Baz Luhrmann May Not Direct THE GREAT GATSBY?

     February 1, 2011


Baz Luhrmann may be reconsidering an adaptation of F. Scott Fitzgerald’s The Great Gatsby.  Speaking to Vulture at the DGA Awards on Saturday, Luhrmann said he has to “make a decision in three days’ time,” on “Whether to do it or not.”  Only a few weeks ago it looked like a “Go” project with filming expected to begin this summer and Carey Mulligan attached to play Daisy. Luhrmann was even considering whether or not to make the movie in 3D.  The director had been previously work-shopping the film with Leonardo DiCaprio and Tobey Maguire in the roles of Gatsby and Nick Carraway, respectively.

Luhrmann says “I think I’ve been a bit shaded out because I want everything to be perfectly positioned on it,” and that we should expect news on the project “by the end of the week.”  Hit the jump for a synopsis of the novel.

Here’s the synopsis for F. Scott Fitzgerald’s The Great Gatsby:

In 1922, F. Scott Fitzgerald announced his decision to write “something new–something extraordinary and beautiful and simple + intricately patterned.” That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald’s finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author’s generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald’s–and his country’s–most abiding obsessions: money, ambition, greed, and the promise of new beginnings. “Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that’s no matter–tomorrow we will run faster, stretch out our arms farther…. And one fine morning–” Gatsby’s rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It’s also a love story, of sorts, the narrative of Gatsby’s quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means–and to the pursuit of Daisy, which amounts to the same thing. “Her voice is full of money,” Gatsby says admiringly, in one of the novel’s more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy’s patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.

Latest News