Loki sees the return of the titular fan-favorite MCU character, and it's a reminder as to just how damn charming Tom Hiddleston can be. Hiddleston may be best known as Thor’s contemporaneous younger brother, but let's talk about how his full range as an actor was best displayed in the underappreciated 2016 miniseries, The Night Manager. The six-part John le Carre adaptation from writer David Farr and director Susanne Bier cast Hiddleston as Jonathan Pine, a veteran working as the late-night host of a luxury resort in Egypt who gets recruited into ab undercover operation by British Intelligence. The idea of Hiddleston playing an everyman felt like a novelty at the time, but over the series' six hours he delivered his most emotionally grounded and understated performance to date.

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Image via AMC

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John le Carre adaptations are often complex, incorporating hyper-realistic political intrigue with frequent betrayals and double-crosses, and many of the best have entered their interconnected storylines through the perspective of a common man. Hiddleston excels at showing how overwhelmed Pine becomes with the dangerous world he falls into. Because of his job as a night manager, the character is expected to bring a certain charisma energy to all his interactions. Hiddleston brilliantly shows the cracks in that performative magnetism during his first encounter with the renowned arms dealer Richard Roper (Hugh Laurie), who stuns Pine by bringing his villainous gang to the Cairo hotel.

Pine is able to gain Roper’s trust, as his experience in the Iraq War prepared him for life or death scenarios. Pine’s expertise at de-escalating a dangerous situation is previewed within the second episode, in which he saves Roper’s young son Daniel (Noah Jupe) during a business dinner. His wartime history isn’t Pine’s only characteristic, but it’s an integral part of the role that he brings nuance to without overtly expository passages. In fact, it’s his first-hand experience seeing the devastation of chemical weapons in Iraq that gives Pine the motivation to first engage in the scheme to take down Roper. It's also what gives Hiddleston such a layered role. It’s interesting to see Pine incorporate his experience as a soldier within the crafted backstory he must present to Roper; he’s certainly no stranger to violence, but the persona he must adopt requires Pine to pretend to have a criminal background, something that’s far removed from his ordinary professionalism. If Loki’s performative quality leaned into theatricality, Hiddleston has to portray a much different type of deception here. Watching Pine’s illusion crack as Roper's suspicions grow provides the central tension of the series.

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Image via AMC

The Night Manager is also a more action-centric role than Hiddleston had done before; Loki often utilized minions and amusing shenanigans to avoid actual fights, but here Hiddleston shows an impressive physicality that is dynamic within the action sequences. It’s not a surprise thatThe Night Manager landed Hiddleston's name as a potential candidate to play James Bond, as his introductory scene within the hectic gunfire of the Egyptian Revolution bears a resemblance to Daniel Craig’s iconic crane fight in Casino Royale.

But It’s not just the relentless action that inspired Hiddelston’s proposed candidacy for 007. The Night Manager is also a sleek romance. Pine and Roper’s girlfriend Jed (Elizabeth Debicki) begin to fall for each other during his prolonged operation, and Pine must show his affection for her while making sure he doesn’t reveal any critical information that could endanger the mission. Hiddleston certainly proved that he can bring pathos to a tender romance in 2013's Only Lovers Left Alive, but here he’s able to blend intimacy within the web of le Carre’s interconnected narrative.

RELATED: 'The Night Manager' Review: Tom Hiddleston Shines in Spellbinding Spy Drama

It’s also interesting to see Hiddleston play opposite Laurie, whose villainous turn as Roper is everything you would want from a spy series antagonist. Hiddleston is used to being the scene-stealer (Loki never fails to get the last word in), but he has to show some restraint here when Roper unleashes his brutality. Roper’s exhaustive cruelty is perhaps the only aspect of The Night Manager that risks breaking the line of believability, and in a subversion of his normal roles, Hiddleston is the one reigning things back in.

It's a wonderfully understated role that's only more fascinating next to the rest of Hiddleston's filmography. Although the MCU has certainly improved on its villains recently, Loki was really the only compelling antagonist of the first two phases. Not only was Loki the rare bad guy whose motivation and backstory were just as compelling as his archnemesis (and perhaps even more so), Hiddleston brought a signature personality to the role that was sorely lacking among the bland CGI manifestations. Ten years after the first Thor film, Loki has become one of the most fleshed-out characters in the entire franchise; when it was first indicated that supporting characters would begin receiving spinoffs, a Loki series was an automatic suggestion. Hiddleston has leveraged his Marvel celebrity well, choosing to spotlight more experimental genre films from maverick auteurs in his time between MCU installments, including Guillermo del Toro’s Crimson Peak, Ben Wheatley’s High Rise, and Joanna Hogg’s Exhibition.

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Image via AMC

That’s a pretty diverse selection of genres and filmmakers, but for the most part, Hiddleston's performances have leaned into eccentricity and villainous charisma. A few of Hiddleston's attempts at shedding his inherent idiosyncrasies in favor of more streamlined leading roles have landed with a thud. The 2015 Hank Williams biopic I Saw The Light was met with a tepid response and immediately forgotten within the awards season cycle, and he was unfortunately saddled with an unbelievably bland role in the Monsterverse installment Kong: Skull Island that was overshadowed by more entertaining co-stars like John C. Reilly and Samuel L. Jackson.

The Night Manager demonstrated Hiddleston is more than capable of a well-rounded lead performance, both understated and bold in equal measure. Anyone who caught the le Carre adaptation already knew Hiddleston has what it takes to lead a series; not all Marvel side-characters can carry six hours of storytelling, but Hiddleston has already proven himself up to the task once. It’s unlikely that Loki will be the last time Hiddleston appears in the Marvel franchise, but I hope it launches him into something in the same vein as The Night Manager. (Here's to hoping his upcoming role in the Apple TV+ drama The Essex Serpent has the same depth.) Hiddleston is clearly a great actor who brings unique qualities to his parts, but The Night Manager is the only one that allowed him to show all of them at the same time.

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