North Bend Film Festival: Full Lineup Includes ‘Anna and the Apocalypse’, Netflix Doc ‘Shirkers’

     July 10, 2018


The the inaugural edition of the North Bend Film Festival is just around the corner and today brings the second wave of titles for the full festival lineup. The event will set up shop in North Bend, Washington from August 23rd to the 26th — best known as the original shooting location for David Lynch‘s Twin Peaks —  where the fest will spotlight unique storytelling through feature films, shorts, immersive VR experiences and more!

New additions include festival centerpiece Shirkers, the critically acclaimed documentary recently acquired by Netflix, and closing night film Anna and the Apocalypse, which will make its west coast debut in a screening co-presented by Collider. The announcement also includes the festival jury members, including yours truly, so be sure to stay tuned for lots more to come out of North Bend’s inaugural year.

The first wave included Timur Bekmambetov‘s Profile, which takes a cue from his horror hit Unfriended by setting the action on a computer screen; Khalik Allah‘s Jamaica-set  documentary Black MotherMitzi Peirone‘s Braid, and Patrick Cunnhingham‘s debut Model Home. Check out the full details on the first wave here and the new wave of announcements in the press release below. Festival tickets go on sale this Friday, July 13.

Cinema Vista offers a spectrum of vanguard cinema with centerpiece screening SHIRKERS (presented by The Stranger) and retro screening of the iconic Pacific Northwest queer feature MY OWN PRIVATE IDAHO (presented with Seattle-based Three Dollar Bill Cinema). Centerpiece Film co-presented by The Stranger

For the festival’s centerpiece, we’re excited to showcase Sandi Tan’s docu-mystery SHIRKERS, a visual and emotional rollercoaster powered by a dreamer’s redemptive love of cinema.


Image via Netflix

Shirkers (Washington Premiere)

USA | 2018 | 96 Min | Dir. Sandi Tan

Cinema-loving teenager Sandi Tan and two friends had a big idea in 1992: They’d shoot their own super-low-budget assassin thriller on their native streets of Singapore, along with help from an American mentor named Georges. Then, one day, Georges disappeared along with all of their work. Twenty-five years later, Tan has turned her investigation into Georges’ motives, using newly recovered footage and firsthand accounts, into one of 2018’s best documentaries, an autobiography turned love letter to filmmaking dreams, especially those that have gone unfulfilled.


Image via North Bend Film Festival

My Name is Myeisha

USA | 2018 | 84 Min | Dir. Gus Krieger

A bold and visionary musical unlike anything on screen today, Gus Krieger’s MY NAME IS MYEISHA blends hip-hop, beat-boxing, dance and spoken word lyricism to tell the heartbreaking story of a teenage girl killed by police while she sat unconscious in a locked car. It’s essential filmmaking in a dynamic and energetic combination of storytelling methods precisely executed from beginning to end.


Image via North Bend Film Festival

Sarah Plays A Werewolf (West Coast Premiere)

Switzerland/Germany | 2017 | 86 Min | Dir. Katharina Wyss

Off the stage, 17-year-old Sarah drifts through her community in anonymity. But on her high school’s theater’s stage? The shy girl unleashes torrents of fiery passion, stemming from personal secrets mostly involving her unpleasant home life. As Sarah falls deeper into her performances, though, her loneliness intensifies, causing the troubled teenager to lose herself in multiple ways. Drenched in an overriding sense of despair, Swiss filmmaker Katharina Wyss’ devastating feature-length debut is a coming-of-age stunner.


Image via Five Line Features

My Own Private Idaho (1991)

USA | 1991 | 104 Min | Dir. Gus Van Sant

Set in the 1990’s runaway-dominated streets of the Pacific Northwest and loosely based on Shakespeare’s Henry IV, this seminal film by Gus Van Sant (GOOD WILL HUNTING, MILK) tells the tale of a narcoleptic street kid named Mike (River Phoenix) who befriends a fellow hustler (Keanu Reeves) on his journey to find his estranged mother. Film presented in collaboration with Three Dollar Bill Cinema

Take a chance on Something Strange with our focus on wonderful and strange cinema, including the North American Premiere of offbeat (and slightly inanimate) love triangle BILLY and musical festival closer ANNA AND THE APOCALYPSE! Closing Night Film co-presented by Collider.

Genres and holidays come together in a ferocious and musical blender for John McPhail’s ANNA AND THE APOCALYPSE, a redefining submission to the coming-of-age genre and the perfect way to end the fest.


Image via Orion Pictures

Anna and the Apocalypse (West Coast Premiere)

United Kingdom | 2018 | 92 Min | Dir. John McPhail

For Anna and her friends, high school graduation can’t come soon enough. Unfortunately for them, they must face a horde of yuletide undead creatures before passing on to adulthood. A zombie apocalypse-Christmas-comedy-musical (yes, you read that right), “Anna” is a salute to a genre you didn’t think you needed, while keeping you on the edge of your seat with its hilarity and heart.


Image via Universal / Park Circus

Piercing (Pacific Northwest Premiere)

USA | 2018 | 81 Min | Dir. Nicolas Pesce

After kissing his wife and baby goodbye for a seemingly normal business trip, Reed (Christopher Abbott) checks himself into a hotel room to accomplish something he’s always dreamed of: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie (Mia Wasikowska).


Image via North Bend Film Festival

Relaxer (Washington Premiere)

USA | 2018 | 91 Minutes | Dir. Joel Potrykus

Joel Potrykus’ latest film follows an obsessive couch potato slacker taking on his most epic challenge yet: to beat the impossible final level of PAC-MAN without ever leaving the couch. His desperate quest is fraught with gross-out humor and darkly comedic perils as all sense of time is lost and takes a turn towards downright mania in a satisfyingly exhilarating conclusion.


Image via North Bend Film Festival

Don’t Leave Home (Pacific Northwest Premiere)

USA | 2018 | 86 Min | Dir. Michael Tully

For her latest exhibition, American artist Melanie Thomas is focused on an old Irish myth surrounding Father Alistair Burke, whose portrait of an 8-year-old Siobhan led to the little girl’s unexplained disappearance. After receiving an invite from the enigmatic Burke to visit him in Ireland, Melanie finds that reality and myth aren’t mutually exclusive. Drenched in classical Euro-horror dread and other strange flourishes, writer-director Michael Tully’s genre hybrid is a delightfully unnerving head trip. Director Michael Tully in attendance. Screening presented by Snoqualmie Valley Real Estate.


Image via North Bend Film Festival

Time Share (Washington Premiere)

Mexico/Netherlands | 2018 | 96 Minutes | Dir. Sebastian Hoffman

A father’s holiday from Hell begins when a clerical mix-up forces his family to share their vacation home with another family. But lurking beneath the paradise resort is a shady organization with designs far worse than double bookings. Director Sebastian Hoffman’s psychological thriller expertly juxtaposes terror and surrealist comedy through weaving stories of the family man and a beaten down employee setting out for revenge from within. Screening presented by Snoqualmie Valley Real Estate.


Image via North Bend Film Festival

Billy (North American Premiere)

Netherlands | 2018 | 90 Min | Dir. Theo Maassen

Ventriloquist Gerard de Groot and his puppet Billy have been inseparable for the last ten years. Until the moment they fall in love with different women and Gerard decides to take a break from his wild dummy. Easier said than done. Theo Maassen’s promising debut is a sharp tragic comedy mixing raunchy humor and deep thoughts about a career as an artist.

Cinema Vista & Something Strange Competition Shorts Programs

Winning films to receive a free Vimeo Pro Account!


Image via North Bend Film Festival


Boundaries are made to be pushed. This visionary group of shorts showcases the work of some of today’s most innovative and forward-thinking filmmakers. Across all genres, these films represent the vanguard of cinema with stories of life, death, justice and injustice, monsters both real and imagined, and the horror and beauty that reside inside the human heart. At times tragic, fantastical, terrifying, rousing, but always exhilarating, these shorts are at the forefront of filmmaking.

MOBIUS, dir. Sam Kuhn

In the wake of her lover’s death, a high school student comes to terms with her suburban malaise in this dreamlike and TWIN-PEAKS-esque dose of small-town oddness.

BIOPHILIA, dir. Marina Michelson

Rachel and her boyfriend, a pair of Brooklynites, decide to try their hand at farming. But when a sheep dies on their watch, Rachel must make a tough decision.

EUPHORIA, dir. Wynter Rhys

Too focused on his adoring followers and eager paparazzi, a famous artist constantly neglects his 6-year-old daughter. His rabid fan base is ready to change that.

JOUSKA, dir. Wynter Rhys

A man’s dark past and guilt-ridden thoughts come to a head as he navigates a nightmare land that’s like ALICE IN WONDERLAND laced with PCP.

BAILAORA, dir. Rubin Stein

Clearing out bodies on the streets of a war-torn Spain, a group of soldiers encounter a young dancer whose moves have an effect beyond explanation.

THE DAY MUM BECAME A MONSTER, dir. Joséphine Hopkins

Divorces are extremely tough on all children, but especially for young Candice. As if being abandoned by her father isn’t hard enough, her mother begins exhibiting some very troubling new behavior.


Image via North Bend Film Festival


Sometimes stories are told to make sense of a nonsensical world, to impose logic on life’s confusion. Sometimes stories celebrate this bewilderment, utilizing the strange and unexpected instead of explaining it. These surreal short films feature superheroes, tampon monsters, vengeful robots, hungry forests, ghastly futures and purgatorial loops. Collected together, this block captivates as much as it challenges convention.

END TIMES, dir. Bobby Miller

After randomly stumbling across a dying squirrel in a public park, a man’s day goes from odd to WTF in this delightfully morbid comedy from the director of THE CLEANSE.

LOVELY LEGS, dir. Abby Thompson

In an isolated forest, a young man is ready to finally part ways with his female sex robot. As they say, though, it’s always hard to say goodbye.

OVUM, dir. Cidney Hue

Undergoing a mind-altering medical procedure, a woman is forced to make the toughest decision of her life.

A FOREST, dir. Thomas Geffrier

Ready to keep the good times going, Marie leaves a party with a couple en route to a hot threesome. She’ll soon wish that she’d have just gone home alone.

CIRCLE, dir. Martin Melnick

Loosely based on the myth of Eurydice, this off-kilter, genre-bending allegory follows a woman whose past traumas send on a fateful and dangerous trip through Purgatory.


During an infamous on-stage performance in 1987 at New York City’s Comedy Castle, stand-up comic Allen Anders lost his mind. This is the uncovered footage.

BFF GIRLS, dir. Brian Lonano

A trio of nerdy American girls transform into powerful and fearless Japanese superheroes in order to take down a villainous tampon monster. A coming-of-age tale like none other.

North Bend is proud to announce our jurors for the first year for shorts, features and VR!

FEATURES JURY: Cinema Vista Program

Haleigh Foutch

Horror Editor, Collider

Matt Ralston


Vanessa Meyer

Programming Manager, Frontières

FEATURES JURY: Something Strange Program

Shannon McGrew

Owner, Nightmarish Conjurings

Nick Bruno,

Programmer, Portland Int’l Film Festival


William Day Frank


Ryan Oliver

Journalist, The Playlist

Emily Von Seele

Journalist, Bloody Disgusting


Dumeetha Luthra

Founder, Take Pause VR

Jesse Damiani

Journalist, VR Scout, Forbes

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