saying that because he stopped the interview when my tape recorder broke⦠OK, maybe I am, but I am pretty sure I wasnât the only female in the room who craved pie by the end of the interview.
Once again, âMiss Pettigrew Lives for a Dayâ opens March 7th.
Question: Michael is such a classic
Lee Pace: I did. I do the show âPushing Daisiesâ and me and Anna (Friel) try and think a lot about old-fashioned stuff on that show, so we watch, you know, Cary Grant, Kate Hepburn⦠just to try and get what that comedy is.
Question: Speaking of old-fashioned movies, this movie is very literate and fast-talking, was that interesting for you to do as a modern actor?
Lee Pace: Oh yeah, absolutely, I think itâs really fun. I also think itâs like an old movie and itâs not really a period-piece⦠whenever I go see a period movie I feel like its - âalright, sit still, watch your period movieâ - and this oneâs not really that. Itâs not like a history lesson. There was some of it that ended up being cut, I probably shouldnât mention it, but where Nick gives Delysia coke⦠it ended up being cut, probably for obvious reasons, but I love that the script was still a little bit edgy. I mean, Delysiaâs not a good girl. Sheâs kind of a slut.
Question: What was the coolest thing about working with Amy?
Lee Pace: Amyâs kind of all around cool to work with. Sheâs great, that girl is a movie star. Sheâs beautiful and fun and smart and really, really talented. And she comes on the set everyday having a good time. Sheâs bouncing around, doing the character and she gets exhausted by the end of the day because she gives so much to it so everyone around her feels inspired by her. Sheâs great. I love working with her.
Q: Tell us about working with
Lee Pace: Sheâs great in totally different ways. She understands acting for film probably better than anyone Iâve ever worked with. She just gets it⦠Sheâs always doing something to make the story clearer⦠And you know, none of the actress bullshit with her, she just gets it.
Collider: You had to play the piano for this movie. Did you actually learn how to play? It didnât look like you were playingâ¦
Lee Pace: I was trying my very best, but it clearly wasnât good enough. I never played before so youâre probably right. But I was actually playing on those three songs⦠so at a party if thereâs a piano around and Iâm drunk you might hear âIf I Didnât Care.â â¦But that really is me singing, we recoded it at
Collider: How cool was that?
Lee Pace: Great, I mean we were right in that studio where the Beatles and Pink Floyd and all those crazy greats recorded stuffâ¦
Q: Pushing Daisies came out really strong before the writerâs strike, can you talk about what that did to the morale?
Lee Pace: Yeah, we did nine episodes and then we ran out of scripts, so thatâs it. And weâre not going to be coming back this season, so weâll be back next season we start work in June, and of course it sucked, you know? But the writers got what they needed so we can all get back to work.
Q: What are the differences you perceive between acting for TV and acting for film?
Lee Pace: With TV, first itâs a lot quicker⦠you have a lot to get done in a day⦠I have to go in there and be very clear about what Iâm going to do⦠with a movie, I think you just have a little more time and you have the luxury to kind of find it. With Bharat, when youâve got a good director, you feel confident giving them a lot of options⦠because if theyâre not a very good director, you donât want to give them all those options because you donât know what theyâre gonna come out with when they cut it.
Q: You went to Juilliard, what was the most important thing that you learned?
Lee Pace: I think the most important thing I learned was not something that they really taught⦠what I came out with was you have to work really hard. You have to hustle. I remember when we were, our last year there, thinking âWhat do we want to do? Do we want to do theatre, TV or film?â As if that was the question! You have to hustle; itâs a lot of work to get a job. Itâs a lot of work. I am grateful for the fact that I was there, because I got in when I was 17 so I was really, really young; When I think of these kids who go through Hollywood when theyâre that young⦠itâs hard to see that their reality doesnât really exist.
Q: What was the most nerve-wracking audition that youâve ever been on?
Lee Pace: âGood Shepherdâ⦠I auditioned for that for about a year and ended with meeting Robert DeNiro. That was nerve-wracking, from beginning to end.
Q: How has the last year been with the TV show, this movie and with âPossessionâ coming out compared to previous years?
Lee Pace: Itâs not that much different actually. Itâs a lot more work. I like that because Iâm happiest when Iâm just kind of working on something, Iâm not good with down time⦠Everyoneâs like âHas the TV show changed your life?â
Q: Iâm sure you get a lot more people coming up to you on the streetsâ¦
Lee Pace: I donât really get recognized
Collider: Youâre kidding, if I saw you on the street Iâd be like âHey Pie Man!â
Lee Pace: That does happen⦠I mean in LA people are kind of, you know, there are bigger stars then Ned the baker. The thing is in the airport, every once in a while youâll see some one kind of clock you⦠but Iâm not totally comfortable with that yet so I try to forget that it happens. But I really donât get recognized very much.
Q: So you have âPossessionâ coming out?
Lee Pace: I do, I think it was supposed to be out on March 28th, but I hear itâs pushed. I saw Sarah a couple days ago and weâve got a different date now. I donât know why, I think the movie turned out really well.
Collider: Itâs a horror movie?
Lee Pace: Itâs not a horror movie. I think weâve changed courses on our publicity team because I think thatâs what got out there. But itâs not really horror, itâs a thriller, itâs like a romantic thriller.
Q: Whatâs the story?
Lee Pace: I play Sarahâs brother in-law and a real baddie in the beginning and her husband is a real good guy, and then we get into a car accident and I wake up thinking that Iâm him. Trying to convince her Iâm her husband⦠I canât touch Anna in âPushing Daisiesâ but I can touch Sarah in this one and we touch a lot. And I also have âThe Fallâ coming out, which will be out in April, Iâm not sure exactly when but itâs a movie I did with Tar Singh, and weâve brought it to a few festivals.
Q: Whatâs that about?
Lee Pace: I play a stunt man whoâs paralyzed and in the hospital in the â20âs and this little girl wanders into my hospital room and I start telling her the story⦠and she kind of imagines it in this pretty cinematic way⦠Tar Singh, who directed âThe Cell,â directed it and he kind of furthers his obsession with shared imaginationâ¦
Q: Was there a lot on blue screen for that?
Lee Pace: No, we shot in 30 different countries; there is nothing on blue screen in that. We shot through S. Africa,
Q: So that must have been your longest tripâ¦
Lee Pace: Yeah, it was great. That movie is great, I mean when you see the movie itâs phenomenal. And whatâs amazing about it is all the locations are realâ¦
Q: Back to âMiss Pettigrew,â the three main leads are all American; since you shot in
Lee Pace: I stayed in my accent all day⦠I think
Collider: I thought the accent played really well
Lee Pace: So you liked the accent. Piano playing not so much...
Q: Why should people see âMiss Pettigrew Lives for a Day?â
Lee Pace: Because itâs a good old-fashioned movie. I think thereâs a lot of movies out right now that are really dark and exploring how hard life can be and this is light-hearted, it makes you feel good.