This is another of the many transcripts Iâll be posting from yesterdayâs âShrek the Thirdâ press junket. Since all of you know the story of âShrekâ Iâm going to keep all of the intros extremely brief.
Instead Iâm going to try and focus on the highlights from each interview and place the juicy stuff at the top.
Highlights from Antonio were:
On a âPuss in Bootsâ movie:
Antonio Banderas: Itâs fantastic. Donkey doesnât have one. (Laughs.) No, I was very happy about that. I couldnât expect at all that it would develop like that. Really, I said it to Mike before that I felt that it would be fun to do a recurring character like many others in the film, just be happy to do an assist. But the character it hooks with different audiences.
On â
In every roundtable they ask me that, but I didnât receive a call from Robert. Knowing Robert heâd give me a call the night before.â
I already
Mike Myers: In two months Iâm starting a movie called âThe Love Guruâ which I spent the last two and a half years developing. I came up with this character and I would tour it in theaters in
Can you tell us about the character?
Yes, he is a Canadian who is raised in
Here is the rest of the roundtable interview as a Q and A. As always you can download and listen to the interview as an MP3. With Antonio Banderasâ accent this is a great interview to listen to as I canât say with certainty that every word in the transcript is 100% accurate. Trust meâ¦listen to how he speaks and see if you could do any better.
âShrek the Thirdâ gets released on May 18th.
Q: Did you feel comfortable coming back to this all over again? And how soon did you know after the second one youâd be coming back for number three?
AB: In my particular case it was easy, the only pressure was like, did I do something special that I was not totally in control in the second one that made the character so special and I may have just forgotten? But, no, immediately I got in front of the microphone and it was almost like a continuation actually of the other one. As everything was so specific at the beginning â weâll talk about that -- we had a script that actually we know that is going to be changing all the time in making the whole entire movie. So, you donât put a lot of attention into that. You know that the characters are going to growing the course of the movie.
MM: I love the world so much. Itâs such a fun world and I get to see my old friends. And itâs an odd experience though, because you are in this booth. So, itâs kind of like being a combination, like, a goal judge in hockey and like in the witness protection program. Like you are in this thing and you donât really get a lot of feedback. You see the people in the booth and occasionally they go, âLetâs try another one.â So, I have developed imaginary friends. I have this imaginary eagle that sits with me and I talk to her. And if itâs a particularly good take she goes âKa!â (Laughs.) And if itâs a great take it does three âKaâs.â And I go, âWhatâs that? I was pretty good in that one.â
Q: Do you have input in terms of the overall direction of the movies?
MM: No, and nor would I want to. Every time I meet with the people, the team, Jeffrey Katzenberg, who is just a great artist in his own right and Chris Miller and Aaron Warner and Andrew Adamson. When you meet with them, their world is so complete and their ideas are so great, that the dialogue begins because you are never shown a script. This is the entire script, they donât even know what it is. You only record like a little bit at a time, so you start to ask questions, because as Antonio was saying, heâs like, âWell, how big is the cat?â He didnât even know when he first started. So, the dialogue begins with clarification. âAm I scared at this point? Do I know this person?â All that stuff. And what happens is I end up asking the 4-year-old questions. Like, itâs like, âDo we have the airplane tickets?â âOh! The airplane tickets.â Thatâs sort of the way, and I know that I have asked a hard question because they get quiet. So, I go, âIn the end, blah, blah, blah, blah.â And they go, âAh, weâll get back to you. Letâs go on to the next line.â And then they come back and they have answers and thatâs kind of the thing. Cause Iâm not in the room when they are writing it. But, itâs been a great experience. These guys are just really committed to it being excellent and quality. I feel like Iâm on a
Q: Antonio, what was it like being told that your voice was now coming out of the donkey?
AB I couldnât believe I was going to be trapped in that sack of potatoes. (Laughs.) But itâs just 15 minutes in the movie. No, I think it creates more comedy for the characters. You see a donkey talking like a cat and all that. It actually just makes stronger the rivalry between the two characters, which is great, because at the end they actually love each other very much. But, there is something very interesting between those two characters that I love. It is kind of a message that there was a solitude that both were living until they found Shrek and actually that is the essential motif for Donkey to be upset and jealous, because he approach him coming from nothing. He was a solitary guy and nobody loved him, he was alone there and suddenly this cat comes with a totally different flair. So they are both of them competing for Shrekâs friendship. And when they get it, I think that is a beautiful message. The kind of message about diversity that the whole entire movie is giving and the counter-cultural side of it, which was really important for me even when I wasnât part of the family and I was a spectator and I enjoyed the first movie. I was saying, âOh, finally. This is something fresh and different.â Itâs actually taking characters that we grew with them as kids and looking at them from a totally different angle and I think that is actually the essential side of the movie. And my character is very present because he establishes a contrast to what he looks like as a pussycat. But he doesnât be have like that. He behaves totally conquistador. Heâs got all of thisâ¦
Q: Heâs got all those cat girlfriendsâ¦
AB: He has a lot of girlfriends. He didnât decide to just sit his head in the same mistake, no translation, just to have a life with a family? No way, he has too many girlfriends. (Laughs.)
Q: So, Puss-In-Boots was the breakout character in the last movie and now heâs getting his own feature. How is that?
AB: Itâs fantastic. Donkey doesnât have one. (Laughs.)
MM: Wow. Wow. Iâm gonna take this chair and move it.
AB: There was a Puss-In-Boots movement! (Laughs.) No, I was very happy about that. I couldnât expect at all that it would develop like that. Really, I said it to Mike before that I felt that it would be fun to do a recurring character like many others in the film, just be happy to do an assist. But the character it hooks with different audiences. Iâm totally happy to be part of this family, because in the backend, besides all the economic stuff around âShrekâ, itâs a very, very profitable movie, but I think there is something in the family that you immediately see and itâs the fact that they are conscious of having a legacy in their hands. They are behind the change the history of animation movies. And that is very important, because they never relax. They are always looking for something new. New characters, the credit side is working very heavy. But the technological side too, you have to think that some of the programs that are used in the movie are developed in the same studio. So, itâs a whole entire team working together in a very strong way to leave something behind that makes sense for all of us. And that is very beautiful, because you feel it. You feel it in the air. Sometimes you are in a production and they are too sloppy and you just feel that they are trying to use the success of the first movie to do something a little lesser in terms of economics to make more money and then you can feel it in the air that is not working the same way as the first one. And in this case, it was quite the opposite, itâs almost like they are pushing even more as we are advancing in the movies. It may just happen that the movies donât have the same qualities, that is absolutely normal, but the guarantee is that there is not a relaxation within the team. They are pushing to go further than they were before.
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Q: There should be a âShrek 4,â when it comes around to recording for that movie, would either of you be interested in recording together such as the cast of âSurfâs Upâ did? To allow for more improvisation.
MM: No, I like this process. Because, I start to fall in love with Puss and I fall in love with Donkey and Fiona. And when I get there itâs like a radio play. I mean I like them all, who hasnât fallen in love with Antonio? (Laughs.) Who hasnât? (Laughs.) But there is something great, because in the process they donât even know what the script is and they are constantly evolving it. I donât think it actuallyâ¦
AB: It wouldnât be possible. It wouldnât be possible to be so creative. Because if you made an appointment with all the actors in one session for a week, right? And the movie would be locked. There would be no possibility to grow into the movie, developing creatively. In that year and a half many things happen. Characters go in one direction that you want to develop that story even more and if we do that, it would be impossible to put these ten people together, eight, nine times together in a year and a half, because we have many different projects. Not only the fact that we are not working together, I think it is thought in that way, because it allows them to rethink the movie in the process of creating it.
Q: Mike, Shrek has a lot more to ponder in this movie. When you saw the script did you think, âOh, great, more stuff to chew onâ for Shrek?
MM: Oh, yeah. I feel extremely well served in terms of stuff to play. In the first movie itâs getting over the self -- he has to learn to love himself in order to be in a marriage. And in this one he needs to learn to love himself in order to step into fatherhood or be the king of a country. For me, I approach this as a dramatic part with some comedy. And thatâs me happiest. I like making stuff making stuff, just believing and making, thatâs the fun part. So, I was really happy that they â and that unity of 1, 2 and 3 is what Iâm most blown away byâ¦
Q: Are you currently writing anything right now and who do you think is going to win the cup?
MM: Oh, gosh. The problem is that hurts. The hockey one. Weâll, Iâll make a prediction the Leafâs are not winning the
Q: They are tied.
MM: Theyâre tied? Theyâll win. I predict
Q: Can you tell us about the character?
MM: Yes, he is a Canadian who is raised in
Q: I just wanted to know if you had a favorite of the âShrekâsâ?
MM: This one. It has incorporated two and three and the wonderful Antonio Banderas.
Q: Antonio, are you doing âSin City 2â?
AB: In every roundtable they ask me that, but I didnât receive a call from Robert. Knowing Robert heâd give me a call the night before.â
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Question: Mike are you going to try and get the
MM: Yup. Iâm so excited, I canât even tell you.
Q: Where would you take it if you had the cup?
MM: Where would I take it? They are so propitious of the cup; they probably wouldnât let me near it. But, Iâd it to