Be aware there are major spoilers for Veronica Mars Season 4 below. Seriously, if you haven't watched it, you want to stop reading.

Again, Big Huge Spoilers below.

How you hanging in there, Marshmallows? Few fandoms have rallied behind and stuck with a show the way Veronica Mars loyalists have. Through 25 years, two networks, a fan-funded movie, and now a new revival streaming season on Hulu, the Veronica Mars fans -- self-dubbed Marshmallows -- have stuck with the detective series through thick and thin. But the Season 4 finale just delivered the biggest blow yet.

Logan Echolls (Jason Dohring) is dead. The bad boy heartthrob who won Veronica's (and the audience's) love through their early rivalry, tortured on-again-off-again romance, countless shared tragedies, and ultimately, a devastatingly short-lived marriage, is gone from the series for good. Understandably, there are a lot of feelings to process, and series creator Rob Thomas has been very open in post-premiere interviews about why he felt Logan had die for the series to move forward. Let's dig into those quotes and why sometimes tragic endings are necessary for beautiful beginnings.

"I love Jason Dohring and I love Logan Echolls as a character in the show. But this felt like cutting off an arm to save the body," he told TVGuide. And he's aware of the risk of blowback that comes with a game-changing decision like that. "If we never get to do any more of these because the fans hate me, then it was a mistake. If we get to do more of them, I'm gonna be more excited about doing the show with Veronica as a single woman."

For Thomas, the decision came down to bringing Veronica Mars back to its roots as a mystery series, and the demands of growing up in that genre."The show started out as sort of a teen soap-noir detective show hybrid," he continued. "And in order for us to keep doing these, I think it needs to become a detective show — a noir, mystery, detective show — and those elements of teenage soap need to be behind us. I sort of viewed these eight episodes as a bridge to what Veronica Mars might be moving forward."

The eight-episode Season 4 picked up with Veronica after the events of the 2014 movie, nestled back into P.I. life in Neptune with her father (despite his objections), and (mostly) happy with Logan. Until Logan proposes, and Veronica's deep-seated trust issues come out to play, causing her to doubt her trusty live-in boyfriend; the reformed Neptune High trouble-maker turned Naval Intelligence Officer and generally stable guy.

For Thomas, it was an essential opportunity to dig into the ways a lifetime of photographing infidelity and seeing the worst in people effected Veronica's capacity for intimacy -- a throughline that was mirrored by her failed friendship with Nicole (Kirby Howell-Baptiste). Thomas explained to THR that Nicole doesn't just highlight the cracks in Veronica's psyche, she also served as a contrast to the All-Clean American Dream that Veronica's BFF Wallace grew into. Thomas explained, Nicole "has absolute freedom, does her own thing, is her own boss, is sexually liberated," and Season 4 put both options in front of Veronica and told her to chose.

That desire to investigate Veronica's character, warts and all, is a highlight of the new season, a matured and hardened season that challenges casual hero worship of its main character in favor of something much more intriguing. Veronica is a mess. And why wouldn't she be? Assaulted, abandoned by her mother, and always digging into people's worst moments, Veronica has trapped herself in a self-destructive cycle of mistrust, confining herself to her old haunts in Neptune and forsaking the promising career she had on track before the event's of the film. Veronica needed a hard look, and Season 4 gave it to her with nuances and thoughtfulness.

While Veronica attempts to come to terms with her relationship and identity issues, she also hunts down the Neptune Bomber, who turns out to be none other than the unassuming pizza guy Pen Epner (Patton Oswalt). Veronica cracks the case and sends him to prison, but Epner gets the last laugh, planting one last bomb in Veronica's car. The finale looks like it's ready to end on a high note. The bad guy is defeated, Veronica accepts Logan's proposal, and despite a last-minute visit from his old flame Parker (Julie Gonzalo), Logan and Veronica walk down the aisle. But Veronica's voice-over teased tragedy from the beginning, so it's not exactly a surprise when Logan dies in the last explosion. Not exactly a surprise, but utterly shocking.

Veronica Mars has always been a grim show. Born out of the tradition of seedy noir, the series begins with two mysteries -- the murder of a teenage girl and Veronica's own sexual assault. After all, this is the show that sent a bus full of kids off a cliff. But it's also not a show that has traded heavily in the death of main characters, making Logan's death a crushing left-field heartbreak. But for Thomas, it was essential if the series was going to continue.

In fact, the creator says it was built into the pitch for Season 4, and both Dohring and Kristen Bell knew about the tragic conclusion before they signed on. Bell recalled Thomas' pitch in an interview with EW: "He said, ‘I know this seems crazy or harsh but Veronica is at her best when she’s an underdog and I don’t know that there’s much to root for if she’s now got a perfect relationship. I need to keep her fighting and I need to keep her a little bit uncomfortable in order to have a show. There’s nothing funny or interesting about perfection.'”

Dohring echoed those sentiments in an interview with THR. "[Thomas] explained the rationale behind that decision, as far as shedding the teenage drama of the show, and the on-again-off-again relationship with Veronica and Logan. That can only go so far, and if these two are sort of destined to be together as characters, it wouldn’t really make sense for the show to have it end any other way," Dohring said. "I think Rob really saw a chance to bring Veronica back to where she started, in a way, and bring her back to being the underdog, because the audience really responds to her in that way. This does that; it gives her a way to start anew, and obviously in pain, but with a new determination. I think that’s the direction he was looking to go, and I understood that."

As you might expect, the fandom has been divided in the aftermath of Logan's death and not everyone is as understanding as Dohring. Logan and Veronica -- or LoVe, as the fandom dubs their romance -- may not have always been the plan, but it's been a central dynamic and heartbeat of the series ever since their chemistry sparked into full-blown romance mid-way through season one. Their love, as Logan dubbed it, was "epic," becoming a life-blood of the series that kept audiences just as hooked as the mysteries.

Now, that's over. Logan and Veronica are unequivocally done. And it is unequivocal -- Thomas has been very clear in interviews that Logan is dead, for real, no backsies. "I did not mean to leave any room for second-guessing that," Thomas told TVGuide. "Yes, he is dead." As a series-long diehard, it's devastating. So where does Veronica Mars go from here? Can the series recover?

Bell hasn't been shy about her willingness to play the character for as long as she can ("I'll play Veronica until everyone in Neptune is dead," she said at Comic-Con,) and Thomas has been equally vocal about his hopes for a fifth season. For Thomas, the future of the series is leaning into full mystery, following Veronica on her travels where she cracks cases on her own. "I want to strip the show of nostalgia. I want it to be about a kick-ass detective solving interesting cases," Thomas told THR. "I don't think we're going to be ever as pure detective as something like Sherlock, but somewhere between Sherlock and Fargo, I think we could exist. Moving forward, we're going to really build around [the idea that] the case is the thing and less of the soap opera of Veronica's life."

Thomas' post-finale quotes have been met with the same mixed reception that greeted the finale, and there are some interesting issues at play. It's worth exploring how we perceive healthy romantic relationships and why they tend to make a series fizzle out -- but Thomas isn't wrong when he notes that happily ever after romances don't bode well for a series' longevity (there are exceptions to every rule, but there's a reason why will-they-won't-they is such a force in TV narrative.)One of the key rules of storytelling is that you don't get your audience what they want, you give them what they need. My read isn't that Thomas is saying Veronica isn't interesting if she has a boyfriend at home, it's that drama comes from conflict and when you have an ideal relationship, that's a bit too comfortable for the story's own good.

Asked if he regretted the decision in the wake of the outcry, Thomas told TVLine "No. Not even a little bit. I know what the show needs to be moving forward." And when it comes to the future of Veronica Mars with a series, I'm ultimately inclined to agree with his decision to propel Veronica out of her comfort zone, even by the most tragic means possible. We can't ask Thomas to give us what we want, we can only trust him to give us what we need as the story moves forward. As a character, Logan's arc was complete. He confronted his demons and came out the other side a better person. Veronica hasn't, but if the show continues, hopefully, we get to see how she gets there. And grief is one of life's great motivators.

I understand if Logan's death is a dealbreaker for some, it almost felt like one for me. As a longtime fan who followed Veronica through it all, contributed to the Kickstarter, and started bingeing the old seasons all over again the moment they dropped on Hulu, Logan's death was a brutal kick in the chest. I felt spectacular grief, not only for the characters I love and the hopes I had for them, but for the long-gone soft-hearted teenage sene of romance I first invested in LoVe with. Which is fitting. If Veronica has to grow up, that means I do too.

By taking logan out of the equation, Thomas has almost entirely removed Veronica's safety blanket, she has two choices now; finally, full grow up, or fall into even deeper depths of self-destruction. Season 4 ends with Veronica leaving Neptune behind; leaving behind the toxic comforts as her life as Neptune's brilliant P.I., leaving the comforts of the relationship the helped keep her there, and sending her on a journey where she will have to truly rely on herself and her ability to pull her life back together. A long time ago, we all became friends with Veronica Mars, but we can't expect a good story to stay in one place forever.

That means the audiences has to leave those comforts behind too. If Veronica grieves, we grieve. But the journey through grief can be one of life's most affirming and profound experiences, and sometimes heartbreaking endings make for the most beautiful beginnings.  If Thomas and Bell continue to look at Veronica Mars with unflinching and affectionate honesty, I can't wait to see what that new beginning looks like.