A couple week ago, I got the chance to interview Topher Grace and Teresa Palmer about their new movie Take Me Home Tonight. The two were on a press tour promoting the film and I got to speak with them at Whiskey Park inside the Midtown W. Hotel in Atlanta. Grace and Palmer have terrific chemistry in the film and I got to see that chemistry in person. They spoke about taking the film around the country, sang each other's praises, revealed some of the deleted scenes that will be on the Blu-ray, and reflected fondly about the music video where they spoofed 80s movies. Take Me Home Tonight also marks Grace's first film as a producer and I asked him what he had learned from the experience.Hit the jump to check out the interview. Take Me Home Tonight opens Friday. Howâs the tour been treating you?TOPHER GRACE: Good. Thereâs two good pieces of news if they want to put you on a tour like this, besides the bad piece of news that youâre having the same conversation a lot of times. One good thing is that, the studio believes in it and they want to pay for you to travel. And the other good piece of news is that they want to show people the film. I mean, you know that thing where theyâre like, âCome review it the Monday after it opens!â and what that means. But weâve been showing it to lots of different kinds of people and itâs getting a great response, but when we show it to college audiences, itâs like, we made it for that age group. So everyoneâs very vocal, itâs like a loud reception. Itâs always great. And whatâs been the toughest part other than getting the same questions over and over again? GRACE: Itâs just flying every day. Itâs like, youâre gonna get sick. I mean, Russian roulette. The Russian roulette-ness of it is, you pull the trigger enough times, if youâre on enough airplanes in a rowâ¦TERESA PALMER: And the turnaround the other night. We had a five hour turnaround the other night. So we got back to the hotel at 1:30 AM, we were up at 6:30. So it was really intense. GRACE: But all that being said, even though Iâm a producer on it, when the film stinks you donât want to be doing this. And when itâs good, you want to be and itâs your business. PALMER: Because youâre passionate about it. Topher, this is your first time working as a producer on a film. What do you know now that you wish you knew when you had started?GRACE: Well, basically, if you make a kidâs movie, youâre going to be fine. In âHard Râ thereâs a lot of cocaine, nudity. Have you seen the film?Yes.GRACE: Yeah, you know, especially a bunch of twenty-somethings doing coke, itâs gonna be a bumpy ride. On the flip side, if you get over that hump, itâs a beautiful thing because not many people can. And certainly we feel like weâre the first movie thatâs made about the 80s. Thereâve been movies made in the 80s, but the first movie thatâs made about a decade that isnât spoofing it. Weâre really trying to make it like one of those⦠PALMER: An authentic 80s film. GRACE: Yeah, almost like you went back in time and we filmed it there, at the time when John Hughes was making films and Cameron Crowe was making those films in the 80s. Like Dazed and Confused was 90s for the 70s, or American Graffiti was the 70s for the 50s. That hadnât happened yet. So we wanted to be the first ones to make the movie where some guyâs not holding a giant brick cellphone, going, âHow small is this phone?â Because that just implies, you know what I mean, or whatever all the jokes are. Some of the people weâve been talking to have been talking like, âWhere were they when the movie was shot or was meant to be shot?â Most of the time, when people go back to the 80s in films or on TV, you know in Friends when they flash back to the 80s, you go, âThatâs like, some farcical land that didnât really exist.â Although people did have those weird haircuts, it wasnât everyone had Flock of Seagulls haircuts. It would look, actually, surprisinglyâ¦well this place [referring to the decor of Whiskey Park] wouldnât. PALMER: This is art from the future. GRACE: But most places would look pretty much exactly the same. I think if someone actually went back in time, you wouldnât notice for a little while. So we wanted to be that kind of movie where itâs literally like we made it in the studio system in the 80s. When youâre preparing for a movie like this, what do you use as research? Do you try to not look at movies in the 80s? GRACE: I think itâs the opposite. Itâs as much genre travel as it is time travel. PALMER: I think for me it was really beneficial because I was born in the 80s so I didnât really know too much about that time. I just had to immerse myself in that period and I did that, actually, with the help of Topher. He provided all of the cast a little 80s packet of 80s films, John Hughes movies, a Phoebe Cates poster. GRACE: Sheâs the only one that got a Phoebe Cates poster. PALMER: Yeah, am I the only one who got that? Yeah. GRACE: Everyone got stuff that was specific to them. There was a Less Than Zero in Dan (Fogler)âs box. PALMER: And my 80s music. So, for me my whole 80s education was in the first two days that I arrived in Arizona to start shooting the movie. I just sat down and watched 80s movie after 80s movie. By the end, I was kind of 80s out. Since you guys have been traveling on this tour, for each of you, whatâs something about the other person that people may not know? GRACE: Hereâs what nobody knows about Tess. I mean, a few people in Australia know. Thereâs no way anyone could know this, because sheâs about to have an action film come out, I Am Number Four, a sci-fi action movie. Then sheâs going to have a kind of character piece comedy come out. And thatâs almost the full gamut, the full spectrum you can run. Sheâs excellent in both, and this is going to be one of those interview where you, like in twenty years, are like, âI was there.â You know what I mean? People talk about like, âI was like meeting with Angelina Jolie in a fucking café somewhere and itâs like she was like a normal person. And now, I mean, look at her!â Thatâs what people donât know. And I mean that, almost not as a compliment. Itâs like, your destiny. Look, itâs great that sheâs super good looking. That was really a requirement for the role, to be honest. But then on top of it, she has a very tricky task in the movie which isâ¦the audience, you donât know her. And Matt [Grace], the protagonist, doesnât know her. If Matt is the audience, he doesnât know the character, Tori [Teresa Palmer] for the first half of the movie. Itâs kind of like what Matt hasâ¦more like a classic 80s heroine where Matt kind of is obsessed with her and has put her on a pedestal. He doesnât even call her Tori Frederking, he calls her The Frederking. Heâs really objectifying her. And then about half way through, they get together and start talking on the way to that party and they have these deep conversations. The audience gets way closer to her as Matt gets way closer to her. I think they actually are more sympathetic towards Tori at the end of the movie than they are towards Matt. And thatâs a really tough trick for an actress, especially a relatively new actress, because I think some would eitherâ¦and we wanted it to be a new actress so that you didnât know where it was going in terms ofâ¦you know, if you used Rachel McAdams, youâd go, âI already have a preexisting relationship with Rachel.â But I think the audience, in thisâ¦most girls would either be too frosty and you couldnât make that connection later in the film or would have too much of a need to be liked at the beginning. And itâs great. Tez played it just perfectly where you get the right information and feeling about the character as it goes towards the end, where sheâs now one of the main characters of the film. PALMER: Um, Topherâ¦I would say⦠GRACE: Sheâs like, âAnd Topher is veryâ¦punctual.â PALMER: Iâm really close to Topher. Weâve been friends since this movie. He really has figured out how to live his life in the best possible way. He is so rich in his personal life and with his friends and his family. He holds them so dear to him. And I think that he manages to strike the perfect balance between living a normal life and then also being a very famous movie star whoâs so talented in everything that he does. Heâs also a very good friend. Heâs so loyal to all of his friends. Heâs always there no matter how busy he is. He always takes time out to sit down with them and catch up and give advice. I grew so much in LA and in Hollywood because I had Topher next to me as my friend teaching me how to figure it all out. That was a blessing for me. GRACE: Thank you! What a nice question. PALMER: I know! It was really nice.Also, I really enjoyed the music video you guys did to promote the film. GRACE: Oh, thanks man. Did that go up on Collider? Yes it did! And I was wondering, what was your favorite dress-up? GRACE: Thatâs the most fun Iâve ever had in two days in my life. We had such a blast making that, man. We all had this leftover energy, frustrated energy from not being able to spoof the 80s at all. We then wanted to get it all out as kind of an appetizer to the movie. PALMER: I loved Ghostbusters. I loved that I was picked to be a part of that reference. Itâs not typical. You wouldnât really expect me to be one of the Ghostbusters. But I loved that movie so much and I had fun with that. And it was just nice getting the gang back together. We hadnât seen each other in a little bit and everyone came and was so passionate about what we were doing. Yeah, we got very nostalgic, I think, for that time when we were shooting this movie. GRACE: I loved Teen Wolf. Loved doing Ghost with Anna (Faris). Sheâs such a great comedienne. I liked to be able⦠PALMER: Sheâs amazing. GRACE: And by the way, sheâs good at spoofs. She actually happens to be kind of the most dramatic person in our film, with what sheâs going through. But, weirdly, like from the Scary Movie movies, everyone knows how great she is at that stuff. When we did Dirty Dancing together, I was like, âOh man, Iâm going to enjoy this.â It was fun. She will really just go there. She is full commitment. Do you guys have any deleted scenes that are planning to be on the Blu-ray? GRACE: Oh yeah. We have a lot of great deleted scenes. The best is Bob Odenkirk, who, unfortunately, his scene was clipped from the movie. Having nothing to do with him, heâs amazing. I donât know if you know Mr. Show at all?Oh yeah. I love him and I love him on Breaking Bad, as well. GRACE: Yeah, heâs amazing. Unfortunately the first act was too long. Itâs almost like we wanted to cut one of my scenes to put him in there, but mine was more integral to the plot. So we put the longest possible version of the scene in the deleted scenes. PALMER: Heâs brilliant in this scene. Just genius. GRACE: Heâs so great. Itâs weird because heâs still in the movie. I called him about it and said, âIâm so sorry. You came all the way out there,â and he said, âNo big deal.â He doesnât even care, heâs such a genius. And then thereâs a great thing we do with Demetri (Martin), because Demetri improvs so much of his character. And thereâs so much we couldnât use. In the Redband, by the way, thatâs not even in the movie, when he says, âIâm waist deep in pussy.â Itâs a great line. He just has tons of stuff like that. So with him, because none of it was chronological, we just haveâ¦you know when they go *beep* and it takes it back? We just have all of his takes. I was cracking up in it. One of them he goes, âI didnât even have anything I wanted to do. Minus parasailing, but whatever.â Heâs so great. And itâs allâ¦you can see heâs doing it, heâs really coming up with it on the spot. Heâs a brilliant guy. So Iâm really psyched about those. You also contributed to the story. What attracted you to this time period and how did it come about? GRACE: You know how Iâm sitting here talking about Anna and Tez and Demetri and Dan, whoâs the break-out of the movie. That guy kills it. I had had that want, or that appetite, to work with my peer group. I love that Iâm going to work with Dennis Quaid. I just did a movie with Richard Gere. I love working with people who can teach me, because theyâre masters of the same business Iâm in. But, I was feeling like, I wish I was around⦠Love everything about the Brat Pack. But I do love that there was a time where people were giving young people movies that had drama and comedy. Those movies just donât exist any more. And I wanted to be there at the nexus of⦠What happened was, I was saying this to my producing partner and he said, âWell think about Dazed and Confused and American Graffiti.â So Dazed and Confused has Matthew McConaughey, Ben Affleck, Renee Zellwegger, Parker Posey, Milla Jovovich, etc. And itâs not a coincidence, because American Graffiti has Harrison Ford, Richard Dreyfuss, Ron Howard, one of our producers, Cindy Williams, Suzanne Somers. Who am I leaving out, you know what I mean? You see this Vanity Fair pictures of get togethers, reunions of the cast and youâre like, âOh my God, what happened after?â So thatâs when we matched those two ideas up together. Because we thought, if we went back the same amount of time those movies went back, it would land in when John Hughes was actually making films. And then we wanted to have some Less Than Zero, some Fast Times (at Ridgemont High), Say Anything, you know, kind of all of it, a âbest of.â That really highlighted for us, okay, this canât be a spoof. The music canât be âRock Me, Amadeus.â  It canât be the cellphone joke. Just to be like, what if we really went back there. I love both of those type of movies, so doing both in one was kind of our original idea. And then my dream came true. Did you read that Saturday Night Live book? Someoneâs at a bar and theyâre hanging out with like Belushi, and Bill Murray and then Gilda Radner walks up. And weâd all go to this IHOP, because weâd shoot all night, so IHOP was the only place weâd have dinner, because it was open, at six in the morning. To see Anna Faris and Dan Fogler doing a bit, and then Demetri Martin walks in, Iâm like, âIâm here.â Everyone is a $20 million movie star in this movie, just 10 years from now.