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2017 Venice Film Festival

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'Zama' Review: A Sumptuous, Feverish Conquistador Tale

Lucrecia Martel ('The Headless Woman') returns after a nine-year absence with a very different take on a Spanish conquistador.

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'Lean on Pete' Review: Andrew Haigh's Horse Starts Quick, Then Fades

Steve Buscemi, Chloe Sevigny and Travis Fimmel give lived-in, natural performances—and then they're unnaturally abandoned in a slightly disappointing film from Haigh ('45 Years').

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'Three Billboards Outside Ebbing, Missouri' Review: A Ludicrous Barnburner

The dark comedy from 'In Bruges' director Martin McDonagh attempts to bridge the hateful sides of the police vs. citizens debate.

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'mother!' Review: Resting WTF Face

Darren Aronofsky does his best Ingmar Bergman impression. And though it's repetitious and heavy-handed it's often bewitching and audacious.

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'Downsizing' Review: The Future Has Some Heart (For a Change) | Venice 2017

Alexander Payne's sci-fi comedy is more akin to live-action Pixar than 'Black Mirror'.

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